Review: The Theatre Channel – Episode Five The Classics of Broadway

The Theatre Channel returns with Episode Five, full of The Classics of Broadway sung by the likes of Bonnie Langford, Gary Wilmot and Marisha Wallace

“Tell me, why should it be true,
That I get a kick out of you”

Over four instalments last year, Adam Blanshay Productions and The Theatre Café’s The Theatre Channel managed the not-inconsiderable feat of finding its niche within the crowded marketplace of streamed theatrical content and also elevating its quality. Such is its quality with its consistently high production values, you really do get the feeling of seeing bona fide musical theatre rather than just another concert.

It doesn’t come easily though and the filming of Episode Five – The Classics of Broadway was hit particularly hard with the double whammy of the third lockdown and director and choreographer Bill Deamer having to shield. But we all know the show must go on and with Thom Southerland being brought in as co-director, this musical journey down the Great White Way arrives in fine form, maintaining that impressive standard. Continue reading “Review: The Theatre Channel – Episode Five The Classics of Broadway”

Review: The Theatre Channel – Episode Four The Holiday Special

Nipping in just before Santa arrives, The Theatre Channel’s fourth episode delivers festive treats aplenty in The Holiday Special

“If you’re burdened down with trouble
If your nerves are wearing thin…”

With all the uncertainty that has haunted the world of theatre since the pandemic began, there’s something unalterably pleasing about seeing a theatrical enterprise grow from strength to strength at this time. Born out of the explosion in streaming content that emerged in the first lockdown, The Theatre Channel has taken that concept and elevated it to something rather special, so mince pies and buckets of mulled wine all round for everyone at Adam Blanshay Productions and The Theatre Café.

In its half-hourly episodes, it has found focus in its themes (Hallowe’en, rock musicals) and shown generosity in its casting. Starrier names may be the headliners but the decision to introduce the Café Four (comprised of Alyn Hawke, Emily Langham, Sadie-Jean Shirley and Alex Woodward) as a regular ensemble has proven a masterstroke. providing continuity across a diverse range of performances and from episode to episode, but also showcasing their own talents alongside a raft of Olivier winners and nominees. Continue reading “Review: The Theatre Channel – Episode Four The Holiday Special”

News: Tristram Kenton’s stage archive – the musicals edition

Since it is the season of goodwill to all men, I’m not going to belabour the point that it is a shame that ‘musicals’ have been lumped together as a category here, whereas the likes of Pinter and Kane got their own specials, whither Sondheim, Herman and Tesori. Still, it’s lovely as ever to stretch back over years of musical theatre productions to see some of Tristram Kenton’s most iconic shots for the Guardian:
https://www.theguardian.com/stage/gallery/2020/dec/02/musicals-on-stage-in-pictures-tristram-kenton

Photos: Tristram Kenton

Review: The Theatre Channel – Episode Three

Exploring the world of rock musicals, Episode 3 of The Theatre Channel features Alex Gaumond, Shan Ako, John Owen-Jones, Francesca Jackson, Aisha Jawando and Rob Houchen

Je cherche le soleil
Au milieu de ma nuit

First, a confession. The idea of a rock musical generally leaves me cold so the announcement of the theme of the third episode of The Theatre Channel being just that wasn’t one that filled me with too much joy. But the quality of Episode 1 and Episode 2, plus the calibre of talent they’ve been attracting, meant that I was happy to at least give it a whirl.

And if it didn’t make a convert out of me (there’s enough fans of Rent out there already…), there’s plenty to be impressed with. The highlight of the half-hour show for me was the chance to hear the Québécois Alex Gaumond singing ‘Le Monde est Stone’ from Starmania in its original French, the desperation of this soaring ballad transcending any linguistic barrier (though subtitles are provided). Continue reading “Review: The Theatre Channel – Episode Three”

Review: The Theatre Channel – Episode Two

Episode Two of The Theatre Channel takes its Halloween theme and has a ball with it, with brilliant performances from the likes of Linzi Hateley, Jordan Shaw, Bradley Jaden and Sophie Isaacs

“It’s a matter of time before London belongs to us”

After a highly successful debut, Episode 2 of The Theatre Channel arrives and things have gone a bit Strictly with a theme week. Natch it is Hallowe’en that acts as a linking thread between the performances here but unlike Strictly, it is pleasingly effective as the production design (by Gregor Donnelly) gets to play with a more cohesive visual language across the show (credit too to director Bill Deamer and DP Ben Hewis), and the song selection gets to go a bit dark and dramatic.

