Posted on

Film Review: Boiling Point (2021)

Filmed brilliantly in a single take, restaurant drama Boiling Point features a breathlessly fantastic performance from Stephen Graham

“Not everything has to have a rubble of nuts”

There’s a growing sense of tension throughout Boiling Point that is just like the suffocating, slow build of a panic attack. It is almost uncomfortable, unbearable at times like a slow-motion car crash that you can’t quite look away from. Which might not sound like a recommendation I know but it really is, as the film simulates a shift from hell for head chef Andy Jones.

It’s the Friday-before-Christmas and he’s already up against it before he arrives late to his Dalston restaurant due to serious domestic troubles. Once there, he finds a food hygiene inspector finding too many faults and a subsequent staff meeting does little to soothe his increasingly disgruntled crew. And that’s before any customers have even arrived and service begun. Continue reading “Film Review: Boiling Point (2021)”

Posted on

TV Review: Silent Witness Series 12

Series 12 of Silent Witness, aka the one they are allowed to start getting jiggy with it, oh and they jet off to Zambia for a bit 

“You lot are expert arse coverers”

Expanded to six full-length stories and moving one of them to Southern Africa, Series 12 of Silent Witness ought to be something of a golden age for the show. And even if it doesn’t quite hit that highmark for me as the writers start to head increasingly to the personal lives of the team, it is still immensely watchable.

The series starts off well with a horny paramedic getting his arse out for Nikki and Leo’s sanctimony being punctured (briefly) by being done for drink driving. And as we move through London gangs and elite police units, vengeful Russian oligarchs and insular Hasidic Jews, a wide range of stories certainly challenges the team.    Continue reading “TV Review: Silent Witness Series 12”

Posted on

TV Review: Small Axe

Steve McQueen’s anthology flm series Small Axe is an absolute triumph as it depicts the West Indian experience in London but tells us all so much about the UK

“We mustn’t be victims, but protagonists of our stories. And what better way of representing ourselves than self-representing ourselves”

Not too much to say about Small Axe that hasn’t been said much more eloquently and appropriately by many others. But I just wanted to applaud some stirring acting work across all 5 films – in particular Shaun Parkes and Letitia Wright in Mangrove and John Boyega in Red White and Blue. And writer/director Steve McQueen, with co-writing work from Alastair Siddons and Courttia Newland, who plants racism, and racist activity, so undeniably in front of a Sunday night BBC1 audience in a way that has so rarely been done before.

Posted on

Round-up of news and treats and other interesting things

 

After over 178 productions and over 28,000 audience members through the door since moving to the Bedford in 2015, Theatre N16 is looking for a new home from December 2017. Whilst they search, you can support the folks there by donating here.
 
Theatre N16 was set up in 2015 to be a stomping ground for new companies and a place to try out new work, offering affordable deals on rehearsal and performance space. It has offered a ground-breaking, risk-free deal to all companies, which 95% of our guests have taken, guaranteeing that creatives do not leave our space owing the venue money. This is all under the auspices of an Equity Fringe Agreement, with Theatre N16 one of the few London venues to have signed up to the deal to guarantee pay to all creatives working for the venue.

Continue reading “Round-up of news and treats and other interesting things”

Posted on

Countdown to new Who: Doctor Who Series 9

“Time will tell, it always does”

Phew, the Doctor Who rewatch comes to an end with the most recent series, another that I hadn’t seen any of since it originally aired. And again it was one of highs and lows, a frustrating sense of pick and mix that never settles. So from the astonishing bravura of the (practically) solo performance in Heaven Sent to kid-friendly quirks of the sonic sunglasses and guitar playing, Capaldi took us from the sublime to the silly. Fortunately there was more of the former than the latter (although it is interesting that my memory had it the other way round).

Part of it comes down to knowing in advance how the hybrid arc plays out (disappointingly) and a little perspective makes Clara’s departure(s) a little less galling. This way, one can just enjoy the episodes for what they are, free from the weight of the attempted mythologising. The Doctor raging against the futility of war, the wisdom (or otherwise) of forgiveness, the repercussions of diving in to help others without thinking through the consequences…it is often excellent stuff. It’s also nice to see Who employ its first openly transgender actor (Bethany Black) and a deaf actor playing a deaf character (Sophie Stone). Continue reading “Countdown to new Who: Doctor Who Series 9”

Posted on

12 Days of Christmas – Black Mirror 3:5

“We don’t actually really want to kill each other”

On the eleventh day of Christmas, Black Mirror gave to me…its first disappointment

Well it had to happen, and I’m impressed that it took me until the eleventh out of twelve episodes of Black Mirror before we hit a duffer. We’re talking relatively of course, Men Against Fire is still a good hour of television but the bar has been raised so consistently highly that there is an amazing standard to live up to, especially in having to follow San Junipero, which I’m currently ranking as the best so far.

Men Against Fire sees Black Mirror take on the world of the military, surprisingly for the first time, in a world where biological war has ravaged Denmark and resulted in a mutation of those exposed. Labelled ‘roaches’ by the survivors, a military squad (who all have an implant called MASS to make them better soldiers) is in charge of controlling and purging them, but though new recruit Stripe manages to kill two on his first mission, the ramifications of his actions prove to be huge. Continue reading “12 Days of Christmas – Black Mirror 3:5”

Posted on

Review: Rough Cuts – Bytes, Royal Court

“It’s on the internet…”

Just a quickie for this as the Royal Court’s Rough Cuts season is a space for short plays, experimental readings and works in progress and so I’m just including it here for the completeness of my theatregoing records. It has previously taken place in the upstairs theatre but as this is currently occupied, they have converted the Wilson rehearsal studio – right next to the main building – into a public performance space for this group of four pieces, all based on the theme of our relationship to the internet.

This year’s cohort of writers made this a must-see from the moment it was announced, featuring as it does Alia Bano, DC Moore, Penelope Skinner and Nick Payne, and with an ensemble of six actors including Sarah Woodward and Al Weaver, I was confident of enjoying the performances too. And it was an agreeable evening from start to early finish – such a rarity to be home well before 9pm on a theatre night – and a pleasing indication of the vibrancy and variety in new theatre writing in the UK.  Continue reading “Review: Rough Cuts – Bytes, Royal Court”

Posted on

The 2011 London Evening Standard Theatre Awards

Best Play
The Heretic by Richard Bean (Royal Court)
One Man, Two Guvnors by Richard Bean (National’s Lyttelton)
Becky Shaw by Gina Gionfriddo (Almeida)
Tribes by Nina Raine (Royal Court)

Best Director
Mike Leigh for Grief (National’s Cottesloe)
Rob Ashford for Anna Christie (Donmar)
Dominic Cooke for Chicken Soup with Barley (Royal Court)
Edward Hall for Richard III & The Comedy of Errors (Propeller at Hampstead) Continue reading “The 2011 London Evening Standard Theatre Awards”