Following its opening at the Watermill Theatre, a critically acclaimed sell-out tour in 2019, a highly successful Christmas season at The Other Palace in 2019, a Grammy nomination and 3 Olivier Award nominations, Amélie The Musical arrives in the heart of the West End this summer. Following the government roadmap announcement, tickets are on sale now for a socially distanced audience at the Criterion Theatre from Thursday 20 May. Olivier-nominee Audrey Brisson (The Elephantom, Pinocchio and Pericles (National Theatre), The Flying Lovers of Vitebsk (Kneehigh), and The Grinning Man
(Bristol Old Vic)), will return to the role of ‘Amélie’.
The five–time Oscar®-nominated film will be brought to life once again by a cast of actor-musicians and set to a critically acclaimed re-orchestrated score. With music by Hem’s Daniel Messé, lyrics by Nathan Tysen and Daniel Messé and book by Craig Lucas, Amélie The Musical is directed by Michael Fentiman. The full cast includes Sioned Saunders as Gina, Flora Spencer-Longhurst as Georgette, Rachel Dawson as Amandine/Philomene, Oliver Grant as Lucien/Mysterious Man, Chris Jared as Nino Quincampoix, Caolan McCarthy as Hippolito/Elton John, Samuel Morgan-Grahame as Joseph/Fluffy, Kate Robson-Stuart as Suzanne, Jack Quarton as Blind Beggar, Jez Unwin as Raphael/Bretodeau and Johnson Willis as Collignon/Dufayel. Nuwan Hugh Perera, Miiya Alexandra, Robyn Sinclair and Matthew James Hinchliffe complete the ensemble. Continue reading “Musical news aplenty”
“Somethings are meant to be”
Finally made my first trip to the Hope Mill Theatre, Manchester’s fringe powerhouse which has been firing transfers down to London with quite the regularity. I wanted to experience the theatre for itself though and having heard great things about Little Women the Musical, didn’t want to miss out in case this is the one that doesn’t actually make its way south (although it should, it really should!).
With a book by Allan Knee, music by Jason Howland and lyrics by Mindi Dickstein, this musical version of Louisa May Alcott’s much-loved novel is a wonderful piece of adaptation. Streamlining plot whilst simultaneously enriching character, it translates the travails of the four March sisters into a warm and witty couple of hours and naturally makes you cry just as much it gladdens the heart. Continue reading “Review: Little Women the Musical, Hope Mill”
Album reviews – Simon Bailey – Looking Up, Louise Dearman – It’s Time and Bonnie Langford – Now
“You don’t have to stay forever
I will understand”
Simon Bailey’s debut solo album Looking Up sees the actor stretch his singer-songwriter wings as well as picking personal choices from both the worlds of musical theatre and popular music. He reveals a rockier edge to his taste than would normally be my wheelhouse, but his intense reading of Evanescence’s ‘My Immortal’ is good enough to cross genres. A duet on Once’s ‘Falling Slowly’ with the talented Sabrina Aloueche is a highlight for me, and there’s nice work on Jason Robert Brown’s ‘I’d Give It All For You’ with Katie Hall. Continue reading “Album Reviews: Simon Bailey – Looking Up / Louise Dearman – It’s Time / Bonnie Langford – Now”