The Donmar Warehouse will stream its West End revival of Constellations online next month, marking the first time the London theatre has hosted one of its productions on a dedicated on-demand platform. Nick Payne’s play, which was performed with four different casts over the run, has been recorded in each configuration and stream online in October for a month. The play will also be made available free to schools this autumn.
The production recently completed its highly acclaimed run at the Vaudeville Theatre where its four groupings all impressed. For my money, Sheila Atim and Ivanno Jeremiah, and Peter Capaldi and Zoë Wanamaker were both excellent but the chance to see Omari Douglas and Russell Tovey, and Anna Maxwell Martin and Chris O’Dowd in close succession really highlights the showcases this enterprise at its best. All four casting configurations will be available separately online so you’ll be able to mix and match to see the power and possibilities of different interpretations of the same text. Continue reading “News: Donmar Warehouse to stream all 4 versions of Constellations”
Omari Douglas and Russell Tovey and Anna Maxwell Martin and Chris O’Dowd really raise the game in this multi-cast Constellations at the Vaudeville Theatre
“In the quantum multiverse, every choice, every decision you’ve ever and never made exists in an unimaginably vast ensemble of parallel universes”
Naturally, having declared that the multiple casts of this West End revival of Constellations was perhaps a bit of an extravagance and not worth the return visits, both Omari Douglas and Russell Tovey, and Anna Maxwell Martin and Chris O’Dowd proved me wrong with a brilliant pair of interpretations of Nick Payne’s play, which offer up a powerful compare and contrast exercise right there in the moment.
You can read my reviews from upstairs at the Royal Court to its West End transfer to its bow on Broadway to the UK tour which also popped into the West End to find out more about the play itself. Here, Tovey and Douglas make it sharply witty and as downright sexy as it has ever been and O’Dowd and Maxwell Martin push it to a different funnier place, toying with the fourth wall in several places. So I’m busting out a highly recommended for these, both of them!
Running time: 75 minutes (without interval)
Photos: Marc Brenner
Constellations is booking at the Vaudeville Theatre until 12th September
Omari Douglas and Russell Tovey play until 11th September
Anna Maxwell Martin and Chris O’Dowd play until 12th September
The Donmar West End production of Constellations launches its first two casts in Sheila Atim & Ivanno Jeremiah and Peter Capaldi & Zoë Wanamaker at the Vaudeville Theatre
“One drink. And if you never want to see me again you never have to see me again.”
With the Donmar currently getting a lick of paint, Michael Longhurst has decided to revive his production of Nick Payne’s Constellations with a pandemic-friendly attention-grabbing model that fits neatly with Payne’s exploration of the multiverse. Four different casts take on the two-hander over the run, pushing it variously in terms of age, sexuality and race.
As if there was any doubting this is a show I like, you can read my reviews from upstairs at the Royal Court to its West End transfer to its bow on Broadway to the UK tour which also popped into the West End. And it is a real pleasure to be able to delve back into its playful structure which tracks the infinite possibilities of the relationship between quantum physicist Marianne and beekeeper Roland. Continue reading “Reviews: Constellations, Vaudeville Theatre”
Constellations returns to the West End and how! One of my favourite plays, with four different casts?! Amazing stuff.
“One drink. And if you never want to see me again you never have to see me again.”
This summer Nick Payne’s beautiful and heartbreaking romance Constellations is revived in the West End with a twist: four different casts take turns to journey through the multiverse exploring the infinite possibilities of a relationship; each refracting the play afresh. Starring Sheila Atim and Ivanno Jeremiah (18th June – 1st August), Peter Capaldi and Zoë Wanamaker (23rd June – 24th July), Omari Douglas and Russell Tovey (30th July – 11th September), and Anna Maxwell Martin and Chris O’Dowd (6th August – 12th September).
It’s a play I’ve followed as much as I can since it premiered upstairs at the Royal Court. From its West End transfer to its bow on Broadway, from the UK tour which also popped into the West End to the Southwark Playhouse production which never happened (very in keeping with the play!), plus there’s the new radio production which I’ve got lined up to listen to very soon. Safe to say I am handling my expectations very well and am in no way over-excited and chomping at the bit to book in to see the same show at least 4 times in less than 3 months…! See you there?
Less reviews, more notifications that a wonderful radio version of Nick Payne’s Constellations is now available to listen to on Radio 3, starring Gugu Mbatha-Raw and George Mackay. It’s well worth your time but be warned, it could well lead to expensive splurges to see the four forthcoming West End casts of Sheila Atim and Ivanno Jeremiah, Peter Capaldi and Zoë Wanamaker, Omari Douglas and Russell Tovey, and Anna Maxwell Martin and Chris O’Dowd.
Sasha Yevtushenko also directs a production of Elegy as part of this double bill, a play which I don’t remember half as fondly, despite a strong cast at the Donmar Warehouse. Here again, Juliet Stevenson, Deborah Findlay and Marilyn Nnadebe elevate the production to must-listen levels but it just isn’t as gut-wrenchingly affecting a piece of writing in the end.
