Just a quickie for this as the book is almost sold out now, but Sophie Ross and Danny Kaan’s coffee-table book Dear Audience is such a beautiful book that I’d encourage you to go and purchase one of the few remaining copies. Striving to photographically celebrate the arts industry from a wide range of performers through producers, MDs and writers, it is a nicely high-quality publication that matches that aim.
In the interest of fairness, I can’t pick favourites from the many many names featured here, just look at the tags to see the impressive roll-call. What really elevates the book though is the inclusion of heartfelt letters from some of the participants, adding a really personal note to the whole endeavour, reminding us of the personal cost of the pandemic alongside what it has done to the sector as a whole. Track down those last copies now.
‘My hands are shaking you know. I haven’t been so keyed up about anything since I was the Virgin Mary.’
Sheffield Theatres announces their new production of Talent, written by Victoria Wood, at the Crucible Theatre from Wednesday 30 June to Saturday 24 July 2021. Cast in the play are: Richard Cant (The Country Wife), Daniel Crossley (Me and My Girl), Jamie-Rose Monk(Dick Whittington), Jonathon Ojinnaka, (Coronation Street), James Quinn (Democracy) and Lucie Shorthouse (Everybody’s Talking About Jamie).
Artistic Director Daniel Evans and Executive Director Kathy Bourne have announced that Chichester Festival Theatre will reopen its doors with its summer musical: Rodgers & Hammerstein’s South Pacific, running from 5 July – 4 September.
Exploring the world of rock musicals, Episode 3 of The Theatre Channel features Alex Gaumond, Shan Ako, John Owen-Jones, Francesca Jackson, Aisha Jawando and Rob Houchen
“Je cherche le soleil Au milieu de ma nuit“
First, a confession. The idea of a rock musical generally leaves me cold so the announcement of the theme of the third episode of The Theatre Channel being just that wasn’t one that filled me with too much joy. But the quality of Episode 1 and Episode 2, plus the calibre of talent they’ve been attracting, meant that I was happy to at least give it a whirl.
And if it didn’t make a convert out of me (there’s enough fans of Rent out there already…), there’s plenty to be impressed with. The highlight of the half-hour show for me was the chance to hear the Québécois Alex Gaumond singing ‘Le Monde est Stone’ from Starmania in its original French, the desperation of this soaring ballad transcending any linguistic barrier (though subtitles are provided). Continue reading “Review: The Theatre Channel – Episode Three”
If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.
There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.
An album review of Joel Harper-Jackson’s So What Happens Now? and inspired by Marry Me A Little last night, I explore Makerman and Rob Houchen
“I don’t care if it hurts I wanna have control”
Released just as the second lockdown kicked in, Joel Harper-Hackson’s debut album has ended up with a painfully apposite title – So What Happens Now?. I first spotted Harper-Jackson a few years as a standout in a middling new musical and have enjoyed following his career since then, not least in the Hope Mill’s gorgeous production of Little Women. Interestingly, this album largely eschews the world of musical theatre for the world of popular music, albeit reimagined through the wonderfully moody arrangements of Greg Morton.
Piano, guitar and cello thus come to the fore to underscore mournful takes on ‘Jolene’ and ‘The Man That Got Away’, the quavering vocal at the beginning of ‘Another Suitcade in Another Hall’ really refocuses the song’s emotion, and the shivering sparseness of ‘Wicked Game’ hits harder than usual, especially once the dramatic stakes are raised. Unexpectedly effective though is the duet on ‘Tragedy’ with Jodie Steele which utterly reinterprets the rueful acceptance of the song in a way which makes complete sense. ‘Creep’ with Lauren Byrne is pretty damn good too. If ever there was an album to cry-listen to whilst looking through a rainy November window and eating a packet of biscuits, this is that album and this is that moment. Highly recommended. Continue reading “Album Review: Joel Harper-Jackson – So What Happens Now? / Makerman – Grove Hill / Rob Houchen”
Rob Houchen and Celinde Schoenmaker star in a beautifully sung, beautifully filmed digital version of Sondheim’s revue Marry Me A Little for the Barn Theatre
“What can you do on a Saturday night alone?”
The ever-enterprising Barn Theatre in Cirencester are getting particularly good at making lemonade out of lockdown lemons and so it is little surprise to see that their production of Marry Me A Little, which had its run curtailed by the imposition of Lockdown #2: Electric Boogaloo, is now available to stream for a limited period, thus exponentially increasing its reach.
Recorded over its final performances by Ben Collins, the work of editor Ben Evans (with Collins co-editing and also with sound editor Harry Smith) shouldn’t be underestimated. They have done a remarkable job in translating Kirk Jameson’s directorial vision onto screen, the film is as slickly professional as you could hope to dream of, with just enough texture in there to remind you it is live theatre. Continue reading “Review: Marry Me A Little”