Amanda Burton’s departure is smoothly managed as Series 8 of Silent Witness heralds a major new age for the show
“Hard act to follow…the blessed Sam”
Given that the first 7 series of Silent Witness featured Amanda Burton’s name above the title, it is impressive that the show’s transition to life without her is effected so smoothly here. She leaves after the first story of Series 8 with a return to Northern Ireland and some long held secrets from the past and if her departure comes a little as a surprise, it’s slightly less so given how the first part of that story finishes on quite the cliffhanger.
Harry and Leo then get one story to themselves and their petty rivalries until Emilia Fox’s effervescent Dr Nikki Alexander is introduced to the team. She comes as a forensic anthropologist, focusing on Iron Age facial reconstructions but is soon co-opted into the Lyell Centre’s ways (“Why are they still involved? They’re pathologists”) in a dicey tale of horse racing and helicopters and then a truly harrowing tale of the aftermath of a train crash, stirringly written by Michael Crompton. Continue reading “TV Review: Silent Witness Series 8”
Royal & Derngate has announced four further productions to complete its 2021/22 Made in Northampton season. A new production of Joe Penhall’s biting contemporary satire Blue/Orange is brought to the stage this autumn by the producing team behind Ralph Fiennes’ hugely successful Four Quartets which is soon to transfer to the West End. Giles Terera and Michael Balogun will collaborate with Artistic Director James Dacre with original music by Valgeir Sigurðsson of Bedroom Community. The venue then premieres The Wellspring, an autobiographic work from playwright Barney Norris and his father David Owen Norris, directed by Jude Christian. The venue’s previously announced production of An Improbable Musical will then premiere with a cast including Niall Ashdown, Ruth Bratt, Adam Courting, Josie Lawrence and Janet Etuk.
This autumn also sees Royal & Derngate’s artist development programme Generate host a festival of new work and present 60 Miles by Road or Rail chronicling the recent history of Northampton Town. Meanwhile, the venue’s charity compilation album Incidental: Music for the Stage, will be released on 24 September on CD and all major streaming platforms. Continue reading “News: Royal & Derngate announces further productions for its 2021/22 Made in Northampton season”
Royal & Derngate Theatres and Atlantic Screen Music have announced the release of a contemporary classical and electronic music album INCIDENTAL: Music For The Stage featuring original compositions for theatre inspired by some of the most famous plays and novels in the English Language. The charity compilation album will contain original music from stage productions by composers such as White Lies, Anne Dudley, These New Puritans, Rachel Portman, Valgeir Sigurðsson, Isobel Waller-Bridge, Nick Cave and the Bad Seeds and Renell Shaw alongside spoken performances from actors including Judi Dench, Amanda Seyfried, David Harewood, Felicity Jones, Giles Terera, Patricia Routledge, James Norton, Sharon D Clarke, Iain Glen, Lesley Sharp, Stephen Fry, Indira Varma, Maxine Peake, Roger Allam, Anton Lesser and Simon Russell Beale.
Together they will raise vital funds to support Northampton Royal & Derngate Theatres’ reopening, helping the venue to recover from the devastating impact of the pandemic and to continue to produce their award winning Made in Northampton productions. The album is available to pre-order at incidentalmusicforthestage.com or pre-save on Spotify, Bandcamp, iTunes, Deezer and Tidal here. To launch the project today, two singles from the album are being released: Rachel Portman’s prologue to A Tale of Two Cities featuring Judi Dench and White Lies’ prologue to Cat on a Hot Tin Roof featuring Amanda Seyfried, both of which are available to listen to here and to download here. Continue reading “News: Royal & Derngate and Atlantic Screen Music announce new album Incidental: Music For The Stage”
Essentially a three-hander between Tamara Lawrance, Fiona Shaw and Jack Lowden, Kindred eschews the supernatural for the simply scary
“I’m not paranoid…”
There are horror cinematic references aplenty in Joe Marcantonio’s Kindred, inspiration drawn from some recognisable classics of the genre but the end result is something which speaks loudly, and effectively, with its own voice. The particular insidiousness of unvoiced racism, maternal mortality, the dangers of being near a horse…all are dealt with gradually impending doom.
