“I’d much prefer to have honest criticism than your, if you don’t mind me saying so, negative remarks”
The list of the NT2000 top 100 plays has proven quite an interesting one to keep to hand as it has often made me choose to see things I wouldn’t necessarily normally have gone to (with both good and bad results). The result of consultation with 800 playwrights, actors, directors, theatre professionals and arts journalists, the list purports to give us the 100 most significant plays of the 20th century, a subjective exercise at the best of times and one which throws up some real curveballs, like this play.
Written by Christopher Hampton in 1970, The Philanthropist was conceived as a response to Molière’s The Misanthrope, it’s the lead character’s unflappable amiability that causes havoc around him here. But for all the intertextuality, it feels a horrendously dated piece of writing that you can scarcely believe has had revivals in 2005 at the Donmar and 2009 on Broadway. With the likes of Simon Russell Beale and Matthew Broderick at their helm, they may have been better acted but in its gender politics, in its treatment of sexual abuse and suicide, how this play has got the reputation it has is beyond me. Continue reading “Review: The Philanthropist, Trafalgar Studios”