The Mono Box is delighted to announce RESET THE STAGE, a collection of 7 filmed monologues written by 7 emerging, ethnically diverse writers performed by established actors on the empty stages of 7 London theatres in lockdown will stream live online on Thursday 17th June at 7.30pm.
This series of short films featuring actors Sharon Duncan-Brewster (Star Wars: Rogue One, Sex Education), Ken Nwosu (Killing Eve, Sticks & Stones) and Danny Kirrane (Don’t Forget the Driver, Peterloo) The evening will be introduced by Patrons of The Mono Box, Sir Derek Jacobi, Youssef Kerkour, Susan Wokoma and James Norton. All ticket sales will raise money for the continual work of the company nurturing and providing opportunities to emerging theatre talent. Continue reading “News: the Mono Box presents Reset the Stage”
Raj Bajaj, Jason Barnett, Genesis Lynea, and Gloria Obianyo impress in the Royal Court’s Living Newspaper #4
“Crisis after crisis we persist”
Tackling, among other things, Black Lives Matter, Reclaim the Streets and the ongoing fury at the Tory government, the fourth edition of the Royal Court’s Living Newspaper burns with the spirit of protest. And on the front page Crisis After Crisis We Persist, Raj Bajaj, Jason Barnett, Genesis Lynea, and Gloria Obianyo capture this raucous, almost rowdy, emotionality with skill.
Elsewhere, the tension between the newspaper format and the range of content emerges as something a little curious. Annie Siddons and Rachel Nwokoro’s Wisdom Cards noodles around tarot card readings rather aimlessly whereas Stef Smith’s Confit is a fascinating look at Scottish identity and politics. It speaks to the model, that it doesn’t really matter if there’s sections you’re not keen on, as with an IRL newspaper, you don’t have to read every page…
Photos: Isha Shah
Living Newspaper #4 is streaming via the Royal Court until 18th April
Bukky Bakray, Stacey Gregg, Tanika Gupta, Ellie Kendrick, Sabrina Mahfouz, Nathaniel Martello-White, Eoin McAndrew, Caitlin McEwan, Rachel Nwokoro, Annie Siddons, Stef Smith, Caro Black Tam, Ed Thomas, and Michael Wynne will write Edition 4 of the Royal Court’s Living Newspaper.
A sideways look at the people who govern us. A space for protest. Because we can’t party without protest and we can’t heal without it either.
Edition 4 will feature Rishi Sunak as your romantic Indian soap hero, sign language interpreters prepping for a Covid briefing at the Northern Irish Assembly, a teenager watching the End SARS protests play out on Instagram, a love letter to Nicola Sturgeon, an internet boy who becomes a museum piece, an unravelling of Peruvian independence day celebrations and a box office supervisor who tells it like it is. Continue reading “News: writers and cast for Living Newspaper #4”
Billie Piper and Lucy Prebble reunite and collaborate to great success with the sharply funny I Hate Suzie
“I’m sorry the world’s seen your dick, but also – fuck off, slightly”
Lucy Prebble and Billie Piper’s creative relationship has covered TV (Secret Diary of a Call Girl, the first season at least) and theatre (the excellent The Effect) and was recently reignited with Sky series I Hate Suzie. Drawing something of personal history, the show follows a former teen pop star turned sci-fi actress as she deals with a phone hacking incident which leaves problematic intimate photos of her scattered on the internet.
The eight episodes cycle through, and are titled after, stages of trauma – Shock, Denial, Fear, Shame, Bargaining, Guilt, Anger, and Acceptance – representing the indubitably self-centered Suzie’s processing of her experience. And it is a highly entertaining, linear journey, one which Suzie barrelling forward with an interesting lack of recurring characters – even her family members only get the one episode in which to appear, such is the pace of the high-maintenance that she is alternately trying to salvage and sabotage. Continue reading “TV Review: I Hate Suzie”
As some theatres look to a careful reopening and others consolidate their online offers, casting news of four intriguing shows breaks
The Last Five Years at Southwark Playhouse will star Molly Lynch (Cathy) and Oli Higginson (Jamie) who return to their roles after they were cut short on 16 March. They will be appearing in the show from 1 – 31 October and will be in the same ‘support bubble’ so the show won’t adhere to socially distancing staging.
However, in the venue, there will be strict social distancing measures in place. For full info on that head here and click on the Covid-19 FAQS tab: https://southwarkplayhouse.co.uk/the-large/the-last-five-years/#covidfaqs Continue reading “Casting news for early September”
Theatre Royal Stratford East to release audio play 846 in response to the death of George Floyd
On May 25th 2020, a police officer in Minneapolis killed George Floyd by kneeling on his neck for eight minutes and 46 seconds.
This brutal murder ignited a global surge of anger and pain. An ocean away, from the Windrush scandal to the Grenfell Tower tragedy, racist oppression is very much alive in the UK.
Acclaimed playwright Roy Williams brought together 14 writers to respond artistically to George Floyd’s murder and the Black Lives Matter Movement. From this came 846 – a collection of short pieces. Each is a standalone exploration of racial inequality and oppression, but together they form a powerful tapestry of voices. Continue reading “News: Theatre Royal Stratford East to release audio play 846 in response to the death of George Floyd”
Just a quick flag-up for this brilliant visual project from photographer Helen Murray. Her set of portraits entitled Widening the Lens is in partnership with Act for Change. So many absolute faves looking stunning here: see the whole set on Murray’s website.
Chloë Moss, Nathaniel Martello-White and Jasmine Lee-Jones make Episode 5 of Unprecedented unmissable
“I want people not screens”
One of the main strengths, for me, of Unprecedented has been the sheer variety of the writing that has responded to Covid-19 here. Previous episodes (#1, #2, #3, #4) have all impressed but the combination of writers in this fifth instalment really captures that lightning-in-a-bottle potential that makes the best theatre spark.
I watched Chloë Moss’ Everybody’s Talkin’ whilst hungover but not even I can blame the huge weeping tears on that alone, this is a beautifully pitched, gorgeously performed slice of family drama in miniature. Three daughters gather on Zoom to speak with their recently bereaved mother but the trials of finding a new normal, within the context of already having find a new normal is full of unimaginable pain. Moss’ writing and Caitlin McLeod’s direction speaks directly to the challenges that so many faced even before coronavirus hit, and during, and Sue Johnston leads the cast marvellously.
Continue reading “TV Review: Unprecedented, Episode 5”
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
With a cast including Sarah Lancashire, Lucian Msamati and Lia Williams, how could Kiri be anything but good
“Stick a flake in it before you try and sell it to the tabloids will you”
Airing on Channel 4 at the beginning of the year, Jack Thorne’s Kiri was billed as a continuation of his National Treasure brand (I managed one episode of that first series…). But any fears I had of not liking it were assuaged by a cast led by Sarah Lancashire, Lucian Msamati and Lia Williams, plus this far down the line, I’d heard enough good things about it to finally get round to watching.
Set in Bristol, Kiri follows the abduction of a young black girl – Kiri – in the foster care system, as she is allowed a meeting with her birth grandparents in advance of her adoption by a white middle-class family. Her social worker Miriam has arranged this unorthodox meeting and sure enough, the proverbial hits the fan when she gets a phone call to say she has gone missing. Continue reading “TV Review: Kiri”