Vivienne Acheampong, Adelayo Adedayo, Ray Emmet Brown, Ernest Kingsley Jnr, Tamara Lawrance, Rudolphe Mdlongwa, Mark Monero and Cecilia Noble have been cast in the UK premiere of Is God Is written by Aleshea Harris and directed by Royal Court Associate Director Ola Ince.
Is God Is by Aleshea Harris will run in the Royal Court Jerwood Theatre Downstairs from Friday 10 September 2021 – Saturday 23 October 2021 with press night on Thursday 16 September 2021, 7.30pm.
With set design by Chloe Lamford, costume design by Natalie Pryce, lighting design by Simisola Lucia Majekodumni, composition by Renell Shaw, sound design by Max Perryment, movement direction from Imogen Knight, choreography by Jordan ‘JFunk’ Franklin and special effects design by Susanna Peretz. The associate designer is Shankho Chaudhuri, the assistant director is Leian John-Baptiste, the dialect coach is Dawn-Elin Fraser and the fight director is Philip D’Orléans. Continue reading “Late summer casting news”
Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show, with Vicki Pepperdine’s Anne a real highlight
“You lied to me when you went to bed with Nicola Sturgeon in her holiday persona of Flame”
Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show as Theresa May (Gillian Bevan), Nicola Sturgeon (a genius Amy Booth-Steel) and Donald Trump (Corey Johnson) (and Ellie Goulding too – nice to see Lizzy Connolly on TV) all make appearances to further lampoon our blessed Royal Family.
Harry Enfield’s Prince Charles comes in for some particular stick as his organic credentials, urban planning skills and predilection for interfering in geopolitical affairs all get raked over the coals to great comic effect. Elsewhere, most everyone else gets away with flights of fancy rather than having their actions similarly scrutinised, for the most part. Continue reading “TV Review: The Windsors, Series 2”
“I learned a long time ago not to trust what people tell me”
I did want to love Fearless, I really did. Any series with Helen McCrory in its leading role has to be worthy of consideration and ITV have been upping their drama game (qv Unforgotten) recently. But despite an intriguing opener, the six episodes of Fearless increasingly tested the patience as Patrick Harbinson’s script failed to deliver on its twistily complex promise, instead giving us a fairly run-of-the-mill thriller that ultimately proved less than thrilling.
With a playbook that threw out major themes with regularity – miscarriages of justice, the Syrian refugee crisis, institutional corruption, the war in Iraq, the ethics of the surveillance state, just to name a few – it was inevitable that some would fall by the wayside. But with the amount of personal backstory for McCrory’s Emma also shoehorned in there, the narrative was both painfully overstuffed and sadly inconsequential – it was increasingly hard to know what we were meant to care about.
Continue reading “TV Review: Fearless, ITV”
“You let a terrorist’s wife live in your home and you set a murderer free”
Fearless is a new six-part drama on ITV and whilst some people might be excited by the fact that it is written by one of the writers of Homeland (Patrick Harbinson), all right-thinking people will of course be psyched that it is giving Helen McCrory a stonking leading role. She plays human rights lawyer Emma Banville who is utterly unafraid to butt heads with the world as she investigates miscarriages of justice.
Her latest case draws her into the orbit of Kevin Russell (definite fave Sam Swainsbury) whose conviction for murder looks to be a little iffy. With perhaps a little too much ease, she finds it unsafe and secures a retrial but looks set to have opened up quite the can of national security-flavoured worms as a serious-looking transatlantic phone call on a secure line seems to suggest that there is much more to this than meets the eye. Continue reading “TV Review: Fearless Episode 1”
“We were chosen because we think like Englishmen”
At a moment in British history when the political discourse around the contribution of (at least part of) the immigrant population has never been more highly charged, Patricia Cumper’s Chigger Foot Boys could not be more timely. A largely unheralded part of the British Army in the First World War were the 15,600 men who formed the British West Indies Regiment, volunteers from British colonies who provided invaluable service and yet received despicable treatment.
Cumper is far too canny a writer to make her play – based on meticulous research and inspired by real events – that didactic though. The consequences of colonial attitudes and their prejudices are implicit, threaded through every heartbeat of her five fictional characters but never the sole focus, complicated as they are by the intersection of so many other things like cruel twists of fate and the full spectrum of human nature from its self-sabotaging worst to its soul-searching best, to create the rich fabric of their own narratives. Continue reading “Review: Chigger Foot Boys, Tara Arts”