In lieu of trying to make sense of this shitshow of a year through the normal year-end lists, I thought I’d just stick with an unranked list of 10 of my top theatrically based productions of the year
For reference, here’s my 2019 list, 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Uncle Vanya, Harold Pinter Theatre
A rather exhilaratingly good take on the familiar Chekhov classic, a worthy presence in the West End.
The Wicker Husband, Watermill Theatre
One of the last things I saw before lockdown and what a gorgeous lingering memory to have, I pray that this is not the last we hear of this beautiful new musical. Continue reading “10 top theatrical moments of 2020”
This innovative production by ALP Musicals of Hilmi Jaidin’s new digital musical Shift+Alt+Right points towards the future of new musical theatre
“I can’t hear any of you, you’re on mute”
Theatre folk are nothing if not resourceful and adapting to the pandemic naturally demands creative thinking. But it takes something special to be at the vanguard of such a movement and that is where Adam Lenson and ALP Musicals find themselves as they lead new musical theatre into a brave new world.
Written and composed byHilmi Jaidin and directed by Lenson, Shift+Alt+Right is a brand new digital musical that was created to exist online in a self-described hybrid model that blends live performance from a remote company of four and video work from a technological hub, with no two shows being exactly the same. Continue reading “Review: Shift+Alt+Right”
STAGES – a video game musical is a bold new musical pushing boundaries at the VAULT Festival
“How do you do this alone?”
Well the answer is you don’t, especially when the question is about new musicals. STAGES – a video game musical arrives at the VAULTs as the first production from ALP, a company founded to develop and nurture artist-driven new British musicals with full acknowledgment that this is a show still on its journey, more than a work-in-progress but not yet the final product either.
Written by Christian Czornyj (Catch Me), STAGES draws inspiration from gaming to explore worlds of drama within the confines of its domestic context. At the heart of it lies neuro-diverse 16-year-old Aiden who loves video games, not least because they allow him a measure of control that he doesn’t have IRL. And as his mum has just been diagnosed with cancer, that’s a power he really wishes he possessed. Continue reading “Review: STAGES – a video game musical, VAULT Festival”