Nominations for the 2015 Drama Desk Awards

Outstanding Play:
Clare Barron, You Got Older
Lisa D’Amour, Airline Highway
Anthony Giardina, The City of Conversation
Stephen Adly Guirgis, Between Riverside and Crazy
Elizabeth Irwin, My Manãna Comes
Simon Stephens, The Curious Incident of the Dog in the Night-Time
Jack Thorne, Let the Right One In

Outstanding Musical:
An American in Paris
Hamilton
Fly By Night
Pretty Filthy
Something Rotten!
The Visit Continue reading “Nominations for the 2015 Drama Desk Awards”

Nominations for 2014-2015 Outer Critics Circle Awards

John Gassner Playwriting Award (Presented for an American play, preferably by a new playwright)
Ayad Akhtar, The Invisible Hand
Halley Feiffer, I’m Gonna Pray For You So Hard
Elizabeth Irwin, My Mañana Comes
Markus Potter, Stalking the Bogeyman
Benjamin Scheuer, The Lion

Outstanding Actor in a Musical
Christian Borle, Something Rotten!
Brian d’Arcy James, Something Rotten!
Robert Fairchild, An American in Paris
Peter Gallagher, On the Twentieth Century
Tony Yazbeck, On the Town Continue reading “Nominations for 2014-2015 Outer Critics Circle Awards”

68th Tony Award nominations

Best Performance by a Leading Actor in a Play 
Samuel Barnett – Twelfth Night as Viola
Bryan Cranston – All the Way as President Lyndon B. Johnson
Chris O’Dowd – Of Mice and Men as Lennie Small
Mark Rylance – Richard III as Richard III
Tony Shalhoub – Act One as Older Moss Hart / Barnett Hart / George S. Kaufman

Best Performance by a Leading Actress in a Play
Tyne Daly – Mothers and Sons as Katherine Gerard
Audra McDonald – Lady Day at Emerson’s Bar and Grill as Billie Holiday
LaTanya Richardson Jackson – A Raisin in the Sun as Lena Younger
Cherry Jones – The Glass Menagerie as Amanda Wingfield
Estelle Parsons – The Velocity of Autumn as Alexandra

Best Performance by a Leading Actor in a Musical 
Neil Patrick Harris – Hedwig and the Angry Inch as Hedwig
Ramin Karimloo – Les Misérables as Jean Valjean
Andy Karl – Rocky the Musical as Rocky Balboa
Jefferson Mays – A Gentleman’s Guide to Love and Murder as the D’Ysquith family
Bryce Pinkham – A Gentleman’s Guide to Love and Murder as Monty Navarro Continue reading “68th Tony Award nominations”

Nominations for the 2014 Drama Desk Awards

Outstanding Play
Nell Benjamin, The Explorers Club 
Steven Levenson, Core Values
Conor McPherson, The Night Alive 
Richard Nelson, Regular Singing
Bruce Norris, Domesticated
Robert Schenkkan, All The Way
John Patrick Shanley, Outside Mullingar 

Outstanding Musical
A Gentleman’s Guide to Love and Murder 
Aladdin
Beautiful: The Carole King Musical
Fun Home

Love’s Labour’s Lost
Rocky
The Bridges of Madison County
Continue reading “Nominations for the 2014 Drama Desk Awards”

Nominations for 2013-2014 Outer Critics Circle Awards

John Gassner Playwriting Award
Scott Z. Burns, The Library
Eric Dufault, Year of the Rooster
Madeleine George, The (Curious Case of the) Watson Intelligence
Steven Levenson, The Unavoidable Disappearance of Tom Durnin
Lauren Yee, The Hatmaker’s Wife

Outstanding Actor in a Musical
Michael Cerveris, Fun Home
Neil Patrick Harris, Hedwig and the Angry Inch
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love Murder
Bryce Pinkham, A Gentleman’s Guide to Love & Murder Continue reading “Nominations for 2013-2014 Outer Critics Circle Awards”

Review: Master Class, Vaudeville

“Never miss an opportunity to theatricalise”

The obvious place to start with this review of Terrence McNally’s play Master Class is to take note of the fact that following Sharon Gless’ turn in A Round-Heeled Woman, it is now Tyne Daly’s turn as she reprises her Broadway performance as Maria Callas here. But even as it now means that I’ve seen both Cagney and Lacey on the stage, I have never actually seen an episode of Cagney and Lacey! A Round-Heeled Woman has now finished but as Master Class starts up its limited run at the Vaudeville Theatre (this was a preview), I have no hesitations in totally recommending booking for this fabulous show.

Initial signs were not encouraging as Daly’s first arrival on stage was met with rapturous applause, a personal bugbear but something more is going on as the fourth wall was immediately dismantled and it becomes apparent that we in the audience are actually playing a part in the show. Based on a series of master classes that renowned opera singer Maria Callas actually held at Julliard in the 1970s, we see three students present their efforts for deconstruction by the great diva and by golly does she deconstruct. And we are acknowledged as the audience watching the master class, Callas jokes with us, hectors and exhorts us to embrace her every word and generally folds us into proceedings in the most engaging of manners. Continue reading “Review: Master Class, Vaudeville”