On 6th November 2016, Rodgers and Hammerstein’s ever popular State Fair will be performed for the first time on the London stage as a symphonic concert by the London Musical Theatre Orchestra under award winning director and Evening Standard Awards nominee Thom Southerland (currently doing amazing work with Ragtime) at Cadogan Hall.
In a double first for the LMTO, this is also the first full scale public performance by the company which debuted its inaugural gala, in June of this year, to a packed house at Bishopsgate Institute where the orchestra is in residence. Continue reading “Round-up of news and treats and other interesting things”
How To Get Mugged
At barely 3 minutes long, Cecilia Fage’s How To Get Mugged is a brilliant example of how to do a comic short, focusing hard on getting the concept right and then exploring it without exploiting it. Too often, comedy stretches out a joke far too thinly but there’s no such fear here as two new Hackney residents are accosted by a mugger but react in a far different way to what you might expect. And given that that mugger is played by the luscious Philip McGinley, I know a good few people who would have reacted in yet another way to being accosted by him 😉
Continue reading “Short Film Review #42”
“In what a shadow or deep pit of darkness doth womanish and fearful mankind live”
Gemma Arterton may have the part of the willowy ingénue down pat in The Duchess of Malfi at the Sam Wanamaker Playhouse just now but over in the earthier environment of the Bethnal Green Working Men’s Club, something much more radical is happening. Cover Her Face is a new version of John Webster’s 1613 work which relocates the play to the queer subculture of 1950s London, Malfi being the club at the centre of the scene, and third gender writer/performer La JohnJoseph its transgender Duchess.
Daniel Fulvio and Martin Moriarty’s reworking for Inky Cloak is a bold move but one which pays richly evocative rewards. The shifting of the narrative onto a trans focus possesses an aching urgency – JohnJoseph’s Duchess longing for love and marriage and the freedom to live as a woman, yet cruelly constrained by the conservatism of her two brothers – malevolent twin Ferdinand and the closeted Minister. Their uneasy arrangement is shattered though by arrival of the handsome Antonio. with predictably tragic consequences. Continue reading “Review: Cover Her Face, Bethnal Green Working Men’s Club”
“Keep working, keep working, keep working, keep working…poor bastards”
Aleksandr Solzhenitsyn’s The Love Girl and the Innocent hasn’t been seen in London for over 30 years and with a cast of over 50 characters, one can see the challenges facing anyone willing to take it on. It’s taken Matthew Dunster nearly 10 years but with Jagged Edge Productions and a multi-tasking cast of 16, he now brings his own adaptation to the Southwark Playhouse in an atmospheric if sprawling production that evokes the horrors and absurdities of life in the gulag.
Based on the playwright’s own experiences in the Soviet labour camps, the play is at its best in capturing the insane swirl of the prisoners as they jostle for position and privilege in the microcosm of Russian society that develops. Most have been sentenced to 10 years hard labour and so are in it for the long haul as they become part of a never-ending production line, but where they end up on it depends on their willingness to collude, corrupt and conspire to make their lives even just a smidgen better as the relentless demand for greater productivity comes from on high. Continue reading “Review: The Love Girl and the Innocent, Southwark Playhouse”