Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
The 50th birthday year of work begins with three major commissions:
- The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
3 & 4 October, 4pm, Main House, free
I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time featuring the multitude of Hamlets he has been witness to. Recommended:
Photos: Tristram Kenton
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
Best Comedy Series
Modern Family (ABC)
Silicon Valley (HBO)
Unbreakable Kimmy Schmidt (Netflix)
Best Drama Series
Better Call Saul (AMC)
The Crown (Netflix)
Game of Thrones (HBO)
Mr. Robot (USA)
Stranger Things (Netflix)
This Is Us (NBC)
Westworld (HBO) Continue reading “7th Critics’ Choice Television Awards nominees”
“You know what it’s like when you’re in a room with the light on and then suddenly the light goes out? I’ll show you. It’s like this.”
He turns out the light.
I do try and test my prejudices when it comes to playwrights for whom I have little fondness but the reality is that its hard to psyche yourself up in the name of being open-minded. Pinter is one of those writers for me, I can’t say I’ve ever enjoyed myself at one of his plays and at this point, I can’t see myself having a breakthrough moment with him in the way that I did with, say, Chekhov.
The main reason I allowed myself to be persuaded to see Sean Mathias’ production of No Man’s Land, previously seen in New York, was the cast – theatrical royalty in Ian McKellen and Patrick Stewart plus Damian Molony and Owen Teale – but even then I can’t say that I was anything but bored in this tale of two old actors who may or may not share a past and waste a whole lotta breath skirting around it.
Running time: 2 hours 5 minutes (with interval)
Booking until 17th December
“The story you’re about to hear as been told before, a lot”
Oh my giddy aunt, I wasn’t expecting that! Kelly Asbury’s computer-animated reworking of Romeo and Juliet (backed financially by Disney) takes us to the world of Verona Drive where elderly neighbours Mrs Montague and Mr Capulet spend their days bickering and sniping at each other whilst tending their equally impressive back gardens. And when their backs are turned, their garden gnomes come to life and play out the same conflict in miniature. Such is the world of Gnomeo and Juliet.
It is very much a family film so therefore this is very much an adaptation of the Bard and for me, it’s a rather entertaining one, if you’re seriously missing Mercutio then you’re seriously missing the point. James McAvoy’s effervescent blue-hat Gnomeo and Emily Blunt’s spirited red-hat Juliet make a highly charming couple, who fall for each other despite the enmity between their clans as typified by fierce back-alley lawnmower racing. But when things go too far – in a sequence that I actually found quite shocking, and moving – it seems that tragedy is destined to haunt this pair no matter what form they take. Continue reading “DVD Review: Gnomeo and Juliet”