“Carelessness and being free of care,
Aren’t they the same?”
Since its inception in 1999, Stephen Sondheim’s Road Show – with book by John Weidman – has undergone considerable rehabilitation, not least three title changes, and so has rarely been seen on this side of the Atlantic. John Doyle transferred his Off-Broadway production to the Menier Chocolate Factory in 2011 for its European premiere but this is the first UK revival since then, director Phil Willmott continuing a mini-residency at the Union after last month’s fine Fear and Misery of the Third Reich.
But where the episodic nature of Brecht’s storytelling worked well, Road Show is less successful in stringing together its vignettes of chasing the American Dream into something more affectingly substantial. The show follows the contrasting but always connected lives of brothers Wilson and Addison Meisner (per the programme) as they seek to parlay guts and gumption into something more, taking unsuspecting benefactors, love interests and easy marks along for the ride. Continue reading “Review: Road Show, Union Theatre”
“The Japanese equivalent for hear, hear, hear”
Though I am most familiar with the score, I’ve never actually seen a production of The Mikado before. The Pirates of Penzance was my Gilbert & Sullivan show of choice, due to a childhood obsession with the film version, and there have been precious few opportunities to see much G&S (the all-male versions aside) in London in recent years. Director Thom Southerland has had great success with chamber musicals like Parade and Titanic (even if I wasn’t that much of a fan of the latter) so news of a radically reconceived version, set in a 1920s fan factory, provoked more interest than concern.
It’ll be interesting to see how those who know the show better react but for me, it is highly entertainingly done. Lyrical updates include a predictable attack on reality TV wannabes but also a truly witty, and bang-up-to-the-minute, sift through political mis-steps in Lord High Executioner Ko-Ko’s list, delivered with a twinkly mischievousness by Hugh Osborne. And though I was one of just a few to apparently catch it at this performance, there’s a great Strallen reference in amongst many others during Mark Heenehan’s ‘A More Humane Mikado’ and what a fetching Mikado he doth make too. Continue reading “Review: The Mikado, Charing Cross Theatre”