Wicked, the West End and Broadway musical phenomenon that tells the incredible untold story of the Witches of Oz, is proud to announce that Lucie Jones (Elphaba), Ryan Reid (Fiyero), Sophie-Louise Dann (Madame Morrible) and Gary Wilmot (The Wizard) will lead the new London cast at the Apollo Victoria Theatre from Tuesday 1 February 2022.
They will join Helen Woolf, who returns from maternity leave to continue her acclaimed performance as Glinda, Carina Gillespie (Nessarose), Nicholas McLean (Boq), Simeon Truby (Doctor Dillamond), Amy Webb (Standby for Elphaba) and Charli Baptie* (Standby for Glinda), who all continue in their starring roles. Continue reading “News: Wicked announces 2022 London cast”
Full casting has been announced for the brand new stage adaptation of British comedy The Good Life which tours the UK this Autumn. The acclaimed cast will include actress and presenter Preeya Kalidas as ‘Margo Leadbetter’, Dominic Rowan as ‘Jerry Leadbetter’, and Sally Tatum as ‘Barbara Good’, joining the previously announced actor and comedian Rufus Hound as ‘Tom Good’. Also featured will be Nigel Betts and Tessa Churchard.
The new comedy by Jeremy Sams, is based on the classic television series by John Esmonde and Bob Larbey which entertained countless millions in the 1970s and which I have never seen an episode of. Directed by Jeremy Sams, this world premiere production will be the first time that the iconic characters of suburban neighbours the Goods and the Leadbetters will be seen on stage. The Good Life will open at Theatre Royal Bath on 7 October 2021, before dates at Cheltenham Everyman, Salford Lowry, Oxford Playhouse, Cambridge Arts Theatre, Malvern Theatres, Richmond Theatre and Chichester Festival Theatre. Continue reading “Early September theatre news”
“Sometimes you need to hear it Sam”
Given the fortunes of its replacement at the Piccadilly Theatre, the 15 month West End run of Ghost the musical doesn’t seem too bad at all in the end. Based on the famous 1990 film with book by Bruce Joel Rubin and music from Dave Stewart and Glen Ballard, the story of psychics, possession and pottery certainly looked impressive in Matthew Warchus’ cinematically flash production but this wasn’t always enough to overcome the shortcomings of its adaptation. But it was a show that intrigued and one that I came to like quite a lot (I saw it twice – reviews can be read here and here but the first review of the show on here, from its original Manchester run, comes courtesy of my father!) and so I was certainly intrigued to catch it at the New Wimbledon Theatre as it sets out on a major UK tour.
The main difference comes with the blessed removal of the heinous song and dance routine ‘Ball of Wax’. I’m not sure that tap dancing ghosts have any place in the world but they really stood out like a sore thumb in the original show with their misguided appearance coming at an appallingly bad time, right after Sam’s death and shattering any poignancy that might have been built up. Now, we get a much mellower song called ‘You Gotta Let Go’ (first introduced on Broadway) which serves the same purpose of getting him acquainted with his new status in the afterlife. Other changes are subtler and by and large, the show feels rather akin to its West End predecessor. Continue reading “Review: Ghost the musical, New Wimbledon”