Review: The Boys from Syracuse, Union Theatre

“Keep your fingers under control”

As a Rodgers and Hart musical from the late 1930s, The Boys from Syracuse is naturally full of songs you didn’t know you knew – ‘Sing for Your Supper’, ‘This Can’t Be Love’, ‘Falling in Love with Love’ – but it is also a story that you may very well be familiar with. George Abbott’s book relocates the action to Ancient Greece and refocuses it firmly onto the romantic entanglements therein but the tale is Shakespeare’s story of identical Antipholi and Dromios let loose in Ephesus – it’s a rom-Comedy of Errors, with tunes.

Ben De Wynter’s production plays to the typical strengths of the Union Theatre – pulling together a sizeable ensemble full of youthful freshness, stripping back musical arrangements to their innate simplicity and creating choreography that pushes the intimate boundaries of this fringe venue. And it mostly succeeds in these three as mistaken identities abound with the arrival of Antipholus and Dromio of Syracuse into the town of Ephesus, where their long-lost twins are in residence, causing mayhem with friends and family alike. Continue reading “Review: The Boys from Syracuse, Union Theatre”

Finalists of 2012 Stephen Sondheim Society Student Performer of the Year

Matt Corner (ArtsEd, London)
Jennifer Greenwood (Bristol of Old Vic Theatre School)
Mark Donald (Bristol Old Vic Theatre School)
Jason Broderick (Central School of Speech and Drama)
Ewan Black (Dance School of Scotland at Knightswood Sec School)
Kris Olsen (winner) (Guildford School of Acting)
Bryan Parry (Italia Conti Academy)
Hatty Preston (LAMDA)
Matthew Cavendish (LAMDA)
Tia Renée Konsur (Liverpool Institute for Performing Arts)
Charlotte Smith (Oxford School of Drama)
Emma Salvo (runner-up) (Royal Academy of Music)

Host: Claire Moore
Judges: Edward Seckerson (Chair), Julia McKenzie, Laurie Sansom, David Shrubsole, Michael McCabe and Danielle Hope.