“Brother, I’ve come home”
Anna Jordan’s Yen follows its fellow 2013 Bruntwood Prize-winner The Rolling Stone by Chris Urch in transferring from Manchester to London and given that In-Sook Chappell’s P’yongyang was on the shortlist for the same year and is selling out the Finborough now, it’s all rather a good showcase for this particular cohort of that playwriting competition.
The play is a taut, terrifying version of corrupted teenagerhood, not a million miles away from the world of Simon Stephens’ Herons, just set on the other side of London in a council flat in Feltham. There, brothers 16-year-old Hench and 13-year-old Bobby have been left alone by their mother and become cut off from the world around them with no family, friends or school to distract them from a relentless diet of porn and computer games and just a single t-shirt to share. Continue reading “Review: Yen, Royal Court”
“When somebody says they love you, it means they see something in you they think is worth something…it adds value to you”
Clearly Nick Payne was onto something. In his play Constellations, the infinite possibilities of the relationship between characters Marianne and Dave – as originally played by Sally Hawkins and Rafe Spall – are explored and wouldn’t you know it, fate conspired to bring them together again (Hawkins and Spall that is) in UK film X+Y, and this time with a different twist on the illness. For one reason or another, I didn’t get round to seeing X+Y (or A Brilliant Young Mind as the US would have it) at the cinema last year, which is madness considering how tailor-made for me this film is, but ultimately I’m quite glad I got to watch it in the privacy of my own home as there was a fair amount of ugly crying by the end!
Which in itself isn’t that surprising as it was written by talented playwright James Graham (The Man, This House) in a beautifully, unashamedly warm-hearted manner. Inspired by documentary Beautiful Young Minds, it follows Nathan Ellis (Asa Butterfield), a teenager somewhere on the autistic spectrum who is something of a mathematical genius. Encouraged by his maths tutor Humphreys (Spall), himself a former prodigy and suffering from his own condition, and the tireless patience of his widowed mother (Hawkins), he’s selected to represent the UK at the International Mathematical Olympiad but to do so means facing up to some major challenges. Continue reading “DVD Review: X+Y”
ET IN MOTORCADIA EGO! from Tim Plester on Vimeo.
The ‘other’ 50th anniversary of the weekend was of the assassination of JFK and released with impeccable timing, Et in Motorcadia Ego! tips the hat to the huge place that that event occupied in popular culture. Written and directed by Tim Plester (and adapted from his own full-length play), it takes the form of a spontaneous dream-poem and performed by the intensely magnetic Kieran Bew, it is something spectacular. Plester’s camera loves the bearded Bew, but mixes shots of his recital with flashes of dream-like imagery to create something visually stunning and combined with the viscerally rich poetry, this is definitely recommended. Continue reading “Short Film Review #29”
“Some things are hard to say”
Somewhat appropriately, this 20th anniversary production of Beautiful Thing arrives in London just as a writer, who is carrying much of Jonathan Harvey’s legacy in giving life to a rich tapestry of diverse gay characters, has just closed his own gently touching play of young gay romance Jumpers for Goalposts (look out for its UK tour in the autumn). In the 20 years since Harvey put pen to paper, there have been significant legal, cultural and social changes so that gratefully, we are now in a world where many aspects of being gay are indeed easier. But at the same time, we should not forget that the battle is far from being won – there’s a constant struggle against fear, prejudice, violence, that should never be underestimated, no matter how many ‘gay plays’ may appear in our theatres.
What makes Harvey’s play so special is that it represents one of the first times in which gay characters took centre stage in a play that wasn’t particularly issue-driven and instead, serves up a straight love story (badumtish). Ste and Jamie are two regular working-class South London lads, everyday schoolboys living next door to each other and over the passage of a hot summer, finding that they’ve an awful lot more in common than they ever realised. And that’s essentially the sum of it: ostensibly a ‘gentle’ topic, but the slow but steady discovery of their sexuality and what that is going to mean for their futures, and the worlds of emotion that can accompany the decision to come out are huge, potentially life-changing matters and it is Harvey’s sensitive but assured handling of this that makes Beautiful Thing the timeless success that it is and will continue to be for at least another 20 years more. Continue reading “Review: Beautiful Thing, Arts Theatre”