AKA the one where they take it too far… Messiah V – The Rapture replaces the entire cast and loses its soul
“A new start is good for me…”
After four instalments over five years, it took three years for the Messiah series to return with The Rapture, a self-described ‘second chapter’ for the show written by Oliver Brown. And it has to be described thus because it is the first Messiah story not to feature Ken Stott’s DCI Red Metcalfe at its heart. And yet it doesn’t try to distinguish itself at all as it retreads the ‘serial killer following a bizarre pattern’ storyline that has been the series’ hallmark.
The core team has been entirely replaced, but baffingly with fascimiles of themself. Gruff lead detective with a haunted past, supported by young female and gruff older sergeants. Marc Warren, Marsha Thomason and Daniel Ryan are all fine in their roles but having to get to know an entirely new cast in the fifth series of a show, and with a reduced running time to boot, just makes you wonder why they thought besmirching the Messiah name in this way was an acceptable idea. Continue reading “TV Review: Messiah – The Rapture (2008)”
Helen McCrory and Maxine Peake help elevate Messiah – The Harrowing to arguably the series’ devastatingly effective high point
“See beyond the victim, see the killer”
The first series of Messiah is certainly one of the best, setting the wheels in motion for an effective crime series, but I’d argue that it is the fourth instalment Messiah – The Harrowing that is the best of them all. The arrival of a new writer – Terry Cafolla – releases the show from the baggage of its legacy which seemed to weigh the last series one and produces something that is really, well, harrowing.
Harking back to that first series and its connecting device of people being killed in the style of the Apostles, the murderous connection here ends up being Dante’s The Divine Comedy and its descent into hell. And weighted around the death by suicide of the daughter of one of their colleagues, Red and his team (with Maxine Peake’s DS Clarke now in for a retired Kate) find themselves once again up against the darkest parts of human nature. Continue reading “TV Review: Messiah – The Harrowing (2005)”
With its third instalment The Promise, Messiah loses its way a little bit given the high standards of the first two serials
“I wasn’t alone, other people were there”
The problem with doing things so damn well, is that you then have to live up to those standards. Messiah found itself in such a position after a first and second series that helped to redefine the serial killer genre and with 2004’s The Promise, it struggled to meet that bar. Written again by Lizzie Mickery, it suffers from the unnecessary compulsion to cleave to the template of prior series rather than having the boldness to step outside.
So with Ken Stott’s Red and Neil Dudgeon’s Duncan pasts having figured so heavily in the last two series, it isn’t hard to work out that it is Frances Grey’s Kate to have a go through the emotional wringer. It starts sooner than you might think with a daring opening sequence set in a prison that is highly effective. And as deaths of people involved start to mount up, long buried secrets prove the key to finding the killer and saving the day. Continue reading “TV Review: Messiah – The Promise (2004)”
Messiah 2: Vengeance Is Mine keeps the gruesome intensity of this series effectively and chillingly high
“For every wrong conviction we’ve made, an innocent person could die”
Following on from the success of the first series, Messiah 2: Vengeance Is Mine continues in the same vein though it does so with an original screenplay from Lizzie Mickery, who adapted Boris Starling’s novel first time around. And much like the first series of certain successful Scandi-dramas, it manages the transition away from a highly personal narrative for its leads into something (slightly) more general.
That’s not to say that the cases here aren’t intimately linked to the key investigating team of Red Medcalfe (Ken Stott), Kate Beauchamp (Frances Grey) and Duncan Warren (Neil Dudgeon) but there’s only so far you can drag a tortured soul so directly through the mire. A subplot featuring Red’s brother does it best but you can’t deny its effectiveness in mirroring the key themes here, humanising the conflicts. Continue reading “TV Review: Messiah 2: Vengeance Is Mine (2003)”
The first series of Messiah only occasionally shows its age, mostly remaining a powerfully effective serial killer drama and franchise opener
“Maybe we’re getting too bogged and missed the connection”
Whilst theatre is off the menu, at least to the extent that I used to consume it, I have enjoyed being in of an evening and watching a lot more TV than I have done for a long time. And seeking the comfort of nostalgia, I’ve been delving into some of the shows that I enjoyed in the past – this week’s fun and games is the Messiah series.
Based on Boris Starling’s highly successful debut novel, the first series of Messiah (well, two feature-length episodes) holds up well nearly 20 years after it aired. And you can see the influence it has had on shows like Luther and River to name just a couple, as its gritty realism aligns with this country’s obsession with serial killer serials. Continue reading “TV Review: Messiah (2001)”