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News: NT launches new streaming service National Theatre at Home

The National Theatre, in partnership with Bloomberg Philanthropies, has today launched  National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.

Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren,  Othello  with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.

In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel).   Continue reading “News: NT launches new streaming service National Theatre at Home”

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News: Tristram Kenton’s stage archive – the Hollywood edition

Perhaps inevitably, famous names getting more clicks than bona fide theatrical talent remains as true as ever as Tristram Kenton’s before-they-were-famous photo montage and its sequel are now followed up by a full-out Hollywood edition. Interesting to see the people who’ve trodden the boards over the years but for me, this is a less interesting selection of productions than we’ve previously seen, not much FOMO envy here at all:
https://www.theguardian.com/stage/gallery/2020/nov/18/nicole-kidman-orlando-bloom-hollywood-stars-west-end-stage-in-pictures

Photos: Tristram Kenton

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Book review: Time To Act – Simon Annand

Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage

Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.

Continue reading “Book review: Time To Act – Simon Annand”

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Happy 50th Birthday to the Young Vic

Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.

The 50th birthday year of work begins with three major commissions:

[Show thumbnails]
  • YV 50thProjection Project – a projection celebrating the people and productions from across five extraordinary decades, illuminating the front of the Young Vic building each evening, with video design by Duncan McLean – check out just some of those productions in the gallery above.

    From 11 Sept – 4 October, 7.30pm – 10.30pm daily except Sundays, free.

  • The Unforgotten –an interactive outdoor art installation commemorating trailblazers Mary Seacole, Marsha P. Johnson and Ulric Cross. Furthering the conversation within the Black Lives Matter movement, the Young Vic community will be invited to contribute to the installation by submitting their own nominations in writing on the side of the building and online, asking us all to (re)consider who we celebrate as our heroes. Created by artists Sadeysa Greenaway-Bailey and Anna Fleischle.
    From 11 September, free.
  • The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
    3 & 4 October, 4pm, Main House, free
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Film Review: Anna (2019)

Luc Bresson’s Anna is totally ridiculous but ultimately proves enjoyable hangover viewing fodder

“I shouldn’t be having conversations like this with anyone”

There’s a time and a place for all sorts and right now, I have to say that I am enjoying a fair bit of mindless culture, aka big, brash popcorn films that allow you to just switch your brain off whilst watching. Which is a long-winded way of introducing the concept that Anna is a trash film but also that it was ideal viewing on a hungover afternoon.

A Luc Besson film whose release last year was kiboshed due to serious allegations made about the director, there’s a slight sense that even without these troubles, Anna wouldn’t have fared too well. Retreading familiar territory in the world of female assassins, a serious case of diminishing returns sets in, exacerbated by a lead performance from model Sasha Luss that leaves her lack of experience cruelly exposed. Continue reading “Film Review: Anna (2019)”

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Film Review: The Good Liar (2019)

Ian McKellen and Helen Mirren team up for the entertainingly twisty film The Good Liar

“It seems like you’ve had quite a past”

Adapted by Jeffrey Hatcher from the novel of the same name by Nicholas Searle, The Good Liar marks the first time that British institutions Ian McKellen and Helen Mirren have worked together on screen. And when these two are onscreen together, this is a corking film.

With a twinkle in his eye, McKellen’s Roy is trawling the dating apps and lights upon the widowed Betty (Mirren). soon setting a date. They connect over martinis and bond over not necessarily being who they said they were online but as we discover Roy is a lifelong conman, it’s clear his eyes are set on her not inconsiderable means. Continue reading “Film Review: The Good Liar (2019)”

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News: National Theatre at Home continues with dual Frankensteins and more

National Theatre at Home continues its home programming with both versions of Frankenstein with Benedict Cumberbatch and Jonny Lee Miller and Antony and Cleopatra with Ralph Fiennes and Sophie Okonedo, plus there’s a National Theatre at Home Quiz 

Following on from the success of its opening set of transmissions – One Man, Two Guvnors was viewed over 2.5 million times in the week it was available – the National Theatre has announced the next two productions it will be airing as part of National Theatre at Home. 2011’s Frankenstein with Benedict Cumberbatch and Jonny Lee Miller sharing its two main roles and 2018’s Antony and Cleopatra, starring Ralph Fiennes and Sophie Okonedo.

Both productions will be free to stream, premiering at 7.00PM BST and then available on demand for seven days. Further productions to be streamed as part of National Theatre at Home will be announced soon.

Today also sees the launch of the National Theatre at Home Quiz, to be played from home featuring familiar faces from the world of stage and screen as the quizmasters. Each quiz will include rounds of five questions on a wide variety of topics.

On the final Monday of each month people will be able join the virtual quiz directly from their homes via the NT’s YouTube channel and Facebook page live at 7pm. The first quiz will be on Monday 27 April with quizmasters Dame Helen Mirren, Sir Lenny Henry, Lesley Manville, and Sir Ian McKellen asking questions on topics including history, sport, nature, and of course, the National Theatre (bagsy team Manville).  

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Book review: The Half – Simon Annand

The Half – Photographs of Actors Preparing for the Stage by Simon Annand

Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.

And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”