Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
Surrounded by the Sounds – the music of Tim Prottey-Jones is the second of actor/writer Prottey-Jones’ albums featuring a whole array of his West End pals, but the third that I’ve reviewed (see reviews of More With Every Lineand To Do. To Be.) It features songs from two of Prottey-Jones musicals – Once Bitten and After The Turn – and has a decidedly more pronounced rock feel to it than either of his other collections.
As such, it didn’t quite tickle my fancy in the way that I might have liked, especially since To Do. To Be. had impressed me. And it’s not that this is a collection of bad songs, they’re just not my cup of tea. Such guitars, much rock, so not wow. Even when the tempo slows a little into ballad territory, as with Michael Xavier’s ‘Chance In A Lifetime’ or Jodie Jacobs’ ‘Colour Me’, it is still just too monotonely guitar-heavy for my liking.
“I’m a girl of few words And I don’t make a fuss But there’s something I’d like to discuss”
As with too many good musical theatre writers, transatlantic partnership Charles Miller and Kevin Hammonds may not be the best known, but their work deserves a wider recognition as evidenced on their CD It’s Just The Beginning – The Songs of Charles Miller and Kevin Hammonds. British musician Miller and New York lyricist Hammonds have something of an old-fashioned soul, their songs very much part of the long tradition of musical theatre rather than a genre-busting radical new approach and as such, represent an interesting future alongside the Jason Robert Browns of the world.
Composers who put together albums of their songs, especially if they are up and coming talent who haven’t necessarily had a breakthrough show yet, are often in something of a bind. Do you go for as diverse a selection of your material as you can find or do you concentrate on showcasing your strengths – both approaches have their merits and their disadvantages and I don’t personally think there is any easy, or right answer. Act One – Songs from the musicals of Alexander S Bermange is probably closer to the latter option and sure enough, it has its strengths and its weaknesses.
Bermange has quite a list of credits to his name but has arguably yet to really mark his mark on the London scene. I only really became aware of him recently when his show Thirteen Days had a small run as part of this year’s Arcola’s Grimeborn Festival. As a musical treatment of the Cuban missile crisis, it was a work of mixed qualities, not always entirely successful but one which equally showed intriguing promise, not least in the firmly old-school manner of rousing song-writing. And that is what comes across most clearly in this collection, which bypasses the post-Sondheim school to cleave closer to the likes of Schwartz and balladeer. Oh, and it features a simply sensational cast of sheer quality. Continue reading “Album Review: Act One – Songs from the musicals of Alexander S Bermange”
It feels a bit like I’m cursed when it comes to Ghost the Musical. I booked it at the beginning of the year to see the original cast before they went to Broadway and Sharon D Clarke injured herself so I missed her and this time round, eager to see Mark Evans’ acting and musical talent / damn fine abs *delete as appropriate, we arrived at the theatre to find his understudy was on. It is not the end of the world when that happens of course but it is sometimes a disappointment when one is looking forward to seeing a particular person (though it helps that there’s videos like this to fall back on) and as it turned out, when I saw the name of the understudy – Spencer O’Brien – I was actually quite pleased as he is someone I have great residual affection for as he was in the cast of the superlative Salad Days the Christmas before last.
And though my feelings about the show were decidedly mixed when I saw it last – review here – I’d listened to the soundtrack quite a bit since then and discovered that it really is a grower. I really like a good proportion of it and so was quite happy to revisit the show, with the bonus of a new cast and a companion that had not seen it before, and in the end I found that I actually enjoyed it much more. The key for me and the soundtrack helped immensely here, is to think of it as a chamber musical, a small intimate piece essentially for four characters, and let the rest simply glide by in a rush of neon light and slow-motion walking. Continue reading “Re-review: Ghost the musical, Piccadilly Theatre”
I won’t be posting for a few days so I thought I’d leave you an out-of-office message so you’d know nothing was wrong – I have coping strategies in place to manage six days without theatre (though celebrating my birthday in Florence with friends will certainly help…!).
Self Taught; Still Learning – The Music of Chris Passey is a collection of songs by new West Midlands composer Passey that enters the ever-growing list of albums showcasing new musical theatre writing sung by a range of West End stars. Many of these songs are taken from a concept musical called Bridges but others were written especially for the album and for the singers who agreed to perform. And in a nice touch, the profits from this CD are being split between the two charities MS Society and Cancer Research.
Which makes it a little sad to say that this is not an album that I particularly loved, something about it just didn’t click with me and despite a few listens, it isn’t a collection that feels destined to get repeat plays in this household. Things get off to a shaky start anyway with an intro by “YouTube’s Miranda Sings” – of whose schtick I’m not a fan and feeling a little at odds as a way to introduce this album and her performance of a song at the end feels rather misjudged even if it is just a bonus track- it is one joke stretched thinly and I can’t imagine why anyone would ever want to listen to more than 15 seconds of it. Continue reading “CD Review: Self Taught; Still Learning – The Music of Chris Passey”