Lawrance’s Charlotte has discovered she’s pregnant and she’s not sure how she feels about it, not least because she and hunksome partner Ben (a briefly seen Edward Holcroft) are intending to emigrate to Australia. Ben’s mother Margaret is not best pleased at the prospect of losing her first grandchild to another hemisphere and when Ben gets too close to that horse, sets in motion a nefarious plan to ensure it doesn’t happen. Continue reading “Film Review: Kindred (2020)”
AKA the one where they take it too far… Messiah V – The Rapture replaces the entire cast and loses its soul
“A new start is good for me…”
After four instalments over five years, it took three years for the Messiah series to return with The Rapture, a self-described ‘second chapter’ for the show written by Oliver Brown. And it has to be described thus because it is the first Messiah story not to feature Ken Stott’s DCI Red Metcalfe at its heart. And yet it doesn’t try to distinguish itself at all as it retreads the ‘serial killer following a bizarre pattern’ storyline that has been the series’ hallmark.
The core team has been entirely replaced, but baffingly with fascimiles of themself. Gruff lead detective with a haunted past, supported by young female and gruff older sergeants. Marc Warren, Marsha Thomason and Daniel Ryan are all fine in their roles but having to get to know an entirely new cast in the fifth series of a show, and with a reduced running time to boot, just makes you wonder why they thought besmirching the Messiah name in this way was an acceptable idea. Continue reading “TV Review: Messiah – The Rapture (2008)”
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
Given the current discourse around Churchill and the aspects of British history that are commonly taught, watching A United Kingdom couldn’t be more timely
“Would you care for a sherry?”
It’s no secret that the realities of British colonial history are too often and too easily brushed under the carpet. And so it’s no surprise that it is directors of colour who are dragging them into the spotlight, as Amma Asante does with A United Kingdom. You can’t imagine a history lesson that wouldn’t benefit from screening this for its students.
Written by Guy Hibbert from Susan Williams’ Colour Bar, it is based on the true-life story of a law student named Seretse and a underwriters’ clerk named Ruth who met at a dance and fell in love, the film intelligently explores and exposes post-war British imperialist attitudes as well as giving us an epic love story. Continue reading “Film Review: A United Kingdom (2016)”
Series 2 of Waking the Dead sees the show settling into a predictable routine perhaps just a little too easily and too soon
“She knows the truth, that what matters”
I didn’t mind Series 2 of Waking the Dead but I was surprised at how quickly and rigidly the show sticks to its formula, making the season not necessarily the most engaging. The biggest challenge actually comes in the ways that the show tries to justify these cases really being cold cases, when the team’s investigations so often lead to someone else dying which would surely make it an active case?!
But for the most part, we get Trevor Eve’s Boyd being a real twat (more so than I ever remembered), Sue Johnston’s Grace an all-knowing sage, Wil Johnson and Claire Goose as competent cops doing the legwork and Holly Aird’s Frankie an absolute master of her craft as she constantly delivers the goods in examining bodies, evidence, crime scenes and a lot more besides. Continue reading “TV Review: Waking the Dead Series 2”
With Lia Williams and Sylvestra Le Touzel both being badass in the cast, how could I not love Secret State
“Do I look like somebody who reads tweets?”
Inspired by Chris Mullin’s 1982 novel A Very British Coup, 2012’s Secret State stands up realy well nearly a decade on. And how could it not, when it features Lia Williams at the head of MI5, Sylvestra Le Touzel as the Foreign Secretary, Gina McKee and Douglas Hodge as hotshot reporters and Tobias Menzies as the Prime Minister. Continue reading “TV Review: Secret State (2012)”
As a means of bringing joy and creativity into homes during these uncertain times, the Rose is launching the ‘Readings from the Rose’ initiative
Several prominent actors and creatives in the industry have filmed themselves reading their favourite poems and the Rose will be releasing one reading every day at 1pm across 14 days.
These readings can be accessed by anyone completely free of charge on the Rose’s YouTube and Instagram channels, in the hope that they will bring some light entertainment to audiences while theatres are dark. Continue reading “News: Readings from the Rose launched”