John Gassner Playwriting Award
Jaclyn Backhaus, Men on Boats
Sarah DeLappe, The Wolves
Paola Lázaro, Tell Hector I Miss Him
Qui Nguyen, Vietgone
Bess Wohl, Small Mouth Sounds
Outstanding Actor in a Musical
Christian Borle, Falsettos
Nick Cordero, A Bronx Tale
David Hyde Pierce, Hello, Dolly!
Andy Karl, Groundhog Day
Tony Shalhoub, The Band’s Visit Continue reading “Nominations for 2016-2017 Outer Critics Circle Awards”
In the Wake – Produced by The Public Theater; Written by Lisa Kron.
Other Desert Cities – Produced by Lincoln Center Theater; Written by Jon Robin Baitz.
Peter and the Starcatcher – Produced by New York Theatre Workshop; Written by Rick Elice, Based on the novel by Dave Barry and Ridley Pearson.
The Coward – Produced by Lincoln Center Theater/LCT3; Written by Nick Jones.
The Elaborate Entrance of Chad Deity – Produced by Second Stage Theatre; Written by Kristoffer Diaz
Bloody Bloody Andrew Jackson – Produced by The Public Theater and Center Theatre Group in association with Les Freres Corbusier; Music and Lyrics by Michael Friedman, Book by Alex Timbers.
In Transit – Produced by Primary Stages, the Baruch/Viertel/Routh/Frankel Group, Jane Bergere, Jodi Glucksman, Ken Greiner, Chip Meyrelles, Christina Papagjika, and Janet Rosen; Music, Lyrics and Book by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan, Sara Wordsworth.
The Burnt Part Boys – Produced by Playwrights Horizons and Vineyard Theatre; Music by Chris Miller, Lyrics by Nathan Tysen, Book by Mariana Elder.
The Kid – Produced by The New Group; Music by Andy Monroe, Lyrics by Jack Lechner and Book by Michael Zam.
We the People: America Rocks! – Produced by Theatreworks USA; Book by Joe Iconis, Songs by Brad Alexander (Music) and Kevin Del Aguila (Lyrics), Eli Bolin (Music) and Sam Forman (Lyrics), Joe Iconis (Music and Lyrics), Tommy Newman (Music and Lyrics), Ryan Scott Oliver (Music and Lyrics), Adam Overett (Music and Lyrics), Mark Weiner (Music) and Erik Weiner and Jordan Allen-Dutton (Lyrics). Continue reading “Nominations for 2011 Lucille Lortel Awards”
“You ought not to say things like that about people, Mary”
After her (somewhat surprisingly) Olivier-nominated turn in The Misanthrope, Keira Knightley has returned to the same West End stage at the Comedy Theatre to further stretch her dramatic wings in a production of Lillian Hellman’s The Children’s Hour which also features the London stage debut of Ellen Burstyn, plus Carol Kane, Elizabeth Moss and a host of UK actresses in a rare play full of meaty parts for women. I hadn’t originally intended to see this show, the inflated ticket prices proving a step too far for a desperately uncomfortable theatre, especially in the (now no longer) cheap seats, but the offer from a kind soul to do the queuing for the £15 day seats meant that we ended up on the front row (A2&3) on a rainy Wednesday afternoon to be quite pleasantly surprised.
Set in 1930s New England at a small boarding school run by Karen and Martha, two women who after years of hard work and building up the school, are finally secure enough to begin looking at other things in life, in the case of Karen, marrying her patient fiancé. The only cloud on the horizon is problem child Mary, a massively disruptive influence and constant troublemaker who after yet another punishment is doled out to her, decides to run away to her grandmother’s house. But when an argument between Martha and her dippy aunt turns particularly rancorous with accusations of unnatural feelings towards Karen and is overheard by some of the other schoolgirls who pass on the tidbit to Mary, the malevolent child accuses her teachers of being secret lovers. It’s a charge which the grandmother takes deadly seriously, encouraging all the parents to withdraw their children and thereby threatening the very livelihood of the two women as they battle to clear their name. Continue reading “Review: The Children’s Hour, Comedy Theatre”