Directed by Agnieszka Holland, Mr Jones delves deep into a shocking, and underexplored, piece of modern history and asks how we can so easily decide to look the other way
“What’s being done now will transform mankind”
It is remarkable how even now, epochal moments in history in which millions died can remain so unknown in the West. To my shame, I’d never heard of the Holodomor, and I’d wager not many in the UK could tell you what it was – a man-made famine in the early 1930s, a genocide against the Ukrainian people perpetrated by the Soviet government.
Agnieszka Holland’s film Mr Jones tackles this Western-blindness by exploring the story of Gareth Jones, a Welsh journalist/political adviser (how the lines are ever-blurred…) who risked his life to uncover the story and reveal it to the world, only to find that geo-political realities meant that no-one is really listening (nothing ever really changes does it?!). Continue reading “Film Review: Mr Jones (2019)”
AKA the one that doesn’t work and the one that you should avoid if you’re feeling angsty about the current situation – approach Spooks Series 6 with caution
“The only option will be national quarantine and burial pits”
Series 6 is one of the trickier ones to watch right now so be warned – it opens with a two-parter called ‘The Virus’ which makes for a eerily chilling watch. It’s also a curious season as whilst the introduction of a series-long storyline – Iran seeking to gain nuclear capability – for the first time seems like it should work no problem, the reality doesn’t hang together quite as well as it ought.
The major level conspiracy theory takes too long to click into gear, and never really reaches the high-stakes territory it needs to hit home hard. The ‘mole in MI-5’ thread doesn’t pay off convincingly, recruiting another journalist off the street tests the patience (sorry Ben) and where one fake-out death of a major character might be permitted, two in the space of three episodes feels lazy. A major disappointment following the highs of Series 5.
Absolute zero, it’s as if she never existed. Fucking Harry. Continue reading “Lockdown TV Review: Spooks Series 6”
So pleased to have one of my favourite actresses take on the 10 questions for 10 years challenge – all hail Noma Dumezweni!
Although she was already an Olivier award-winning actor by the time I started blogging, there has been a particular thrill in seeing Noma Dumezweni’s star rise the way it has over the last decade. A thrilling Paulina and Nurse wherein I first fell in love, absolutely bossing the Royal Court, even taking the time to make her mark in Doctor Who. Oh and the small matter of her mind-expanding Hermione, a triumph onstage naturally but also showing off a grace on social media that we would all do well to emulate.
It is the intimacy of A Human Being Died That Night that sticks most in my mind and Noma kindly shared some thoughts around that production:
“Apart from sharing the stage with ’The Marsh’ – that show put me contact – via a confluence of timings and moments – with my father in SA, after over 30 years… so, it’ll always be special, let alone getting to meet the real life people Matthew and I portrayed in that piece. It was a pretty awesome time.”
I can’t help but think Humans might have run its course as a uniquely intelligent and British sci-fi drama
“…the coming together of man and machine. You can change the course of history…”
I’ve enjoyed where Humans has taken us thus far, and the beginning of a third series seemed promising. But as I got to the end of this season and twist after twist pointed at where the story might well continue, it felt like I might have reached my expiration date with the show.
The human/synth baby that Mattie is carrying, Niska’s transformation into ur-Niska, V’s survival…it’s hard not to feel that any of these feel far less interesting than where Humans are trod thus far in its carefully balanced but uniquely British brand of sci-fi. Continue reading “TV Review: Humans Series 3”
Nominated for 8 Oscars, can Chrstopher Nolan’s Dunkirk change my mind about war films…?
“The tide’s turning now.
‘How can you tell?’
The bodies are coming back.”
I’m not really a fan of war films, hence having avoided Christopher Nolan’s Dunkirk until now. ‘It’s not a war film’ they said, tempting me to overcome my natural antipathy but they lied. It may not be a conventional war film but it remains a punishing film with a whole lot of war in it and so really not my thing at all.
Nolan is a bravura film-maker, that much is true. And this is an audacious take on a much-filmed, much-explored moment in world history. Free from context, meaningful dialogue, narrative thrust, this becomes a study in the desperate struggle for survival of the Allied forces on that beach in Northern France. And all the waiting they did. Continue reading “Oscar Week Film Review: Dunkirk”
A quick whip through Series 2 of The Crown
“History is not made by those who did nothing”
Do I still love The Crown? Yes. Do I still find it a little hard to muster enthusiasm about it until I’m watching it. Absolutely. It remains lavish prestige drama that carries little excitement about it and that’s perhaps inevitable as it trundles through the decades of the second half of the twentieth century, little dramatic surprise can really be sprung.
