“Never miss an opportunity to theatricalise”
The obvious place to start with this review of Terrence McNally’s play Master Class is to take note of the fact that following Sharon Gless’ turn in A Round-Heeled Woman, it is now Tyne Daly’s turn as she reprises her Broadway performance as Maria Callas here. But even as it now means that I’ve seen both Cagney and Lacey on the stage, I have never actually seen an episode of Cagney and Lacey! A Round-Heeled Woman has now finished but as Master Class starts up its limited run at the Vaudeville Theatre (this was a preview), I have no hesitations in totally recommending booking for this fabulous show.
Initial signs were not encouraging as Daly’s first arrival on stage was met with rapturous applause, a personal bugbear but something more is going on as the fourth wall was immediately dismantled and it becomes apparent that we in the audience are actually playing a part in the show. Based on a series of master classes that renowned opera singer Maria Callas actually held at Julliard in the 1970s, we see three students present their efforts for deconstruction by the great diva and by golly does she deconstruct. And we are acknowledged as the audience watching the master class, Callas jokes with us, hectors and exhorts us to embrace her every word and generally folds us into proceedings in the most engaging of manners. Continue reading “Review: Master Class, Vaudeville”