Just a quickie for this as the book is almost sold out now, but Sophie Ross and Danny Kaan’s coffee-table book Dear Audience is such a beautiful book that I’d encourage you to go and purchase one of the few remaining copies. Striving to photographically celebrate the arts industry from a wide range of performers through producers, MDs and writers, it is a nicely high-quality publication that matches that aim.
In the interest of fairness, I can’t pick favourites from the many many names featured here, just look at the tags to see the impressive roll-call. What really elevates the book though is the inclusion of heartfelt letters from some of the participants, adding a really personal note to the whole endeavour, reminding us of the personal cost of the pandemic alongside what it has done to the sector as a whole. Track down those last copies now.
The award-winning musical & Juliet – which had been thrilling audiences before the closure of theatres last March – will return to the Shaftesbury Theatre from Friday 24 September.
Miriam-Teak Lee – who was awarded the Olivier Award for Best Actress in 2020 for her performance as Juliet – leads a cast including Cassidy Janson, who also won an Olivier Award for Best Supporting Actress for her portrayal of Anne Hathaway, Oliver Tompsett as William Shakespeare, David Bedella, who also won an Olivier Award for his performance in the show as Lance, Jordan Luke Gage as Romeo, Melanie La Barrie as Nurse, and Tim Mahendran as Francois. Alex Thomas-Smith will be joining the principal cast in the role of May. Continue reading “News: & Juliet sets re-opening date and reveals new cast members”
If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.
There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.
The lockdown hasn’t featured enough Backstreet Boys so far so here’s the & Juliet company doing their best to right this wrong
Heart vector created by starline – www.freepik.com
Late 90s pop is always my jam so a musical that features it is always going to be a winner. The brilliant & Juliet is so much more besides as well though, don’t miss it at the Shaftesbury Theatre.
“You hear my voice, your hear that sound
Like thunder, gonna shake the ground”
What if Juliet didn’t die? And what if the writer and producer of some of the most iconic pop music of the last two decades (think Britney, Backstreet Boys, Céline, Katy Perry, Robyn, Kelly Clarkson, P!nk just to name a few) decided to lend his back catalogue of songs to a new musical dedicated to her? The result is & Juliet, a slice of energetic and hugely entertaining musical theatre that explodes with joy at the Shaftesbury Theatre.
David West Read’s smartly self-aware book employs a metatheatrical twist as we open with William Shakespeare and Anne Hathaway having a barney about the ending to his latest play Romeo and Juliet and she persuades him to give her a bash at writing a new one with him. Thus we pick up in Verona where Juliet reclaims ‘…Baby One More Time’ from Darius and declares her intention to flee to Paris with her best gal pals and flirt with some foreign guys. But as William and Anne tinker with their plotting, the fractures in their own relationship come to the fore, causing some major new plot twists. Continue reading “Review: & Juliet, Shaftesbury Theatre”
Capturing so much of effervescent fun of the show, the Original London Cast Recording of & Juliet should be on everyone’s Christmas list
“Pretty, pretty please, don’t you ever ever feel
Like you’re less than f**kin’ perfect
When it comes to jukebox musicals, cast recordings can be a little hit and miss, depending on how the albums thrive (or otherwise) divorced from their theatrical contexts. Fortunately with & Juliet, a show I absolutely adored, the result is definitely more hit than miss. Having seen the show, it is a fantastic counterpart to my memories and every time I listen to it, it spurs me to look at ticket availability and ask myself how many times is enough…
The vibrancy of the production translates surprisingly well onto disc. The raucous energy of ‘Blow’ is one giant party, you’ll never hear ‘It’s My Life’ the same way again and the mash-up of ‘Problem’ and ‘Can’t Feel My Face’ remains an absolute standout, anchored by Miriam Teak-Lee’s confident delivery and Jordan Luke Gage’s pop freshness. Teak-Lee really is superb throughout, power and passion invested in every song, treating Max Martin’s with the artistic integrity it thoroughly deserves. Continue reading “Album Review: & Juliet (Original London Cast Recording)”