News: live shows at the Hippodrome and Cadogan Hall

Tickets now available for a series of new live shows at
Lolas Underground at The Hippodrome Casino in October, November and December 2021.

OCTOBER 2021
Wednesday 6th October – 8pm – David O’Reilly
Thursday 14th October – 7pm – Joe McElderry
Wednesday 20th October – 8.00pm – Hayley TamaddonNOVEMBER 2021

Monday 1st November – 8.00pm – Maria Coyne
Wednesday 3rd November – 8.00pm – Jo O’Meara
Tuesday 23rd November – 8.00pm – Kerry Ellis
Monday 29th November – 8.00pm – Lizzie Bea
DECEMBER 2021

Thursday 2nd December – 7.00pm – Michael Mather
Monday 6th December – 8.00pm – Evie Rose Lane
Tuesday 7th December – 8.00pm – Emma WIlliams
Thursday 9th December – 7.00pm – Sophie Louise Dann
Sunday 12th December – 2.30pm – Alice Fearn
Tuesday 14th to Thursday 15th December – 7.30pm  – Christina Bianco
Monday 20th December – 8.00pm – Danielle Steers
Tuesday 21st December – 8.00pm – The Girls From OZ

Plus Jenna Russell, Keala Settle, Shoshana Bean, and Jessica Vosk all playing Cadogan Hall.

 

News: Scott Alan pretty much takes over Crazy Coqs with his friends

Celebrating 2 months since re-opening, Soho’s hottest cabaret space present their September & October season of live shows, which features a whole lotta Scott Alan!

7th Oct, 9.15pm:
Scott Alan and Stuart Matthew Price: New Dads

8th Oct, 7pm:
“The Past, The Present, The Future” Part I

Jo Eaton-Kent, Daniele Alan-Carter, Kayleigh Atherton, Bella Bowen, Jessica Brady, Natalie Hollingworth, Megan Jobling, Alyssa Leclair, Christopher Noade, Aoife O‘Dea, Camille Rieu, India Rose, Tanya Truman and Ella Young Continue reading “News: Scott Alan pretty much takes over Crazy Coqs with his friends”

News: musicals coming to the screen soon

In The Heights

Due to arrive on 25th June, Jon M Chu’s film of In The Heights, based on Lin-Manuel Miranda and Quiara Alegría Hudes’s vibrant musical, tells the story of a Hispanic-American community threatened by gentrification. The film stars, among others, Anthony Ramos, Leslie Grace, Dascha Polanco, Stephanie Beatriz, Corey Hawkins, Melissa Barrera and Lin-Manuel Miranda predictably makes an appearance, though as Piragüero not Usnavi. Continue reading “News: musicals coming to the screen soon”

Assorted January news

Photo © Pip

Fionn Whitehead, star of Dunkirk and Black Mirror: Bandersnatch, will take on the titular role in an upcoming contemporary digital adaptation of the Oscar Wilde classic, The Picture of Dorian Gray.

The Picture of Dorian Gray, from the team behind the celebrated digital production of What a Carve Up!, is set to push the theatrical form like its predecessor; utilising elements found in radio plays, films, documentaries as well as traditional theatrical techniques.

Set in a profile pic-obsessed, filter-fixated world where online and reality blur, influencer Dorian Gray makes a deal. For his social star never to fade. For the perfect self he broadcasts to the world to always remain. But as his mental health starts to decline, as corruption and murderous depravity start to creep into his world, the true and horrific cost of his deal will soon need to be met.

The Picture of Dorian Gray, which runs for two weeks from 16-31 March, will reunite Henry Filloux-Bennett, writing the new adaptation, and director Tamara Harvey. Continue reading “Assorted January news”

News: Samuel Barnett, Janie Dee, Emma Williams and more join Bard From The Barn Series 3

The Barn Theatre’s third and final series of Bard From The Barn reveals a cast that includes Samuel Barnett, Janie Dee, Emma Williams, Seraphina Beh, Maanuv Thiara and more 

The Barn Theatre and Aaron Sidwell have announced the cast and creatives for the third and final series of their re-imagined Shakespeare series, Bard From The Barn.

