Book Review: Hamilton and Me: An Actor’s Journal – Giles Terera

Taking us so far behind the scenes you can smell the greasepaint, Giles Terera’s Hamilton and Me: An Actor’s Journal is a brilliant new book 

“My intention is…to try and show you the how”

I’m not saying I made Giles Terera’s career but I named him Best Actor in a Musical in 2015 for his spell-binding turn in Pure Imagination 🙂 Regardless of that though, there’s no doubting that dude was catapulted into the limelight by Hamilton, adding an Olivier to his fosterIAN award, and deservedly cementing his place in the British theatrical establishment. Throughout his time with the show, he kept a journal which has now been published as Hamilton and Me: An Actor’s Journal.

The relative informality of the journal structure works perfectly in cultivating an immediate sense of intimacy as we slip from audition process to rehearsal rooms to the Victoria Palace Theatre itself. But don’t mistake these for casual observations, the book is jam-packed full of hard-won insights and all kinds of practical advice which works whether you’re a budding thespian or just a bastard, orphan, son of a… Continue reading “Book Review: Hamilton and Me: An Actor’s Journal – Giles Terera”

Review: The Show Must Go On, Palace Theatre/online

Featuring 18 West End musicals, The Show Must Go On is a concert to remember, featuring a whole host of theatrical talent both on and off the stage

“Just like Dolly Levi, we are back where we belong”

Showcasing 18 West End musicals that are reopening soon or in some cases, have already reopened, The Show Must Go On is a celebratory concert, gathering together so much on- and off-stage theatrical talent in aid of Acting for Others and Fleabag Support Fund.

With Bonnie Langford and Trevor Dion Nicholas hosting and gamely working their way through a multitude of rapid-fire show descriptions, the real MVPs of the night were the orchestra, under Stuart Morley’s direction, and the choir, made up of recent graduates, who enthusiastically put their voices to any number of harmonised accompaniments. Continue reading “Review: The Show Must Go On, Palace Theatre/online”

News: casting for the Watermill’s summer season of Camelot and The Hound of the Baskervilles

Artistic Director Paul Hart and the team at Newbury’s The Watermill Theatre are thrilled to announce that their summer season of outdoor performances of Camelot and The Hound of the Baskervilles has been extended, now booking until Sunday 6 September.

When tickets first went on sale in late July, following progress with the government’s phased roadmap towards theatres re-opening to the public, demand was so high that the entire season sold out within 24 hours. Audiences from far and wide have been enjoying performances from socially distanced tables, seating up to 4 people maximum, in the idyllic setting of The Watermill’s glorious gardens. Continue reading “News: casting for the Watermill’s summer season of Camelot and The Hound of the Baskervilles”

TV Review: Quiz

James Graham’s Quiz makes a marvellous leap from stage to screen

“People still want to gather as a nation, to experience something big together”

Not a huge amount to say about the TV adaptation of James Graham’s Quiz, a show I enjoyed in the West End, not least because of its interactive elements (even if we lost). It bloomed in the televisual treatment, losing a little of its structural intricacy but gaining a narrative through-line that really worked, the explosive arrival of Helen McCrory’s QC making it worth the while. And the story remains as intriguing as ever, though just as free from doubt for me.

They totally did it, right – the Ingrams may have been stitched up in court by the tinkered-with evidence (and credit to Matthew Mcfadyen and Sian Clifford for two excellent performances) – but they totally did it.  Fun to see cameos like Paul Bazeley’s Lionel from Legal and Maggie Service’s Kerry the Floor Manager, and original cast members like Sarah Woodward and Keir Charle too.

Film Review: 1917 (2019)

Sam Mendes’ 1917 is undoubtedly an technically excellent film but the focus on format ends up detracting from the depth of the storytelling

“You’ll be wanking again in no time!
‘Wrong hand’.”

There’s no doubting the technical audacity of Sam Mendes’ 1917. With its ostensibly one-shot, real-time structure (with necessary caveats that it is neither), it is a bravura piece of film-making that elevates this movie from just your average Oscar-baity war flick (cf Dunkirk).

It is clearly a labour of love for Mendes, who directed, co-wrote (with Krysty Wilson-Cairns) and produced 1917, and whose grandfather’s own war experiences inspired the film. And its driving force, following 2 British soldiers tasked with delivering a vital message beyond enemy lines. Continue reading “Film Review: 1917 (2019)”

Winners of the 2018 London Evening Standard Theatre Awards

BEST ACTOR in partnership with Ambassador Theatre Group
Bryan Cranston Network, National Theatre (Lyttelton)
WINNER – Ralph Fiennes Antony and Cleopatra, National Theatre (Olivier)
Ian McKellen King Lear, Minerva Chichester & Duke of York’s
Colin Morgan Translations, National Theatre (Olivier)
Kyle Soller The Inheritance, Young Vic & Noël Coward Theatre

NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Laura Linney My Name Is Lucy Barton, Bridge Theatre
Carey Mulligan Girls and Boys, Royal Court
Cecilia Noble Nine Night, National Theatre (Dorfman)
WINNER – Sophie Okonedo Antony and Cleopatra, National Theatre (Olivier)
Lia Williams The Prime of Miss Jean Brodie, Donmar Warehouse Continue reading “Winners of the 2018 London Evening Standard Theatre Awards”

The winners of the 7th annual Mousetrap Awards

Best Feel Good Show
Kinky Boots

Show You Came Out Dancing To
Five Guys Named Moe

Best Female Performer
Rachel John for Hamilton

Most Heart Stopping Show
The Ferryman

Soundtrack of My Soul
Hamilton

Best Male Performer
Layton Williams for Rent

Best Finale
Kinky Boots

Aesthetic On Point
The Grinning Man

Performer Who Saved The Day
Adam Bayjou for Les Mis

Couldn’t Wait For It To Open
Five Guys Named Moe

Best Ensemble
Hamilton

Friendliest Venue
The Old Vic

Winners of the 2018 Olivier Awards

No real big surprises here though it was a shame that Hamilton’s success (7 awards in total) crowded out Everybody’s Talking About Jamie from nabbing anything. Particularly pleased to see Terera and Atim’s efforts recognised, it’s almost like I saw it coming…

Best New Play 
The Ferryman: Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre – WINNER
Ink: Almeida (& Duke of York’s) Theatre
Network: National Theatre – Lyttelton
Oslo: Harold Pinter Theatre

Best New Musical
An American In Paris – Dominion Theatre
Everybody’s Talking About Jamie – Apollo Theatre
Girl From The North Country – The Old Vic
Hamilton – Victoria Palace Theatre – WINNER
Young Frankenstein – Garrick Theatre Continue reading “Winners of the 2018 Olivier Awards”