Aleshea Harris’ vengeance-soaked Is God Is is a ferocious breath of fresh air at the Royal Court, with yet another memorable performance from Cecilia Noble
“She made us”
Even as you count off the cultural reference points from Greek tragedy through McDonagh and Tarantino, Aleshea Harris’ Is God Is is a ferocious breath of fresh air at the Royal Court. As it falls in the honourable tradition of many a vengeance thriller, its unique take and razor-sharp perspective makes for a real theatrical surprise.
Twins Racine and Anaia were both disfigured in a fire that they believe killed their mother 20 years ago but when a letter from She arrives, naming her husband, their father, as the culprit, a quest for revenge is initiated. And as they travel from Arkansas to California, their road movie becomes increasingly bloodsoaked. Continue reading “Review: Is God Is, Royal Court”
Vivienne Acheampong, Adelayo Adedayo, Ray Emmet Brown, Ernest Kingsley Jnr, Tamara Lawrance, Rudolphe Mdlongwa, Mark Monero and Cecilia Noble have been cast in the UK premiere of Is God Is written by Aleshea Harris and directed by Royal Court Associate Director Ola Ince.
Is God Is by Aleshea Harris will run in the Royal Court Jerwood Theatre Downstairs from Friday 10 September 2021 – Saturday 23 October 2021 with press night on Thursday 16 September 2021, 7.30pm.
With set design by Chloe Lamford, costume design by Natalie Pryce, lighting design by Simisola Lucia Majekodumni, composition by Renell Shaw, sound design by Max Perryment, movement direction from Imogen Knight, choreography by Jordan ‘JFunk’ Franklin and special effects design by Susanna Peretz. The associate designer is Shankho Chaudhuri, the assistant director is Leian John-Baptiste, the dialect coach is Dawn-Elin Fraser and the fight director is Philip D’Orléans. Continue reading “Late summer casting news”
Danai Gurira’s The Convert is a Christmas treat of a different order at the Young Vic Theatre
“Gracious to goodness”
There’s all sorts of lovely connections here. Danai Gurira’s play The Convert was first seen in the UK at the Gate last year, a theatre where her earlier drama Eclipsed was produced in 2015. That play starred Letitia Wright in an astonishing performance and Wright now appears in this new version of The Convert at the Young Vic – Wright and Gurira having starred in some little arthouse film called Black Panther in the meantime…
It’s a cracking good play too, worth the attention of this second production. Set in 1896 Rhodesia (modern day Zimbabwe), it looks at the ways in which colonial rulers sought to erase African cultural identities through any means they saw fit. Culturally, religiously, linguistically, their tools of ‘progress’ were wielded with considerable force and Gurira counts up the cost with a slow-building dramatic flair. Continue reading “Review: The Convert, Young Vic”