“Come, sit on me”
The Taming of the Shrew
Christopher Haydon takes Eve Best and John Light over to the Villa Businello-Morassutti in Padua, to make me sure that the world is in need of a proper production of the Best/Light Shrew as they spar achingly, beautifully, with each other. Toby Frow’s rambunctious 2012 production also comes up a treat with Samantha Spiro and Simon Paisley Day equally impressing. Continue reading “The Complete Walk, from the comfort of your sofa #10”
“Things aren’t always what they seem”
My anticipation levels for Tinker Tailor Soldier Spy were rather high, I didn’t make it to the cinema but its award-winning pedigree backed up by several people recommending it to me, assured that I would love it. And though it is a genre I have neglected, I do love a good spy thriller. That said, I’d not read the 1974 John Le Carré novel it was based on or seen the TV show, so I was coming to it with completely fresh eyes. I’d been warned that I’d need to concentrate so I took care to ensure that distractions were kept to a minimum as I watched the DVD, but I have to say that I really wasn’t carried away by the film or swept up into its world of intrigue.
When an MI6 agent is gunned down mid-meet in Hungary, the head of the secret service Control and his lieutenant George Smiley resign in acknowledgement of the failure, but Smiley is soon covertly rehired to look into the possibility that it was a mole that gave the game away. With the help of two colleagues, he begins to investigate the shortlist of suspects to find out who is the one who has betrayed his country. Swedish director Tomas Alfredson brings a measured solemnity to the densely complex plot which comprises of a bewildering number of characters and details which I struggled to take in and sustain the requisite level of interest. Continue reading “DVD Review: Tinker Tailor Soldier Spy”
“He draweth out the thread of his verbosity finer than the staple of his argument”
Working my way through the Globe DVD collection from their 2009 season has been good fun and a nice way to catch up on shows that I did not see and in the case of Love’s Labour’s Lost, a show that I have never actually seen. Dominic Dromgoole’s revival of his 2007 production brought back several original cast members (although sadly not Gemma Arterton who made her stage debut here) to this early Shakespearean comedy.
Not having any knowledge or preconceptions about a play is always a nice state of affairs for me, but by the end I could tell that this was surely going to be one of those of his works that is deemed problematic. The King of Navarre and his court decide to forswear women and pleasure for serious study but the arrival of the Princess of France and her ladies and their mischievous ways challenges their resolve. But not content with four potential couplings, the youthful Shakespeare works in a number of additional sub-plots which seriously pull focus from any main story and combined with an extreme wordiness – it’s often trying too hard to be clever to be genuinely funny – and a kicker of an ending, it does make for a rather odd experience. Continue reading “DVD Review: Love’s Labours Lost, Shakespeare’s Globe”
“The world is not thy friend”
When does one know that one has seen the definitive interpretation of a particular show? And who gets to decide these things? I’m not quite sure, but watching the Globe’s 2009 production of Romeo & Juliet on DVD, I very much got the feeling that Rupert Goold’s RSC version might just be as good as this play will ever get.
Neither lead performer really captures or engages the heart and convinces of the inevitability of their journey. Adetomiwa Edun and Ellie Kendrick have the teenage precocity but their youthfulness works against articulating a genuine sense of capricious, all-encompassing love: there’s no charisma to their performances and so little is really invested in their plight. Continue reading “DVD Review: Romeo & Juliet, Shakespeare’s Globe”