Regions across the UK were hoping to win the lotterybut with the news of Tier 2 (for now) for London, here’s some Christmas theatre news
The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.
Caught in a bad romance, a gayed-up take on Romance Romance does nothing for me at the Above the Stag theatre
“There are days he blows his fuse now And there are nights he’s just not there”
Romance Romance was nominated for 5 Tonys in 1988 and performance nods aside, you have to wonder what the standard of the other nominees was (actually, they included The Phantom of the Opera and Into the Woods…!) as its charms really rather eluded me.
Steven Dexter’s production reframes Barry Harman’s book and lyrics into a gay context which certainly has interest. But the disparity of the two acts, based respectively on Arthur Schnitzler’s The Little Comedy and Jules Renard’s Le Pain de Ménage, means it is a curiously disengaging watch. Continue reading “Review: Romance Romance, Above the Stag”
“You gotta know what game to play and how to play it”
Faust via baseball, with songs – that’sDamn Yankees, the latest musical revival to hit Clapham North’s Landor Theatre, in a nutshell for you although the picture below gives a little more detail about the production… Hapless Joe Boyd blithely makes a deal with the devil to become Shoeless Joe Hardy who can save his beloved baseball team’s shockingly bad season even if it means leaving his wife behind. Sure enough though, as he helps the Washington Senators to victory after victory, suspicions about his sudden arrival are roused and it turns out he’s kinda missing his wife after all – can you go back on a deal with the devil?
It’s always a thrill to see choreography that tests the limits of this intimate space and Robbie O’Reilly’s work here is particularly striking in the group numbers – bringing to life the eternal conflict between obsessive sports fans and their spouses in the vibrant opening number ‘Six Months Out Of Every Year’, giving us the taut sensuality of a Latin dance club, or stripping the baseball team to their towels to show off their…ahem ‘Heart’. A show at the Landor also needs a director who understands the wide aspect of the stage and how to use it both efficiently and effectively. Continue reading “Review: Damn Yankees, Landor”
“It’s not what I expected. Is it what you expected?”
I doubt it was fully the intention of bookwriter Adam Mathais and composer Brad Alexander to suggest Dante’s circles of hell in the unconnected stories of their song cycle See Rock City And Other Destinationsbut there are moments when it might feel like it. The show purports to show vignettes of people searching for the meaning of life and love against the backdrop of different US landmarks with no real connection between them all save the shadowy presence of the Tour Guide, lurking at each scene.
In reality, we get fragments of stories accompanied by a handful of songs each which a youthful company try their hardest to make register but few really succeed. They’re hardly helped by a format which allows so short a time to establish their characters and a score which seems intent mainly on showcasing a wide range of musical styles rather than really forming any sort of narrative push or wider coherence to the scattered storytelling. Nor does Graham Hubbard’s direction really help us to find any connective tissue that might help the piece hang together more effectively. Continue reading “Review: See Rock City And Other Destinations, Union Theatre”