After the announcement of the search for ‘A Song For Our Time’, an original song to be written in response the the effect of the global pandemic and the following lockdown, organisers Danielle Tarento and Paul Wilkins are delighted to unveil the chosen song, ‘Looking At The Moon’ by Amir Shoenfeld and Caitlyn Burt.
They said “We were absolutely overwhelmed at the response to this search, with over 260 submissions from across six continents. The standard was incredibly high, with new songs from world-class songwriters from all four corners of the globe. Narrowing them down to a shortlist of three was unbelievably difficult and we are so grateful to Tony Award-winning composer Jason Robert Brown for helping us to make the final decision. We are delighted with the chosen song, ‘Looking At The Moon’ and thank Amir and Caitlyn for sharing their message of hope with us.” Continue reading “News: A Song For Our Time winner is announced”
This trio of album reviews covers Singing You Home: Children’s Songs for Family Reunification, Mamma Mia! Here We Go Again (2018 Film Soundtrack) and Vanara the Musical
“Ay, ay, ay, ay, canta y no llores”
Regardless of your politics, Singing You Home: Children’s Songs for Family Reunification is a really rather lovely album of bilingual children’s songs. But in this day and age nothing is not political and the current US administration’s policy of child separation is a genuine atrocity that it is hard to know how to respond. Laura Benanti had the nous to conceive this project though and produced it with Mary-Mitchell Campbell and Lynn Pinto, and a whole host of the great and good of the American musical theatre. Thus this is more than just your usual set of lullabies – Lin-Manuel Miranda and Mandy Gonzalez crooning on the Mexican song ‘Cielito Lindo’, Audra McDonald shining on Jason Robert Brown’s ‘Singing You Home’, Kristin Chenoweth’s ‘Beautiful Dreamer’, well worth the investment for this uniquely exceptional cause. Continue reading “Album Reviews: Singing You Home / Mamma Mia! Here We Go Again / Vanara the Musical”
And listening to the show simply reminded me of how I felt. Stripped of its extraordinary physicality, Charlie Stemp’s chirpy chappy routine is surprisingly quite wearisome to listen to from the outset. The sentiment of the opening title track proving cloying and the lack of any killer new tunes from Stiles and Drewe before the interval leave the score sounding solid rather than spectacular, I still can’t hum you a single track save ‘Half A Sixpence’ itself. Continue reading “Album Review: Half A Sixpence (2016 London Cast Recording)”
This trio of album reviews covers Peter Pan A Musical Adventure, The Confession Room and Marie Christine
“Would I oblige? I obliged”
Michael John LaChiusa is one of those composers of the new American musical theatre mould, or maybe even beyond, in adopting a dense and complex compositional style that means his work hasn’t always had the credit it deserves. This original Broadway cast recording of his 1999 show Marie Christine feels like a case in point – a Tony-nominated book and score that has rarely been revived, never mind made it to the UK. An adaptation of the Medea story that relocates it to 1890s New Orleans, it is blessed by a stunning central performance from Audra McDonald as a remarkably vicious leading lady. The score is made up of fragmented pieces of music rather than conventional notions of what we would consider a song but its operatic drama hits the mark for me. And I’d love to see it the UK some time soon please… Continue reading “Album Reviews: Peter Pan A Musical Adventure / The Confession Room / Marie Christine”
Take a deep breath… the 1963 musical Half A Sixpenceby Beverley Cross and David Heneker, based on the HG Wells novel Kipps: The Story of a Simple Soul, has been adapted anew for Chichester audiences with Julian Fellowes writing a fresh book and George Stiles and Anthony Drewe adding new music and lyrics to Heneker’s original songs. And because Cameron Mackintosh is Cameron Mackintosh, he gets a co-creator credit.
Originally written as a star vehicle for Tommy Steele, Half A Sixpence is the story of Arthur Kipps, an orphan who dreams of a better life whilst earning a pittance as a draper’s assistant in Shalford’s Bazaar, Folkestone. An unexpected bequest thrusts a fortune into his hands but his meteoric rise in society leaves him conflicted about his place in life as his heart is pulled between two very different young women (and a banjo). Continue reading “Review: Half A Sixpence, Chichester Festival Theatre”
“Welcome to the room where your problems are heard”
In this cut-throat theatre world, one takes the opportunity to celebrate new musical theatre writing where one can so there was little hesitation in booking for this one-off concert performance of Dan Looney’s The Confession Room at the St James Theatre’s downstairs studio space. I actually came across Looney as part of an evening celebrating another writer John Kristian last month so it was nice to be able join the dots a little here and see some of his work given theatrical life.
This show received a concept recording from SimG Productions which was released on CD last year when a production also played the Landor for a night and tonight’s show, directed by Paul Foster with musical direction from Tim Evans, used the music from the recording along with excerpts of Patrick Wilde’s book to entertain an audience who’d opted to miss (the first half at least) the theatre of the World Cup final for some genuine musical theatre. Continue reading “Review: The Confession Room, St James Theatre”