Instead, the thrills come from the script of Peter Morgan’s fantasia into the emotional life of our monarch, and a production that looks like the multi-millions of dollars that have been spent on it. Oh, and the cream of British acting talent popping in for a scene or two at an astonishingly high rate. Continue reading “TV Review: The Crown, Series 2”
“Ladies and gentlemen, please remain calm. I’m sure it’s just another false alarm”
Oh The Halcyon – shafted by the overwhelming desire for it to be the new Downton, or maybe the unfriendly Monday evening slot, or maybe the fact that Charlotte Jones’ serial never quite honed in on what it wanted to be. Following the fortunes of a luxury London hotel during the first couple of years of the Second World War, it took all possible opportunities to explore a society on the cusp of major change. But between the aristocrats who owned it, the aristocrats who stayed there, the lower classes who work there, and the multitudes of people affiliated to all these lives, the canvas was far too wide.
The hints were there right from the off in episode 1 which struggled to introduce even just its leading players in its running time, whilst still proving most tantalising, due to its cracking cast and its sumptuous design (those costumes!). At the heart of The Halycon lay the antagonistic relationship between Olivia Williams’ Lady Hamilton and Steven Mackintosh’s Mr Garland, owner versus manager as they butted heads over practicalities in the face of an ensuing Blitz but though their scenes were electric, they were given too little too late together to exploit this to its fullest. Continue reading “TV Review: The Halcyon Series 1”
|Photo: Gage Skidmore
All The President’s Men? is a singular theatrical experience for the politically engaged on 24 April, 7.30pm at the Vaudeville Theatre.
A staged reading edited and directed by Nicolas Kent and presented by the National Theatre, London and The Public Theater, New York, it features scenes from the U.S. Senate’s Confirmation Hearings
In January, one week before the president’s inauguration a fierce fight erupted in the Senate between Republicans and Democrats over the confirmation of the key figures for President Trump’s cabinet. These four powerful men lead the Trump administration’s policy on Russia, the Middle East, Iran and North Korea, on human rights worldwide, on the Paris Climate control agreement, as well as on the civil rights and the health of millions of Americans. Continue reading “Casting announced for All The President’s Men?”
“The piece is supposed to be a complete picture of who Teddy was, right?”
You can almost feel the checklist of issues ready to be ticked off as we go through Christopher Shinn’s gay student play Teddy Ferrara and its dramatis personae – the president of the Queer Students group, the campaigning journalist, the faux-liberal authority figure, the one in the wheelchair, the transgender one, the hot, maybe closeted straight guy… And sure enough, each issue gets its moment in the spotlight, the show being faithfully representational to the last.
But issues alone do not a good play make. And though Dominic Cooke’s production for the Donmar looks good and is powerfully acted, it never truly engages the emotions, it never converts those issues into believably human stories. Which is particularly pertinent as the main inspiration for Shinn was the real-life case of Taylor Clementi, a student who took his own life after his college roommate broadcast webcam footage of him kissing another man. Continue reading “Review: Teddy Ferrara, Donmar Warehouse”
“This could be the gateway to extraordinary things”
The second series of Da Vinci’s Demons continues the historical fantasy in all its raucous, vaguely homo-erotic glory and feels like a stronger season for it. Having set up the busy world of Medici-ruled Florence and all its enemies, alongside Leonardo’s ongoing mystical quest at the behest of the Sons of Mithras, the show breathes a little here and has no compunction in scattering its main players on separate storylines, whilst folding in new ones to keep the story-telling ever fresh.
Most notably, Tom Riley’s captivating Leo hops on a ship with his pals and a guy called Amerigo Vespucci (Lee Boardman eventually getting to milk an excellent gag) to chase the Book of Leaves all the way to Peru and the depths of Machu Picchu. These South American scenes are just fantastic, magnificent to look at as our heroes take on the Incan Empire in all its gruesome feathered glory to uncover the mystery around Leo’s mother and the hidden power contained with the book. Continue reading “DVD Review: Da Vinci’s Demons Series 2”