Best Actor in a Play, sponsored by Radisson Blu Edwardian
Ian Hallard for The Boys in the Band
Ian McKellen for No Man’s Land
Jamie Parker for Harry Potter and the Cursed Child
Kenneth Branagh for The Entertainer
Ralph Fiennes for Richard III
Best Actress in a Play, sponsored by Live at Zédel
Billie Piper for Yerma
Helen McCrory for The Deep Blue Sea
Lily James for Romeo and Juliet
Michelle Terry for Henry V
Pixie Lott for Breakfast at Tiffany’s Continue reading “2017 What’s On Stage Award nominations”
“I’d let him strum my banjo”
It was no surprise to discover that Half A Sixpence would be transferring into the West End – its run at Chichester Festival Theatre was a huge success (you can read my review here) and with Cameron Mackintosh on producing duties, it was always going to be a case of when rather than if. It’s a slow-burner of a show, the second act really is the business thanks to Andrew Wright’s choreography and as it opened at the Noël Coward Theatre last night, you can now read my 4 star review for the transfer over at Cheap Theatre Tickets here.
Running time: 2 hours 45 minutes (with interval)
Booking until 11th February
“We’ll never close…”
I was sad to see Mrs Henderson Presents close prematurely in the West End, having enjoyed it both there and in its first run at the Theatre Royal Bath, but pleased that we at least had a cast recording to remember the show by. I have to say though, that this was one of those occasions where just listening to the musical failed to capture what made it work on stage.
The period charms of George Fenton and Simon Chamberlain’s pastiche-laden score feel rather old-fashioned on record – not simply in the age that they are trying to evoke but in its very nature. Without the visual, it soon becomes clear that there isn’t a huge amount of narrative drive in the songs, they set the mood of the piece well but don’t tell much of a story on their own. Continue reading “Album Review: Mrs Henderson Presents (Original London Cast Recording)”
“Don’t forget your banjo”
Take a deep breath… the 1963 musical Half A Sixpence by Beverley Cross and David Heneker, based on the HG Wells novel Kipps: The Story of a Simple Soul, has been adapted anew for Chichester audiences with Julian Fellowes writing a fresh book and George Stiles and Anthony Drewe adding new music and lyrics to Heneker’s original songs. And because Cameron Mackintosh is Cameron Mackintosh, he gets a co-creator credit.
Originally written as a star vehicle for Tommy Steele, Half A Sixpence is the story of Arthur Kipps, an orphan who dreams of a better life whilst earning a pittance as a draper’s assistant in Shalford’s Bazaar, Folkestone. An unexpected bequest thrusts a fortune into his hands but his meteoric rise in society leaves him conflicted about his place in life as his heart is pulled between two very different young women (and a banjo). Continue reading “Review: Half A Sixpence, Chichester Festival Theatre”
“Everyone loves a bit of filth”
I really enjoyed Mrs Henderson Presents when I saw it last year in Bath, it came 13th out of all the shows I saw in 2015, so I was most delighted to hear that it would be transferring into the West End. It managed the journey with its main cast almost entirely intact, Tracie Bennett, Ian Bartholomew and Emma Williams all there, just Mark Hadfield dipping out to (re)join The Painkiller and replaced by Jamie Foreman, and its opening at the Noël Coward Theatre has been largely very well received.
And second time around, it pleased me just as much as the first. Terry Johnson’s direction of this ineffably British show (as with Andy Capp, playing the spoons is up there with the Union Jack) and from my memory, I don’t think that much has significantly changed (though I’ve seen a lot in the intervening 7 months…). That means that the shonky narrator/compere role is still there, which still wears thin quickly, but it also means that its generosity of spirit and warmth of heart is very much present. Continue reading “Re-review: Mrs Henderson Presents, Noël Coward Theatre”
Best New Play
Farinelli and the King by Claire van Kampen – Duke of York’s
Hangmen by Martin McDonagh – Jerwood Downstairs, Royal Court / Wyndham’s
People, Places and Things by Duncan MacMillan – National Theatre Dorfman
The Father by Florian Zeller, translated by Christopher Hampton – Wyndham’s
Best New Musical
Bend It Like Beckham – Phoenix
In the Heights – King’s Cross
Kinky Boots – Adelphi
Mrs Henderson Presents – Noël Coward
Hamlet – Barbican
Les liaisons dangereuses – Donmar Warehouse
Ma Rainey’s Black Bottom – National Theatre Lyttelton
The Winter’s Tale – Garrick Continue reading “2016 Laurence Olivier Awards nominations”
Best Supporting Actress in a Play
Daisy Haggard, You For Me For You
There’s no way to describe Haggard’s performance that could do justice to just how accomplished it is. Ostensibly just gibberish, the precise nature of the gobbledygook becomes apparent as her speech slowly modulates into increasingly recognisable English. And all the while as she’s speaking what is essentially another language, she never forgets to extract every exquisite comic detail – just brilliant.
Honourable mention: T’Nia Miller, Eclipsed
As with Wright for Best Actress, it’s a tad invidious to separate out the ensemble of what was my favourite play of the year but the extra dimension that she brought to the show, adding the thoughtful complexity of class division to the mix was an absolute highlight.
Priyanga Burford, The Effect
Estella Daniels, Octagon
Rosalind Eleazor, Plaques and Tangles
Sally Rogers, Hangmen
Adjoa Andoh, A Wolf in Snakeskin Shoes; Zawe Ashton, Splendour; Hélène Devos, Glazen Speelgoed; Ellie Piercey, As You Like It (Globe)
Best Supporting Actress in a Musical
Emma Williams, Mrs Henderson Presents
An actress who deserves to be much better known than she currently is, her latest superlative turn in a British musical might just be the one to push her through to the wider public consciousness, as deservedly so. At one point, a single sustained note from her brought tears to my eyes in seconds.
Honourable mention: Amy Lennox, Kinky Boots
This was probably the closest run of these choices as I loved Lennox’s haplessly quirky turn as Lauren is the very definition of a scene-stealer, none more so than in the glorious ‘The History of Wrong Guys’.
Anita Dobson, Follies
Anna Francolini, wonder.land
Lauren Samuels, Bend It Like Beckham
Lorna Want, Beautiful – The Carole King Musical
Liza Goddard, The Smallest Show on Earth; Preeya Kalidas, Bend It Like Beckham; Anastacia McClesky, Close to You; Victoria Serra, Grand Hotel