The digital theatre series will return for a five-week series which reimagines William Shakespeare’s work to a modern-day setting. Continue reading “News: Samuel Barnett, Janie Dee, Emma Williams and more join Bard From The Barn Series 3”

February news round-up

Lots to catch up on so here’s a quick round-up of some upcoming concerts and events that could well be worth your time

If you’re looking for the more social side of things to go along with your theatregoing, then have a look here. Getgo Club is like a book club for theatre. Each month they take members to amazing London theatre & host a pre-show mingle, followed by a post-show discussion. The event is curated and hosted by working artists who will  ensure that discussions take place in a safe, fun, & open environment. Members also receive extra goodies such as discounts on tickets & drinks. All for £5!

Getgo Club is a great way to join a community of arts lovers, and head to a variety of theatre as a group. It has  and The first meet-up is at the end of February and I hear they have very limited spaces left so why not find out more here or even just apply directly for a membership here. Continue reading “February news round-up”

Review: An Officer and a Gentleman, Curve

Emma Williams reconfirms her star status in this 80s musical adaptation of An Officer and a Gentleman at Leicester’s Curve Theatre ahead of a UK tour

“Way to go, Paula! Way to go!”

From its opening number (which provides an unsettling reminder that Status Quo actually had a decent tune or two), this major new musical of An Officer and a Gentleman shimmers with a sense of real quality. Some might demur at the notion of a movie remake peppered with a random assortment of pop songs from the 1980s but the resulting piece of theatre is highly enjoyable.

This is down to the integrity and craft of Nikolai Foster who rightly takes this source material (book by Douglas Day Stewart and Sharleen Cooper Cohen from his original screenplay) seriously. We may be in 1982 but there’s no jokey visual gags about that decade here, just an over-riding sense of life on the edge for the working class community of Pensacola, Florida, looking on at the US Naval Aviation Training Facility that dominates their city. Continue reading “Review: An Officer and a Gentleman, Curve”

Scott Alan announces Live at Zédel residency with special guests in 2018

Live At Zédel, Soho’s unique live entertainment concept at The Crazy Coqs, will host a week-long residency by acclaimed international songwriter Scott Alan, who will be joined by a host of special musical theatre guests each evening. Audiences will be treated to Scott, along with his special guests singing tunes from all 7 of his recordings and brand new songs from his upcoming release, Lifeline. Continue reading “Scott Alan announces Live at Zédel residency with special guests in 2018”

Album Review: Chitty Chitty Bang Bang (2002 Original London Cast Recording)

“What a happy time we’ll spend”

I’m pretty sure that if you could distil the warmth of Emma Williams’ voice, it would be the basis for the cure to the world’s ills. There are few singers who have that kind of effect on people and it is a travesty that isn’t better known to the world at large. Part of that is a consequence to her admirable devotion to new musical theatre writing which means that her projects haven’t always quite broken through to the mainstream but to those in the know, she’s a real champion of British musical theatre. 

Which is a long-winded but deserved introduction to the Original London Cast Recording of Chitty Chitty Bang Bang, the production in which she made her debut as an 18 year old in 2002. The Sherman Brothers’ film has long turned into an enduring classic and its score here, enhanced by new numbers for the stage, remains a thing of unalloyed joy. The delicacy of lullabies like ‘Hushabye Mountain’ and ‘Doll On A Music Box’ are just beautiful and in the hands of Williams and Michael Ball, they shimmer gorgeously. Continue reading “Album Review: Chitty Chitty Bang Bang (2002 Original London Cast Recording)”

Album Review: Half A Sixpence (2016 London Cast Recording)

“Um-tiddly-um-pum-um-pum-pum
Stick it in your fam’ly album”

With Half A Sixpence due to close in the West End in exactly one month, I thought now was as good a time as any to give the Original Cast Recording a listen. The show has built up quite the devoted following in its lifespan but for me, in both its original Chichester production and the subsequent transfer to the Noël Coward, it was a musical that I liked rather than loved, the balance not quite right with all the magic in the second half.

And listening to the show simply reminded me of how I felt. Stripped of its extraordinary physicality, Charlie Stemp’s chirpy chappy routine is surprisingly quite wearisome to listen to from the outset. The sentiment of the opening title track proving cloying and the lack of any killer new tunes from Stiles and Drewe before the interval leave the score sounding solid rather than spectacular, I still can’t hum you a single track save ‘Half A Sixpence’ itself. Continue reading “Album Review: Half A Sixpence (2016 London Cast Recording)”