Charlie Josephine’s Birds and Bees captures teenage awkwardness perfectly, in the shadow of a school sexting scandal
“‘Cause us rowdy year tens, we’re not making it any easier for you”
My abiding memory of sex education at my high school is the relief felt as I managed to avoid being the one selected for the banana demonstration exercise. But in today’s altogether more digital age, teenagers are faced with a much more complex entry into the world of relationships, temptation and sex, particularly as they intersect with a deeper understanding of wider societal issues such as identity, mental health, consent and the use and abuse of social media.
It is into this world that Charlie Josephine’s new play Birds and Bees explodes as four students sit through 45 minutes of after-school detention in the aftermath of a sexting scandal. They’ve been tasked with writing a speech to dissuade their classmates from taking or sharing explicit pictures but warring couple Leilah and Aarron are deep in their feelings, neither of them can stand the nerdy Maisy and non-binary Billy seems just too cool to get drawn into all this drama. Continue reading “Review: Birds and Bees”
From Virginia and Vita, to Mia and Lottie, Misha Pinnington’s swooningly romantic V&V explores how technology has impacted communication in relationships at the VAULT Festival
“I’ve been doing something so odd, so queer”
The business of conducting a love affair has alwas been particularly charged, as senses are heightened in the erotic rush and emotions brought closer to the surface. But in the world of romance and relationships, communication is key. Misha Pinnington’s V&V explores how even with a century of technological advancement, telling someone how you feel can be an absolute minefield.
From the carefully composed letters between Vita Sackville-West and Virginia Woolf to the scrolling message screen of the dating app on which Mia and Lottie meet, Pinnington compares and contrasts these love stories, asking what if anything has really changed for matters of the heart – lesbian, straight or otherwise. And in her smartly directed production for Sprezzatura, it proves a deeply affecting and romantic experience. Continue reading “Review: V&V, VAULT Festival”
Insofar as it is humanly possible for any one person to know everything that is happening at the VAULT Festival this year, I present a handful of my recommendations for 2020.
In all honesty though, I think the best thing to do is just pick a night, go down there and see what tickles your fancy – the level of quality here really is something to admire and means it’ll be very hard to end up disappointed. Take a look at their website here.
Body Talk – 29 Jan — 02 Feb
Full Disclosure Theatre take on male body image from the gay perspective, looking at the damage that can be imposed by obsessing over it.
how we love 18 — 23 Feb
Regi and Babs are getting married. She’s a lesbian and he’s gay but they need the cover to deal with the dangers posed by the prevailing attitudes towards homosexuality in Nigeria.
Notch 19 — 23 Feb
After the devilish fun of Ladykiller, the Thelmas return with this dark meditation on migration, homelessness and obsession from Danaja Wass.
V&V 03 — 08 Mar
Exploring communication then and now, V&V contrasts love stories past and present from Virginia Woolf and Vita Sackville-West’s love letters, to Mia and Lottie’s online missives.
Too Pretty To Punch 03 — 08 Mar
A comedy spoken word show from Edalia Day about gender and featuring original songs and video work about trans life in 21st century Britain. Continue reading “2020 VAULT Festival – 20 shows to see”