Review: Royal Court’s Living Newspaper #3

The third edition of Royal Court’s Living Newspaper moves online only, with some seriously fierce political writing this time around

“You want me stuffing my face in Pret A Manger so your city can feel real again”

The flexible and modular nature of the Royal Court’s Living Newspaper series means that it is sufficiently adaptable to cope with ever-changing lockdown restrictions. Previous editions had the option of being consumed either digitally or in-person at Sloane Square but this third edition is online only. #3

As a multi-authored, rapid-response foray into theatre-making, structured loosely around the section of a newspaper, it possesses an up-to-the-minute urgency that is rarely captured seen onstage. Pithy soundbites from Boris Johnson are torn apart (in the corking Crocus of Hope that forms the first page), the hollowness of Emily in Paris is exposed, and there’s variety in the vitriol too. Continue reading “Review: Royal Court’s Living Newspaper #3”

News: Women’s Prize for Playwriting shortlist announced

The inaugural Women’s Prize for Playwriting has announced the 35 shortlisted scripts that will compete for its £12,000 prize. The prize is run by Ellie Keel Productions and Paines Plough, with production company 45North in association with Sonia Friedman Productions.

It was launched last year, to celebrate UK and Ireland-based writers who identify as female. The winning playwright will receive £12,000 in respect of an exclusive option for the lead producers – EKP and Paines Plough – to coproduce their play and the work will also be published by Samuel French. Continue reading “News: Women’s Prize for Playwriting shortlist announced”