The best TV show of the year? Definitely so far…Michaela Coel’s I May Destroy You is just superb
“Just look in the mirror, you know what I mean? It’s really uncomfortable and unnerving for everyone”
Has ‘the grey area’ ever seemed so interesting? Probing into the complexities of real life and fully embracing the fact that there are rarely ever any simple answers, Michaela Coel’s I May Destroy You has felt like a real breath of bracingly fresh air.
Sexual consent for straights and gays, dealing with trauma on a personal and institutional level, the perils of buying into social media hype, portraying the scale of casual sex and drug use whilst acknowledging its inherent pitfalls, examining how we bury memories from both the recent and distant past and that’s just scratching the surface. Continue reading “TV Review: I May Destroy You”
Despite a fabulous returning cast, Series 2 of The Split is classy-looking tosh. Very watchable but tosh all the same.
“The last thing we need is for any more salacious details to come out”
Much like Series 1, the second season of Abi Morgan’s The Split treads a line between legal drama and deluxe soap opera and more often than not, it is less of a balancing act and more of a case of elements of the former sprinkled into a heavy dose of the latter.
Which in many ways in just fine. Getting to see the likes of Nicola Walker, Deborah Findlay and Anna Chancellor strutting in expensive contemporary costumery is a blessing in itself and the production values of this show never dip below the glossy magazine standards it has set itself. Continue reading “TV Review: The Split Series 2”
A starry Mary Queen of Scots proves an intriguing if a little frustrating film debut for Josie Rourke
“The world will decide for itself”
An intriguing, if a little frustrating one this. Josie Rourke is a titan in the world of theatre and Mary Queen of Scots marks her cinematic debut. But despite a classy pair of lead performances from Saoirse Ronan and Margot Robbie as diametrically opposed queens Mary and Elizabeth, an ensemble consisting of the cream of British acting talent, and the sweeping beauty of the Highlands to frame every other shot, the film never really quite sparks into life.
Beau Willimon’s screenplay, based on John Guy’s book Queen of Scots: The True Life of Mary Stuart, dances around historical accuracy with its own determination, building in a climactic meeting between the two which although visually striking, dramatically brings precious little. Before then, the film is plotted as a strategic confrontation between two monarchs, two women, who are battling the worlds around them as much as each other. Continue reading “Film Review: Mary Queen of Scots (2018)”
Sarah DeLappe’s play The Wolves proves a striking piece of ensemble work full of incisive teen insight at Theatre Royal Stratford East
“We should be, like, very very thankful for our liberties you know”
You don’t want to instinctively compare The Wolves to Dance Nation but as far as new plays written by American women about teenage girls involved in competitive sport go, the parallels are there. Sarah DeLappe’s debut play receives a visually striking production here from Ellen McDougall, with some superb design work from Rosie Elnile.
The sport here is football, indoor soccer to be precise, and we follow this team over five weeks’ worth of games. But the focus isn’t the games, it is the young women playing them – known only by their shirt numbers, not their names – the characters being formed by this intense group interaction, which ranges from jokey banter to the deeply profound. Continue reading “Review: The Wolves, Theatre Royal Stratford East”
Alice Schofield’s New Views-winning play If We Were Older is an absolute triumph at the National Theatre – a bright new talent is discovered
“An old woman is staring at me holding hands with a girl on the tube…”
Wowzers! I was hoping for an enjoyable afternoon catching up on some of the plays that were shortlisted for the National Theatre’s New Views teen playwriting competition, but I wasn’t expecting to be completely blown away by the one that was victorious. If We Were Older by Alice Schofield (a student of CAPA College, Wakefield) proves a more than worthy winner and absolutely, completely, worth junking your plans for late Friday afternoon so that you can catch its final performance.
On finally getting round to watching Patrick Gale’s Man in an Orange Shirt, I was left a tad disappointed in the conventionally linear way it explored its dual timestreams. And it is tempting to think that Schofield might have felt the same way, as as her characters Maggie and Daisy have a little contretemps on the tube, the fallout in which she explores each of their personal histories is beautifully commingled, their stories intricately entwined as we discover they’re so much more alike than they could ever know. Continue reading “Review: If We Were Older, National Theatre”