The First Folio is one of the great wonders of the literary world. Published in 1623, seven years after the death of its author, it was the first printed edition of Shakespeare’s collected plays. Without this achievement, we would have lost half of his dramatic work. So a new website has been dedicated in gratitude to the 400th birthday of this foundational book on the 8th November 2023, complete with essays, articles and a set of speeches from the plays read by an illustrious cast. Follow the jump to find out who. Continue reading “News: Folio 400 website goes live”
No spoilers, but the second series of His Dark Materials is a continued absolute triumph
“Your duty is to protect the girl…and the boy”
We may have lost an episode of the second series of His Dark Materials to the pandemic but you really couldn’t tell, its atmospheric and elegiac storytelling feeling like some of the most mature work on screen right now. Jack Thorne’s adaptation of Philip Pullman’s novel(s) manages a brilliant balance between faithfulness and invention, an added scene between Mrs Coulter and Lee Scoresby is a sensational addition. And the direction from Leanne Welham and Jamie Childs keeps the show looking amazing.
From Lyra’s enduring guilt over Roger’s demise in the Series 1 finale, to climactic struggles that lead to some truly traumatising conclusions, the odyssey that Lyra and Will take from their Oxfords to Cittàgazze and beyond is nothing short of stunning. Dafne Keen’s Lyra remains as intellectually curious as ever but Amir Wilson’s Will takes the spotlight as he’s forced to reckon with the weight of responsibility forced onto his shoulders. And he is achingly good, a new maturity coming forth episode by episode. Continue reading “TV Review: His Dark Materials, Series 2”
What are we going to be watching in November? Well obviously it’s His Dark Materials Series 2, The Prom and Dolly Parton’s Christmas on The Square starring Christine Baranski
Episode 1 of the second season of His Dark Materials continues its excellent work, matching my heightened expectations
“A wound caused by magic must be closed by magic”
Just a quickie as I didn’t want to leave this unmarked. His Dark Materials returns to our screens with a second series that focuses on the events of the book The Subtle Knife. Which means if you’re a James McAvoy fan, you’re in for a bit of a disappointment (unless adapter Jack Thorne has done something tricksy) as Lord Asriel is out for the duration.
But we still have Ruth Wilson doing amazing work as the iconic Mrs Coulter, dominating the men of the Magisterium with her will. And Dafne Keen and Amir Wilson are excellent as the newly-teamed up Lyra and Will, stepping into the strange new world of Cittàgazze with its genuinely horrifying spectres. And the world of the witches is expanded with Jade Anouka’s Ruta Skadi joining Ruta Gedmintas’ Serafina Pekkala as they consider their role in the events to come. All very exciting stuff.
Or to give it its true title, Ruth Wilson in His Dark Materials, the BBC scores big with Jack Thorne’s crafty and considered adaptation
“They speak of a child who is destined to bring the end of destiny”
There was never really any chance that I wouldn’t like His Dark Materials but as Series 1 draws to a close, I’m still amazed by how much I loved it. Given the complexity of Philip Pullman’s world-building as written, Jack Thorne’s adaptation of the first novel Northern Lights cleverly opted to tread its own path, moving revels and plot points here and there, plus weaving in elements of The Subtle Knife (the second) to wrongfoot and thrill anyone who thought they knew what they were expecting. With some stonking production design and top-notch VFX bringing the daemons (and more) to life, it has been simply fantastic (read my thoughts on episode 1 here).
Dafne Keen has been a revelation as Lyra Belacqua, the girl on whom so much rests in a world not so different from our own. So adult in so many ways as she battles everything to save her friend Roger (Lewin Lloyd – heartbreakingkly good), she’s also touchingly young in others (especially where Pan – voiced so well by Kit Connor- is concerned), as her understanding of the world can’t help but be coloured by her comparative inexperience, buffeted by devastating waves of parental ineptitude and cruelty. Revelations about those parents, about the mysterious substance Dust too, underline the sophistication of the writing here,never once looking down at its audience,no matter their age. Continue reading “TV Review: His Dark Materials Series 1”
After what has felt like an interminable wait, the BBC’s adaptation of Philip Pullman’s His Dark Materials arrives onscreen in scintillating form
“In every child’s nightmare, there is an element of truth”
After what has felt like an interminable wait, the BBC’s adaptation of Philip Pullman’s His Dark Materials arrives onscreen in scintillating form. Written by Jack Thorne and directed by Tom Hooper, this first episode set the tone marvellously, balancing all the detail needed for world-building for newcomers and yet still maintaining enough magic to hook in those more seasoned fans of the work.
I definitely count myself in that latter category. The books were the first I ever hungered for in waiting for the publication of the second and third in the trilogy. The National Theatre production ranks as one of the best things I’ve ever seen in a theatre and I trekked to Bath and Salford to see subsequent revivals. I even don’t think the film adaptation of The Golden Compass is the worst thing in the world, honest… Continue reading “TV Review: His Dark Materials Episode 1”
I round up some of the recent casting news, including Queen Margaret at the Royal Exchange, Wasted at the Southwark Playhouse, Measure for Measure at the Donmar and The Woods at the Royal Court.
Shakespeare wrote more lines for Queen Margaret than he did for King Lear yet we know very little of her. Jeanie O’Hare re-acquaints us with one of Shakespeare’s major but rarely performed characters in her new play Queen Margaret. In a production that draws on original language from Shakespeare, director Elizabeth Freestone and Jade Anouka as Margaret, retell an iconic moment in British History through the eyes of the extraordinary Margaret of Anjou. This captivating exploration of The Wars of the Roses seen through the eyes of this astonishing, dangerous and thrilling woman opens the Royal Exchange’s Autumn Winter 2018/19 Season.
Anouka is joined by Islam Bouakkaz (Prince Edward/Rutland), Lorraine Bruce (York), Samuel Edward-Cook (Suffolk/Clifford), Dexter Flanders (Edward IV), Helena Lymbery (Hume), Lucy Mangan (Joan of Arc), Roger Morlidge (Gloucester), Kwami Odoom (Somerset/Richard), Bridgitta Roy (Warwick) and Max Runham (Henry VI). Continue reading “Casting news aplenty!”
Film of the Year
Call Me by Your Name
The Florida Project
God’s Own Country
The Shape of Water
Three Billboards Outside Ebbing, Missouri
British/Irish Film of the Year
God’s Own Country
Three Billboards Outside Ebbing, Missouri Continue reading “London Film Critics Circle Awards 2017 nominees”