Theatrical archaeology meets real archaeology in Hoard – Rediscovered as the New Vic Theatre revisit their Staffordshire Hoard Festival for the streaming age
“The archaeologists have of course found no evidence of dragons”
After a weekend immersed in the plummy accents of The Crown, it was wonderfully refreshing to counter-balance that with the everyday cadences of blessedly much more regular folk in Hoard – Rediscovered. Staffordshire’s New Vic Theatre has a rich tradition of verbatim work and with this characterful addition to theatre’s necessary shift to the streaming world, there’s quite the digital treasure trove in store.
Hoard – Rediscovered sees the New Vic revisit their 2015 Staffordshire Hoard Festival, a celebration of new writing focused on the remarkable discovery of a mighty hoard of Anglo-Saxon gold in a field in 2009. Written and directed by New Vic artistic director Theresa Heskins, Unearthed is a verbatim docu-drama that shifts the attention away from the thousands of pieces of treasure to focus on the stories of the real people whose lives it impacted. Continue reading “Review: Hoard – Rediscovered”
“This bodes some strange eruption to our state”
It shouldn’t be newsworthy in this day and age but it is impossible to ignore and important to recognise this does mark the first time that a black actor has played the title role in Hamlet at the RSC in the 50+ years since its founding. The task falls to 25-year-old Paapa Essiedu (last seen at the Royal Court but most memorable from the Finborough’s Black Jesus) in Simon Godwin’s production, which relocates the play to West Africa.
It is an interpretation full of bold choices – opening at Hamlet’s Wittenberg graduation ceremony whose celebratory mood is shattered by his father’s funeral cortège scything through the stage – and largely successful, underpinned by Essiedu’s assuredly capricious performance of impulsive exuberance. This Hamlet is a lover not a fighter, an artist rather than a soldier, youthfully funny but full of a student’s swagger rather than lived-in experience. Continue reading “Review: Hamlet, Royal Shakespeare Theatre”
2016 is nearly upon and for once, I’ve hardly anything booked for the coming year and what I do have tickets for, I’m hardly that inspired by (the Garrick season has been ruined by the awfulness of the rear stalls seats, and I only got Harry Potter and the Cursed Child tickets due to FOMO). Not for the first time, I’m intending to see less theatre next year but I do have my eyes on a good few productions in the West End, fringe and beyond. Continue reading “20 shows to look forward to in 2016”