“There is no God
There are no miracles”
Dennis Potter’s Brimstone and Treacle marks its 40th anniversary this year and so it’s as good a time as any to revive this dark drama that was so controversial on its release that the BBC banned it from its original Play For Today slot. It eventually played at Sheffield Crucible a year later and though it received a powerfully acted production (Tessa Peake-Jones, Rupert Friend) at the Arcola in 2012, Matthew Parker’s revival for his Hope Theatre feels perfectly poised to capitalise on its relevance to our fractured society.
Though written and set in the late 70s, Potter’s depiction of far-right politics, racism and homophobia, religious intolerance feels horribly recognisable. The way in which one character rationalises his decision to join the National Front has chilling new currency in this post-Brexit world and the supercilious smile that another character occasionally bares to the audience reflects nothing so much as the arrogance of Nigel Farage. Potter’s dramatic form of evil is naturally much more timeless but you can’t help but draw the parallels here. Continue reading “Review: Brimstone and Treacle, Hope Theatre”
“My work gets a bit poofy when I get nervous”
One of my favourite things to experience in the theatre is that sweet spot of just being happy to spend time with the characters presented to you. Much of that is down to the writing but a good deal of it also comes from how the production interprets it and so I’m delighted to report that I happily spent a couple of hours with the ladies of the Hope Theatre’s Steel Magnolias, and could easily spend a couple more, with my cup of ice tea, my fan with a pastel-coloured parrot on it (available to buy at the box office) and much love in my heart.
Robert Harling’s 1987 play found fame in the film version that was released a couple of years later but works exceptionally well here as a study in multi-generational female friendship. Over the course of 4 scenes in 3 years, we experience the trials and tribulations of the patrons of a Louisana beauty salon but despite the drama – and what tear-jerking drama it is – the beauty of Steel Magnolias comes in the everyday relationships and interplay of these women, their fallings-out and friendships, their sharing of recipes and gossip alike, the minutiae of life writ large. Continue reading “Review: Steel Magnolias, Hope Theatre”
Responding to the work of Belarus Free Theatre, Connection is part of the continuing short film work that the Young Vic are producing in collaboration with the Guardian in response to their theatrical work. Written by Nicolai Khalezin and Laura Wade, it features Khalezin and Jude Law playing thinly veiled versions of themselves, both stuck at a London airport but for very different reasons. It’s an engaging, moving little tale and if the parallels that are drawn between the pair stick in the craw a little, Law’s ongoing work with BFT ought to silence any naysayers.
Continue reading “Short Film Review #33”