Best Actress in a Play
Leah Harvey, Clare Perkins, Vinette Robinson, Emilia
For the second year running, this award goes three ways as apparently I’m a sucker for a women-heavy production (who knew!). But there’s something more here, it wasn’t just about how Harvey, Perkins and Robinson shared the role of the title character in Emilia, its how they supported each other through it as well, reinforcing the play’s cry for the necessity of solidarity. Everyman? Every-Emilia!
Honourable mention: Sarah Gordy, Jellyfish
A deeply empathetic performance from Gordy underscored the undersung importance of this production – her searingly honest Kelly opened the eyes and touched the hearts of surely everyone who saw Jellyfish.
Best Actress in a Musical
Rosalie Craig, Company
Crowding us with love, forcing us to care…Craig’s initial casting as Bobbie garnered all sorts of headlines but once Marianne Elliott’s production opened, that attention was more than justified by a sterling turn from this most versatile of actors (don’t forget she’d only just finished a run in The Ferryman). A strikingly contemporary figure, she both integrated Bobbie better into the ensemble than ever before and made her stand out at just the right moments, ie making sure she got hers from Andy!
Honourable mention: Kaisa Hammarlund, Fun Home
Given some of the things that transferred into the West End, especially now the Ambassador’s has been freed up, it’s a travesty that Fun Home didn’t get to further its journey (for now at least), especially since it was anchored by a finely nuanced performance from the excellent Hammarlund. A small saving grace is that she’s now free to lead the cast of Violet in the New Year.