Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
The National Theatre has announced a further five productions that will be streamed as a part of the National Theatre at Home series. Established in April to bring culture and entertainment to audiences around the world during this unprecedented period, National Theatre at Home has so far seen 10 productions streamed via the NT’s YouTube channel, with over 12 million views to date. These will be the final titles to be shared for free via YouTube in this period. However, future digital activity to connect with audiences in the UK and beyond is planned, with further details to be announced soon.
The productions will be broadcast each Thursday at 7pm BST for free and will then be available on demand for seven days. Titles added to the programme today include A Midsummer Night’s Dream from the Bridge Theatre, alongside Small Island, Les Blancs, The Deep Blue Sea and Amadeus from the National Theatre. Continue reading “News: National Theatre at Home final phase”
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
|Photo: Gage Skidmore
All The President’s Men? is a singular theatrical experience for the politically engaged on 24 April, 7.30pm at the Vaudeville Theatre.
A staged reading edited and directed by Nicolas Kent and presented by the National Theatre, London and The Public Theater, New York, it features scenes from the U.S. Senate’s Confirmation Hearings
In January, one week before the president’s inauguration a fierce fight erupted in the Senate between Republicans and Democrats over the confirmation of the key figures for President Trump’s cabinet. These four powerful men lead the Trump administration’s policy on Russia, the Middle East, Iran and North Korea, on human rights worldwide, on the Paris Climate control agreement, as well as on the civil rights and the health of millions of Americans. Continue reading “Casting announced for All The President’s Men?”
The end of year round-up continues with the acting performances that stood out for me, the ones that made me sit up, and sometimes stand up. As ever, I have used the label ‘best’, the categories should really be considered ‘favourite’ as that is what the fosterIANs (fos-tîr’ē-ən) are – my favourites. So please find below the 2016 fosterIAN award nominations, categories expanded to 7 nominees (and sometimes more!) because I am that indecisive, winners to be announced in the coming days.
Best Actress in a Play
Uzo Aduba/Zawe Ashton, The Maids
Gemma Arterton, Nell Gwynn
Linda Bassett, Escaped Alone
Helen McCrory, The Deep Blue Sea
Maxine Peake, A Streetcar Named Desire
Juliet Stevenson/Lia Williams, Mary Stuart
Harriet Walter, The Tempest
Best Actor in a Play
Phil Dunster, Pink Mist
Paapa Essiedu, Hamlet
O-T Fagbenle, Ma Rainey’s Black Bottom
Rhys Isaac-Jones, Jess and Joe Forever
Lucian Msamati, Amadeus
Lucian Msamati, Ma Rainey’s Black Bottom
Danny Sapani, Les Blancs Continue reading “The 2016 fosterIAN nominations”
“Do you think the rape of a continent dissolves in cigarette smoke?”
To think that just a couple of weeks ago, I hadn’t ever seen a play by Lorraine Hansberry and now I’ve seen two – the extraordinary A Raisin in the Sun which has now completed its UK tour and this new production of Les Blancs at the National. The sad reality is that there isn’t much more to see now, pancreatic cancer taking her life at just 34, but what a startling legacy this writer left of theatre that delves uncompromisingly into issues of race and identity, that remains as pertinent today as it did the mid-twentieth century when she was writing.
Hansberry didn’t get to complete Les Blancs before her death and so this final text was adapted by her sometime husband and collaborator Robert Nemiroff and it is directed here by Yaël Farber, making her National Theatre debut after her highly acclaimed 2014 The Crucible for the Old Vic. And people who saw that production will instantly recognise Farber’s modus operandi as this show opens in a highly atmospheric manner – a group of matriarchs, led by musical director Joyce Moholoagae, chanting and singing in Xhosa to leave us in no doubt what continent we’re on. Continue reading “Review: Les Blancs, National Theatre”
“I’ll plant you now, dig you later”
Rodgers and Hart musical Pal Joey hasn’t had a major London production since this 1980 revival at the Albery (now the Noël Coward) and on the evidence of this selection of highlights from that production, it’s not terribly difficult to see why it might not seem the most likely target for revitalisation. It has a very old-fashioned heart, not a problem in and of itself especially when that includes songs like ‘Bewitched Bothered and Bewildered’ but the bigger problem is the style of orchestration which has a somewhat tinny sound, possibly just a legacy of its early 80s genesis.
It’s hard to truly warm to Denis Lawson’s performance as the title character though, a very expansive and swaggering vocal that feels rather forced – the accent doesn’t work for me – and thus a crucial part in the success of the show falling flat from the off. Siân Phillips is much more effective as Vera, her gravelly voice always touching to listen to as she puts infuses acres of heart into her character but I do wonder how much not knowing the show affects my judgement in both these cases (Joey seems an unlikeable sort, and I’ve long loved Phillips anyway).
Still, it was worth the 50p from the charity shop that it cost me!
“It wouldn’t be like this at the National”
Does the West End really need another straight production of Oscar Wilde’s old war horse The Importance of Being Earnest? Apparently not, as the new productions lined up each have their own spin – 2015 will see David Suchet take on the role of the redoubtable Lady Bracknell for Adrian Noble and 2014 sees Lucy Bailey impose her own conceit onto the show which allows her to gather an ensemble of more seasoned professionals than might normally be expected to take on this play.
That she does with the help of extra material written by Simon Brett which sees this starry cast take on the mantle of am-dram society The Bunbury Company of Players who in turn, are putting on their take on Wilde’s play as part of their summer season. So before Algernon and Jack have even taken to the stage, we’ve been inducted into the mini-dramas of the company themselves – Nigel Havers’ lothario now having an affair with a third woman in the group, Siân Phillips and Patrick Godfrey’s long-married couple fussing and bickering, Cherie Lunghi’s would-be diva complaining about her costume not fitting… The scene thus seems set for a melding of onstage and offstage drama which would bring something new to this old classic. Continue reading “Review: The Importance of Being Earnest, Harold Pinter Theatre”
“Isn’t it bliss? Don’t you approve?”
I always assume that people know where the name of this blog came from but for those that don’t, it is a lyrical reference from Sondheim’s A Little Night Music. Which gives a seamless segue into this post about two cast recordings of the show – the first from the 1995 National Theatre production and the second from the 2010 Broadway revival. The first is most notable for capturing one of the greatest moments in musical theatre, possibly even theatre full stop.
Judi Dench’s extraordinary rendition of ‘Send in the Clowns’ may be close to becoming a party trick (if there’s a gala, she’ll be there) but it truly is a remarkable thing. The cracks in her voice are a perfect match for the ageing star that is Desirée and the speak-singing style allows her to act the hell out of the song – the way in which she sighs ‘weeeellllll’ near the end is just spine-tingling. 4 minutes 23 of pure perfection. Continue reading “Album Review: A Little Night Music (NT vs Broadway Revival Cast recordings)”