150 musical performers from across the West End and Broadway have come together to perform a stellar version of “Make Them Here You” from Ragtime in support of Black Lives Matter and the Stopwatch campaign.
I wasn’t going to write up Turn Up London but in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”
Keys: Ben Smith Guitar: Steve Van Niekerk Bass: Rachel Espeute Drums: Bertie Atkinson Reeds: Joe Atkin-Reeves Trumpet: Andy Allen Trombone: Ross Lumbard Video editing: Rachel Espeute Mixing and Mastering: David Crane Brass arrangements: Andy Allen
“You should be much more careful when you’re talking about the sensitive subject of race”
I do love Avenue Q. It was one of the first musicals that I fell in love with after moving to London, tracking it throughout its West End-theatre hopping run with multiple visits (a recap can be found here) and then popping in here and there to catch the occasional touring version. And it is a show to which my reactions have shifted: 13 years ago when I first saw it, its quarter-life crisis was directly recognisable; a little way down the line now, I’m the one saying ‘these kids are so much younger than me’ about this youthful company!
Premiering in 2003, the show – music and lyrics by Robert Lopez and Jeff Marx and book by Jeff Whitty – benefited hugely from coming into life in a slightly more innocent pre-social media time, a moment when Generation X didn’t face half as much opprobrium as millennia are forced to shoulder nowadays. And revisiting the show now, as this Sell A Door production kicks off a major UK tour scheduled to last most of the year, it is just lovely to be reminded of simpler times, of such uncomplicated good feeling. Continue reading “Review: Avenue Q, New Wimbledon Theatre”