Last up is Giles Terera’s The Meaning of Zong, the debut play for this talented performer which is now receiving its premiere on radio. It’s an extraordinary dramatisation of a shocking piece of British history that very few of us will know about, one which is vital to add to the discourse that has emerged since last summer and a play that must be put on major stages as soon as we can.
“This is a true story, but except for my own, I’ve changed all the names and I’ve done my best to obscure identities for reasons that’ll become clear.”
Directed by Aaron Sorkin, Molly’s Game centers on the real-life memoirs of Molly Bloom, the “poker princess” who rubbed shoulders with Hollywood’s elite while hosting underground games in the basement of clubs and at the homes of her wealthy clients. It’s a poker movie that appeals to the masses, and while the action often takes place at the tables, it’s Molly’s life that is the focal point of the film.
Released in December 2017, Molly’s Game is a story of feminine power and ruthless intelligence, and any viewer who didn’t know better would think they were watching complete fiction. But director Sorkin, who won an Academy Award for directing The Social Network, as well as being well-known for screenwriting plays such as A Few Good Men, sticks closely to Bloom’s memoirs, in addition to drawing on his interviews. What we get is as close to an accurate account of Molly Bloom’s life, and even the seemingly sensationalized moments involving death threats from Russian mobsters draw right from Bloom’s own accounts. Continue reading “Film Review: Molly’s Game “
54 years is quite the wait for a sequel but Mary Poppins Returns is full of nostalgic sweetness and charm
“Are you sure this is quite safe?
‘Not in the slightest. Ready!'”
54 years is quite the wait for a sequel but the sweetness and charm with which Mary Poppins Returns lands on our screens makes it pretty much worth it. It’s a film that does more than wrap you up in a warm blanket of nostalgia, it tucks you in, throws another log on the fire and makes you a steaming hot chocolate (no marshmallows though!).
Set 30 years after the much cherished original, the story (by David Magee, Rob Marshall and John DeLuca based off of PL Travers’s original tales) sees us rejoin Cherry Tree Lane where the adult Michael Banks (Ben Whishaw) lives with his young family (Pixie Davies, Nathaniel Saleh and Joel Dawson). But much like the other long-held sequel of the year, a sadness fills the house for a mother has died. And Michael’s artistic inclinations and part-time job at the bank aren’t bringing in enough to keep them from repossession. Who could possibly save the day…? Continue reading “Film Review: Mary Poppins Returns (2018)”
A strong cast can’t persuade me about literary adaptation The Crimson Petal and the White
“Here, people go to sleep as soon as the gin takes effect”
This TV adaptation of Michael Faber’s 2002 novel dates back to 2011 but despite having the kind of cast that normally attracts me like a moth to a flame, I never quite got round to watching The Crimson Petal and the White. And in all honesty, I should have stuck with my initial sixth sense…
Set in the seedy underbelly of Victorian London, the story follows Romola Garai’s courtesan Sugar and the relationship she develops with feckless perfume heir William Rackham, a persuasive Chris O’Dowd. From a flop of a first night, he soon becomes entirely infatuated with her, not letting the fact that he has a mentally ill wife get in the way. Continue reading “TV Review: The Crimson Petal and the White”
Paul Chahidi – Twelfth Night, or What You Will
Nick Cordero – Bullets Over Broadway
Bryan Cranston – All the Way
Mary Bridget Davies – A Night with Janis Joplin
Sarah Greene – The Cripple of Inishmaan
Rebecca Hall – Machinal
Ramin Karimloo – Les Misérables
Zachary Levi – First Date
Chris O’Dowd – Of Mice and Men
Sophie Okonedo – A Raisin in the Sun
Emerson Steele – Violet
Lauren Worsham – A Gentleman’s Guide to Love and Murder
Dorothy Loudon Award for Excellence in the Theater: Celia Keenan-Bolger – The Glass Menagerie
John Willis Award for Lifetime Achievement in the Theatre Winner: Christopher Plummer
Best Performance by a Leading Actor in a Play
Samuel Barnett – Twelfth Night as Viola
Bryan Cranston – All the Way as President Lyndon B. Johnson
Chris O’Dowd – Of Mice and Men as Lennie Small
Mark Rylance – Richard III as Richard III
Tony Shalhoub – Act One as Older Moss Hart / Barnett Hart / George S. Kaufman
Best Performance by a Leading Actress in a Play
Tyne Daly – Mothers and Sons as Katherine Gerard
Audra McDonald – Lady Day at Emerson’s Bar and Grill as Billie Holiday
LaTanya Richardson Jackson – A Raisin in the Sun as Lena Younger
Cherry Jones – The Glass Menagerie as Amanda Wingfield
Estelle Parsons – The Velocity of Autumn as Alexandra
Best Performance by a Leading Actor in a Musical
Neil Patrick Harris – Hedwig and the Angry Inch as Hedwig
Ramin Karimloo – Les Misérables as Jean Valjean
Andy Karl – Rocky the Musical as Rocky Balboa
Jefferson Mays – A Gentleman’s Guide to Love and Murder as the D’Ysquith family
Bryce Pinkham – A Gentleman’s Guide to Love and Murder as Monty Navarro Continue reading “68th Tony Award nominations”