That’s not to say that there’s not a variety of tone here. As befits this holiday, there’s a healthy dose of camp as a CGI-enhanced Ria Jones casts her spell over Into the Woods’ ‘Last Midnight’ and the camp drama of Frank Wildhorn’s ‘Life After Life’ from Dracula the Musical is well served by the relatively straight bat and sensational voices of Bradley Jaden and Sophie Isaacs. The same goes for Josh Piterman’s dangerously seductive take on ‘The Confrontation’ from Jekyll and Hyde. Continue reading “Review: The Theatre Channel – Episode Two”

Review: The Theatre Channel – Episode One

Featuring the likes of Jenna Russell, Matt Henry and Carrie Hope Fletcher, Episode 1 of The Theatre Channel is a roaring success

“Believe me, my admiration for you hasn’t died”

As big question marks remain over if and when theatre doors will start opening again, the move to online delivery of musical theatre  has taken an interesting turn with the arrival of The Theatre Channel. It is officially described as a web series but it is basically a musical theatre version of classic Top of the Pops online, ie heaven!

Set on location in (and on top of) The Theatre Café, the first episode was a slick half hour of cracking entertainment that really gladdened the heart. Director Bill Deamer offers a slice of real variety across its six numbers but also maintains a high level of quality, right down to the witty timing of the snippets of choreography he introduces via the inhouse ensemble. Continue reading “Review: The Theatre Channel – Episode One”

More September theatre news

SIX reunite, The Theatre Channel switches on, The Shows Go On return and casting is revealed in Bath

© Danny Kaan

The Reunion is the first stage+streaming concert performance by seven powerhouse vocalists who rose to fame as the original West End queens of the musical SIX: Aimie Atkinson, Alexia McIntosh, Grace Mouat, Jarneia Richard-Noel, Maiya Quansah-Breed, Millie O’Connell, and Natalie Paris. The show will be livestreamed by theatre platform Thespie but a lucky few will also be able to get tickets to see the concerts live on Saturday 10th and Sunday 11th October.

Performances will be held in Oval Space, a spacious and well-ventilated East London venue that has been entirely reimagined for safe, seated music and theatre performances. The seating plan is entirely flexible which allows seating to be customised to the audience that books. Audiences book for themselves and their household or support bubble only (to a maximum of six), and Thespie’s technology determines a seat plan that ensures safe spacing between households and optimises use of the space. Continue reading “More September theatre news”

News: National Theatre at Home final phase

The National Theatre has announced a further five productions that will be streamed as a part of the National Theatre at Home series. Established in April to bring culture and entertainment to audiences around the world during this unprecedented period, National Theatre at Home has so far seen 10 productions streamed via the NT’s YouTube channel, with over 12 million views to date. These will be the final titles to be shared for free via YouTube in this period. However, future digital activity to connect with audiences in the UK and beyond is planned, with further details to be announced soon. 

The productions will be broadcast each Thursday at 7pm BST for free and will then be available on demand for seven days. Titles added to the programme today include A Midsummer Night’s Dream from the Bridge Theatre, alongside Small IslandLes Blancs, The Deep Blue Sea and Amadeus from the National Theatre.  Continue reading “News: National Theatre at Home final phase”

Review: Small Island, National Theatre

Andrea Levy’s novel Small Island comes to life most beautifully in this adaptation by Helen Edmundson at the National Theatre

“How come they know nothing about their own empire?”

There’s something glorious about Small Island, its epic scale suiting the National Theatre to a tee as a story about marginalised communities finally breaks free from the Dorfman… Andrea Levy’s novel was memorably adapted for television in 2009 and Helen Edmundson’s version is no less adventurous as it refashions the narrative into a linear story of just over three hours and stellar impact with its focus here on three key characters whom circumstance pushes all together.

Jamaicans Hortense and Gilbert with their respective dreams of being a teacher and a lawyer, and Lincolnshire farm daughter Queenie, all searching for their own version of escape and all unprepared for the consequences of smashing headfirst into the real world. For dreams of the ‘motherland’ prove just that for these first-generation immigrants shocked by the hostility of post-war Britain. And Queenie’s hopes of freedom are curtailed as she finds herself trapped in a loveless marriage to bank clerk Bernard. Continue reading “Review: Small Island, National Theatre”