Category: Top plays of 2019
Review: Three Sisters, National Theatre
Inua Ellams’ relocation of Chekhov’s Three Sisters to the Biafran Civil War proves devastatingly effective at the…
Review: The Ocean at the End of the Lane, National Theatre
The theatrical magic of the excellent The Ocean at the End of the Lane finds a perfect…
Review: The Boy Friend, Menier Chocolate Factory
As light as a madeleine and as frivolous as a macaron, Sandy Wilson’s The Boy Friend proves…
Review: West Side Story, Curve
No doubt about it, Nikolai Foster’s production of West Side Story for Curve Leicester is damn close…
Review: My White Best Friend, Bunker Theatre
My White Best Friend (and even more letters left unsaid) sees the Bunker Theatre start the process…
Review: & Juliet, Shaftesbury Theatre
Late 90s pop is always my jam so a musical that features it is always going to…
Review: Mary Poppins, Prince Edward Theatre
Someone clearly has too much time on their hands…enjoy the wordplay in this review of this spectcular…
Review: Islander, Southwark Playhouse
The magic of musical theatre distilled into two voices, Islander is another success for British musicals at…
Review: Karaoke Play, Bunker Theatre
Annie Jenkins’ impeccably acted Karaoke Play proves quietly devastating at the Bunker Theatre “I’ve got a fucking…
