‘My hands are shaking you know. I haven’t been so keyed up about anything since I was the Virgin Mary.’
Sheffield Theatres announces their new production of Talent, written by Victoria Wood, at the Crucible Theatre from Wednesday 30 June to Saturday 24 July 2021. Cast in the play are: Richard Cant (The Country Wife), Daniel Crossley (Me and My Girl), Jamie-Rose Monk(Dick Whittington), Jonathon Ojinnaka, (Coronation Street), James Quinn (Democracy) and Lucie Shorthouse (Everybody’s Talking About Jamie).
Artistic Director Daniel Evans and Executive Director Kathy Bourne have announced that Chichester Festival Theatre will reopen its doors with its summer musical: Rodgers & Hammerstein’s South Pacific, running from 5 July – 4 September.
Nipping in just before Santa arrives, The Theatre Channel’s fourth episode delivers festive treats aplenty in The Holiday Special
“If you’re burdened down with trouble If your nerves are wearing thin…”
With all the uncertainty that has haunted the world of theatre since the pandemic began, there’s something unalterably pleasing about seeing a theatrical enterprise grow from strength to strength at this time. Born out of the explosion in streaming content that emerged in the first lockdown, The Theatre Channel has taken that concept and elevated it to something rather special, so mince pies and buckets of mulled wine all round for everyone at Adam Blanshay Productions and The Theatre Café.
In its half-hourly episodes, it has found focus in its themes (Hallowe’en, rock musicals) and shown generosity in its casting. Starrier names may be the headliners but the decision to introduce the Café Four (comprised of Alyn Hawke, Emily Langham, Sadie-Jean Shirley and Alex Woodward) as a regular ensemble has proven a masterstroke. providing continuity across a diverse range of performances and from episode to episode, but also showcasing their own talents alongside a raft of Olivier winners and nominees. Continue reading “Review: The Theatre Channel – Episode Four The Holiday Special”
This mahoosive new tour of Hairspraystarted in the middle of last month and stretches right through to June 2018 and it certainly feels like it has the potential to be a great success. There are some cracking performances which really elevate Paul Kerryson’s production of this most effective of shows (music by Marc Shaiman, lyrics by Scott Wittman and Shaiman, book by Mark O’Donnell and Thomas Meehan) and choreography from hot-shot of the moment Drew McOnie.
And given how dance heavy Hairspray is, it is an astute move from Kerryson as McOnie’s inventive use of movement establishes and reinforces so much of the febrile mood of simmering racial tension and potential societal change. In the hands of the likes of Layton Williams’ Seaweed and an effervescent ensemble, it’s hard to keep a smile from your face as the sheer toe-tapping enthusiasm of it all as fabulous group numbers shake and shimmy their way across the stage. Continue reading “Review: Hairspray, Orchard Dartford”
“Just when the fun is starting, Comes the time for parting”
Fred Haig must have thought that this was his year after landing starring roles in two of the big musicals of the summer but during Monday evening’s performance, he sustained an injury to his foot which has now been confirmed as a fracture. Sadly, this means that he has had to withdraw from On The Town at the Open Air Theatre in Regent’s Park (the second actor to do so after Jeremy Taylor withdrew during rehearsals due to injury) and will be replaced by his understudy Jacob Maynard. We’ll have to wait and see if he recuperates in time to play Young Buddy in Follies at the National.
It is a real shame for Haig as I was at the show on Monday, scarcely believing that we actually had lovely weather for the first musical this year at the Open Air. And Haig’s appealingly charismatic Chip, along with Lizzy Connolly’s vibrant Hildy, was among the highlights of Drew McOnie’s production and he seemed to be very much on top of the choreography. It is a dance-heavy show, and in McOnie’s hands doubly so and as so many in this venue, it is one that benefits from being seen as night falls, to behold the full beauty of Howard Hudson’s lighting which is gorgeously conceived. Continue reading “Get well soon Fred Haig aka Not-A-Review: On The Town, Open Air Theatre”