Review: Gundog, Royal Court

“Just make them shag each other and sell all the littluns to rich people who want pets of something”

There’s something unremittingly bleak about Simon Longman’s Gundog that makes it a real challenge. It’s an impressively bold depiction of the complete decline of a way of life, the kind of rural farming that the Common Agricultural Policy hasn’t managed to reach and protect. None of the loneliness or impoverished desperation is spared in what can feel a tad like punishment by the end. 

After the death of their parents, and with their grandfather’s illness and their brother’s listlessness, sisters Anna and Becky find themselves landed with the thankless task of looking after the remotest of farms in an area that can’t even sustain a local pub. The arrival of a foreigner with a nifty line in knitwear is a rare harkening of the potential of change but we’re never allowed to forget that times really are tough.   Continue reading “Review: Gundog, Royal Court”

News: Paines Plough announces their 2018 programme

As Paines Plough’s 2017 Roundabout season of Brad Birch’s Black Mountain, Elinor Cook’s Out Of Love and Sarah McDonald-Hughes’ How To Be A Kid – co-produced with the Orange Tree Theatre and Theatr Clwyd – arrives in London (running until 3rd March), news of their 2018 programme has now been announced.

Roundabout 2018 features world premieres from Georgia Christou (How To Spot An Alien), Simon Longman (Island Town) and Vinay Patel (Sticks and Stones) in co-production with Theatr Clywd and after opening there in Wales, will tour to  touring to The Lowry (Salford), Brewery Arts Centre (Kendal), Lighthouse (Poole), Theatre Royal Margate, Lincoln Performing Arts Centre, Appetite (Stoke-on-Trent), Darlington Theatre Town and Luton Culture. Continue reading “News: Paines Plough announces their 2018 programme”