Whilst we edge ever closer to curtains maybe rising once again, a new pair of podcasts should see us through
Hear Me Out is a brand-new podcast from actor and producer Lucy Eaton, most recently seen on TV screens starring alongside David Tennant, Michael Sheen, and her brother Simon Evans in BBC1’s Staged. The first four episodes are now available to listen to with guests Mark Bonnar, Denise Gough, Adrian Lester, and Claire Skinner. A new episode will then be released each Tuesday from 30 March onwards with future guests including Brendan Coyle, Freddie Fox, Patricia Hodge, Maddy Hill, and Giles Terera. Hear Me Out is available to listen to on Apple Podcasts, Spotify, Anchor.com, and all major streaming platforms. Filmed clips from the episodes can also be found on YouTube @PodHearMeOut.
Hear Me Out puts the audience back in the stalls or, closer still, the rehearsal room. Creeping further into 2021, many have endured twelve months without a curtain going up. This new podcast invites theatre-loving audiences to re-connect with theatre-makers in a unique celebration of language and performance. Continue reading “News: two new theatrically inclined podcasts announced”
The National Theatre has today announced three new filmed productions have been added to its streaming service National Theatre at Home, including Angels in America Part One: Millennium Approaches and Angels in America Part Two: Perestroika, Marianne Elliott (The Curious Incident of the Dog in the Night-Time, War Horse)’s multi-award-winning production of Tony Kushner’s two-part masterpiece, with a cast including Andrew Garfield (The Social Network), Denise Gough (Paula), Nathan Lane (American Crime Story), James McArdle (Ammonite), Susan Brown (It’s A Sin) and Russell Tovey (Years and Years). Continue reading “News: Angels in America amongst productions added to National Theatre at Home”
AKA the one where they take it too far… Messiah V – The Rapture replaces the entire cast and loses its soul
“A new start is good for me…”
After four instalments over five years, it took three years for the Messiah series to return with The Rapture, a self-described ‘second chapter’ for the show written by Oliver Brown. And it has to be described thus because it is the first Messiah story not to feature Ken Stott’s DCI Red Metcalfe at its heart. And yet it doesn’t try to distinguish itself at all as it retreads the ‘serial killer following a bizarre pattern’ storyline that has been the series’ hallmark.
The core team has been entirely replaced, but baffingly with fascimiles of themself. Gruff lead detective with a haunted past, supported by young female and gruff older sergeants. Marc Warren, Marsha Thomason and Daniel Ryan are all fine in their roles but having to get to know an entirely new cast in the fifth series of a show, and with a reduced running time to boot, just makes you wonder why they thought besmirching the Messiah name in this way was an acceptable idea. Continue reading “TV Review: Messiah – The Rapture (2008)”
Chloë Moss, Nathaniel Martello-White and Jasmine Lee-Jones make Episode 5 of Unprecedented unmissable
“I want people not screens”
One of the main strengths, for me, of Unprecedented has been the sheer variety of the writing that has responded to Covid-19 here. Previous episodes (#1, #2, #3, #4) have all impressed but the combination of writers in this fifth instalment really captures that lightning-in-a-bottle potential that makes the best theatre spark.
I watched Chloë Moss’ Everybody’s Talkin’ whilst hungover but not even I can blame the huge weeping tears on that alone, this is a beautifully pitched, gorgeously performed slice of family drama in miniature. Three daughters gather on Zoom to speak with their recently bereaved mother but the trials of finding a new normal, within the context of already having find a new normal is full of unimaginable pain. Moss’ writing and Caitlin McLeod’s direction speaks directly to the challenges that so many faced even before coronavirus hit, and during, and Sue Johnston leads the cast marvellously.
Continue reading “TV Review: Unprecedented, Episode 5”
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
Director and frequent Philip Ridley collaborator David Mercatali gives a wonderfully frank response to the 10 questions challenge
I think I’ve been reviewing David Mercatali’s shows as long as I’ve been blogging, so I loved the opportunity to find out a bit more about him here. Of those productions that I’ve loved, from the blistering Johnny Got His Gun to Little Light, it’s the striking Radiant Vermin, by Philip Ridley, that ranks as my favourite, I even went to see it in French.
“We took the show to Bristol, London, New York, Avignon and Paris. It’s still touring in France now! There are so many happy memories from that long journey.
My favourite would be during the first run at the Soho in 2015. I am very very anxious when I watch my shows. I’m even worse now than when I started. Being amongst the audience can be stressful and I always fasten on to the one person I can see who isn’t enjoying it. But on this occasion I was sat on the balcony at the side and could see many of the audiences faces. When the garden party scene (for anyone who didn’t see it, it was an epic physical comedy scene at the end of the play) I decided to watch the audience watch the play. The looks of joy and wonder I’ll never forget. For once in this career I was living in the moment and enjoying the affect my work had.”
Continue reading “10 questions for 10 years – David Mercatali”
Anthony Boyle – Harry Potter and the Cursed Child
Jamie Brewer – Amy and the Orphans
Noma Dumezweni – Harry Potter and the Cursed Child
Johnny Flynn – Hangmen
Denise Gough – Angels in America
Harry Hadden-Paton – My Fair Lady
Hailey Kilgore – Once on This Island
James McArdle – Angels in America
Lauren Ridloff – Children of a Lesser God
Ethan Slater – SpongeBob SquarePants
Charlie Stemp – Hello, Dolly!
Katy Sullivan – Cost of Living
Dorothy Loudon Award for Excellence in the Theater: Ben Edelman, Admissions
John Willis Award for Lifetime Achievement in the Theatre: Victor Garber
Farinelli and the King
Harry Potter and the Cursed Child, Parts One and Two
Latin History for Morons
The Band’s Visit
SpongeBob SquarePants: The Musical
Best book of a musical
Itamar Moses for The Band’s Visit
Jennifer Lee for Frozen
Tina Fey for Mean Girls
Kyle Jarrow for SpongeBob SquarePants: The Musical Continue reading “The complete 72nd Tony nominations”
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Nominations for the 2018 Drama Desk Awards”