I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time taking a turn to the many David Hare productions he has been witness to. Highly recommended (the photos, not the Hare):
Photos: Tristram Kenton
Despite an excellent Samuel Barnett, the second series of Twenty Twelve isn’t quite at the level of the first, though still very enjoyable
“I’m not from the sanitary world, I’m from Yorkshire”
Perhaps inevitably, the second series of Twenty Twelve doesn’t quite live up the revelatory quality of the first, the tinkering with the formula knocking the exact chemistry of the ensemble ever so slightly off-balance. Split into two (although you wouldn’t know it watching it now), the final episode ran just a couple of days before the Opening Ceremony of London 2012, and the show’s success was such that it made the move from BBC4 to BBC2.
In many ways, the recipe for John Morton’s mockumentary series didn’t change. The Olympic Deliverance Commission continued their hapless march towards the opening of the 2012 Olympic Games, battling their own ineptitude and institutitional intransigency as personal ambition sets up against religious rights, the Royal Family, the nation’s comparative lack of interest in women’s football and sportsmen’s innate lack of personality to name but a few. Continue reading “TV Review: Twenty Twelve (Series 2)”
“You are the chief executive officer of the human race”
It was quite interesting to rewatch Series 8 of Doctor Who, one which I hadn’t revisited at all since it originally aired, as my memories thereof were not at all positive. And whilst disappointments remained – Robin Hood, 2D cartoons, the treeees! – there was also much to enjoy that I’d forgotten about. The smash-and-grab of Time Heist, the simplicity of ghost story Listen, and the ominous darkness of the finale.
I’m still in two minds about Peter Capaldi’s Twelve though, I want to like him so much more than I do, and I think you do get the sense of him feeling his way into his irascible take on the role. Jenna Coleman’s Clara benefits from being released from the yoke of impossibility to move to the forefront of several episodes and if she’s still a little hard to warm to, that finale really is superbly done. And then there’s Michelle Gomez, stealing the whole damn thing magnificently! Continue reading “Countdown to new Who: Doctor Who Series 8”
“People of accomplishment rarely sat back and let things happen to them, they went out and happened to things”
I came to Da Vinci’s Demons late but I really enjoyed working my way through Series 1 and Series 2 of this historical fantasy in order to get up to speed for the arrival of the third series. This turned out to be a bit of a bittersweet exercise as the show was then cancelled and the decision made to release the final series in its entirety online. I reviewed the first two episodes here but it has taken me a while to get to watching the rest though sadly, it wasn’t quite the swansong I’d hoped for.
Now thoroughly uprooted from Florence, the multitudinous locations of the many-stranded narrative leave Da Vinci’s Demons flailing aimlessly a little too often, with a sense of confusion about where and when (and indeed why) things are happening and not enough of a grand design emerging, drawing the pieces together with increasing clarity. The most frustrating part of this is the prominence of the programme’s internal mythology, pitching the Sons of Mithras (now bad) against the Labyrinth (possibly good, I think). Continue reading “DVD Review: Da Vinci’s Demons Series 3”
“This chemistry sounds much too sophisticated for a horde of heathens”
In this world of Netflix and Amazon dramas, the rules of getting your televisual content out there have changed for everyone and following suit, the entirety of the third series of Starz’ Da Vinci’s Demons has been released for people to go for a binge-watch or bite-site chunks as they see fit. I haven’t got a huge amount of time this week so I thought I’d sample the opening two episodes of this final (for now) season of this highly enjoyable historical fantasy romp, not least to get the cliff-hanger ending of Series 2 out of the way.
And perhaps acknowledging the forthcoming ending (although the series was filmed before the cancellation was announced), the tone of the show has darkened, increasingly bloody and brutal as ritual and warcraft take a more vicious turn with the stakes rising for pretty much every concerned. The Turks’ sacking of Naples gives us the best battle the show has done with fearsome consequences for several characters, Riario’s dealings with The Labyrinth become ever more sinister and even Gregg Chillin’s Zoroaster gets a decent plot for once. Continue reading “TV Review: Da Vinci’s Demons Series 3, episodes 1 + 2”
“This could be the gateway to extraordinary things”
The second series of Da Vinci’s Demons continues the historical fantasy in all its raucous, vaguely homo-erotic glory and feels like a stronger season for it. Having set up the busy world of Medici-ruled Florence and all its enemies, alongside Leonardo’s ongoing mystical quest at the behest of the Sons of Mithras, the show breathes a little here and has no compunction in scattering its main players on separate storylines, whilst folding in new ones to keep the story-telling ever fresh.
Most notably, Tom Riley’s captivating Leo hops on a ship with his pals and a guy called Amerigo Vespucci (Lee Boardman eventually getting to milk an excellent gag) to chase the Book of Leaves all the way to Peru and the depths of Machu Picchu. These South American scenes are just fantastic, magnificent to look at as our heroes take on the Incan Empire in all its gruesome feathered glory to uncover the mystery around Leo’s mother and the hidden power contained with the book. Continue reading “DVD Review: Da Vinci’s Demons Series 2”
“War has always been the handmaiden of progress”
From its opening moments of buttocks and blood (both belonging to an uncredited Hugh Bonneville if that floats your boat), it’s clear that Da Vinci’s Demons is going to have its fun whilst playing fast and loose with the early life of its subject, Florentine polymath Leonardo Da Vinci. Conceived by David S Goyer and a co-production between Starz and BBC Worldwide, it’s a good-natured romp of a drama series much in the mould of Merlin, Atlantis or the lamented Sinbad but perhaps tied a little closer to reality as it dips in and out of the tangled history of the Italian city states.
And it is its historical connections that serves as a main driver for the technological innovations for which Leonardo is famed and which form the ‘issue of the week’ around which most of the episodes hang. So as Da Vinci climbs into bed with the ruling Medici family, he’s sucked into their political machinations whilst battling rival families in Florence and the ever-present threat of the Catholic Church in Rome. Alongside this sits a more fantastical series-long arc about the mystical Book of Leaves and the Sons of Mithras who believe Da Vinci has only just begun to tap into his true power. Continue reading “DVD Review: Da Vinci’s Demons Series 1”
Ever on the cusp of the zeitgeist… Here’s a few of my favourite ice bucket challenges from the past few weeks, purely for the theatrical benefit of course.
Continue reading “Saturday afternoon ice bucket treats”
Responding to the work of Belarus Free Theatre, Connection is part of the continuing short film work that the Young Vic are producing in collaboration with the Guardian in response to their theatrical work. Written by Nicolai Khalezin and Laura Wade, it features Khalezin and Jude Law playing thinly veiled versions of themselves, both stuck at a London airport but for very different reasons. It’s an engaging, moving little tale and if the parallels that are drawn between the pair stick in the craw a little, Law’s ongoing work with BFT ought to silence any naysayers.
Continue reading “Short Film Review #33”
The best cultural experiences, no matter the medium, is the way that it can make one feel. So where classic Broadway-inspired choreography makes my soul soar, musical comedies make me laugh helplessly and my painstakingly curated iTunes collection can fit any mood I want, this group of shorts contains two films that made me weep for days, I’m welling up just thinking about one of them now, and so I am pleased to be able to them with you. The first and the last are the weepies, with a smattering of less sad films mixed in the middle.
Continue reading “Short Film Review #8”