Louise Jameson in The Diva Drag at The Hope
Lydia Larson in Skin A Cat at The Bunker
Sarah Ridgeway in Fury at Soho Theatre
Jenna Russell in Grey Gardens at Southwark Playhouse
Best Supporting Female
Lynette Clarke in Karagula at The Styx
Joanna Hickman in Ragtime at Charing Cross Theatre
Sasha Waddell in After October at The Finborough
Fiston Barek in The Rolling Stone at The Orange Tree
Phil Dunster in Pink Mist at The Bush
Paul Keating in Kenny Morgan at The Arcola
John Ramm in Sheppey at The Orange Tree Continue reading “2017 Offie Award Finalists”
“Every night on the news there’s literally always some sort of massively catastrophic end-of-the-world shit going down… And I always wonder ‘how would I cope, if that happened to me?’”
I enjoyed Stuart Slade’s BU21 massively when it played the Theatre503 early last year (see my original review and my top ten of 2016) but I hadn’t intended to revisit the show – sometimes the memory of it is plenty sufficient. The feedback from friends who had appreciated the play just as much persuaded me to change my mind though and I’m glad I went back, as there was as much that I’d forgotten as there was that I remembered I loved, making this a definite recommendation from me, even if you’ve been before.
Running time: 100 minutes (without interval)
Booking until 18th February
2017 is only just over a week away now and the reviewing diary is already filling up! All sorts of headline-grabbing West End shows have already been announced (The Glass Menagerie, Who’s Afraid Of Virginia Woolf, Don Juan In Soho, The Goat, Or Who Is Sylvia) and the National look to continue a sensational year with another (Twelfth Night, Consent, the heaven-sent Angels in America), so this list is looking a little further afield to the London fringe and some of the UK theatres I hope to get to throughout the year.
After hearing Elizabeth Newman speak passionately on a panel discussion about women’s theatre, I kinda have a big (intellectual) crush on her, so I’m very keen to see her tackle a new adaptation by Deborah McAndrew of the classic Anne Bronte novel in a theatre that is very close to my heart.
Continue reading “20 shows to look forward to in 2017”
“If you can fucking laugh at it, you can beat it you know
Is that true?”
How would you cope in a crisis? But no, really, if the sky came caving in on your world, if terrorist atrocities landed on your doorstep (or back garden), could you even begin to conceive of how you might react and respond. That’s what Stuart Slade’s BU21 asks of its six characters as they congregate in group therapy sessions for survivors, all dealing with the aftermath of a jumbo jet being shot down in the skies above West London with an anti-aircraft missile.
One woman lost her mother, the news smashing into her world through a photo on Twitter; another saw a man still strapped into his seat crashing into her garden, still alive even if only for a couple of seconds; yet another has been horrifically burned by jet fuel, and so on. Their stories are told through interlinking monologues, details drawing their experiences inevitably closer but even as Slade gives us a searing account of tragedy close to home, he brilliantly skewers the way in which society, and particularly the media, tries to deal with it. Continue reading “Review: BU21, Theatre503”