Best Supporting Actor in a Play
Dino Fetscher, The Normal Heart
A play that was almost too much to bear, a legacy so vital to remember, a removal of a sock seared into my brain. Fetscher’s Felix flirted wonderfully, felt deeply and fought magnificently in a production and performance that I won’t forget anytime soon.
Honourable mention: Pip Carter, The Book of Dust
Rewarding such malevolence onstage almost feels wrong but Carter winds his way around Bonneville’s appalling behaviour with a dangerous almost seductive charisma.
Syrus Lowe, Best of Enemies
Daniel Monks, The Normal Heart
Lucian Msamati, Romeo and Juliet
Luke Norris, The Normal Heart
Best Supporting Actor in a Musical
Ainsley Hall Ricketts, A Chorus Line
In a show all about the ensemble, it almost feels churlish to pick out individuals but the heartfelt beauty of Paul’s monologue is measured out so powerfully here. It helps that Ricketts is such a sensational dancer too.
Honourable mention: Robert Lindsay, Anything Goes
Predictably, Robert Lindsay does what Robert Lindsay always does but as Anything Goes’ Moonface, there’s a perfect marriage of character and persona that teeters just on the right edge of cheesiness.
Stewart Clarke, Be More Chill
Andy Coxon, She Loves Me
Elliot Levey, Cabaret
Obioma Ugoala, Frozen
A glossy psychological thriller that twists and turns entertainingly, The Girl Before is a nice bit of luxury TV
“I don’t think Facebook follows me into the shower”
Adapted by JP Delaney from his novel of the same name, The Girl Before does a clever job of taking all-too-familiar TV thriller tropes and if not subverting them, actually uses them efficiently and effectively, which feels like a more radical act in some ways. So there’s an incredibly glamorous house and a narrative unfolding in two time-periods simultaneously but for once, these choices are entirely justified.
That house is 1 Folgate Street, an ultra-minimalist architect’s wet dream which has been made available by that architect for an incredibly cheap rent. Only thing is, there’s a whole set of rules you have to abide by, if you pass the interview, in order to maintain the place in keeping with its impossibly stylish aesthetic. And of course, that landlord has a handsome face and a mysterious past which doesn’t bode well for any prospective tenants. Continue reading “TV Review: The Girl Before”
Heartbreaking but fiercely essential work. Larry Kramer’s The Normal Heart receives a masterful revival courtesy of Dominic Cooke at the National Theatre
“The only way we’ll have real pride is when we demand recognition of a culture that isn’t just sexual”
A flame lit in respectful silence, shirts whipped off to the pulsing synthline of ‘I Feel Love’, the opening moments of Dominic Cooke’s revival of Larry Kramer’s 1985 play The Normal Heart are full of Pride and perfectly encapsulate one of the key dilemmas haunting its characters. It is New York City in the early 1980s and writer and activist Ned Weeks is struggling to make the wider world understand what to him seems obvious, an unidentified disease is scything through the gay community in alarming numbers.
Plays about AIDS have tended to the operatic in scale – Angels in America and The Inheritance both sprawling over two lengthy parts. So by comparison, The Normal Heart is over in a flicker, coming in well under three hours. And my lord is that a good thing, as the second half in particular is punishingly, essentially, brutal. Prior to the interval, there’s a beautiful sense of world-building – Weeks and his pals bonding over their shared need to do something, battling over the best way to do it. And Weeks also falls in love for the first time, a scene of combative flirting is as entertaining as it is erotic.
Continue reading “Review: The Normal Heart, National Theatre”
The National Theatre has released rehearsal images by Helen Maybanks for Larry Kramer’s The Normal Heart a co-production with Fictionhouse, being performed in the Olivier Theatre in September 2021. Directed by Dominic Cooke, Kramer’s largely autobiographical play about the AIDS crisis in 1980 New York has not been performed professionally in London since its European premiere in 1986.
Ben Daniels will perform the role of Ned Weeks, the co-founder of an AIDS advocacy group fighting to change the world around him, with Robert Bowman, Richard Cant, Liz Carr, Jonathan Dryden Taylor, Dino Fetscher, Daniel Krikler, Daniel Monks, Elander Moore, Luke Norris, Henry Nott, Lucas Rush, Freddie Stabb, Samuel Thomas and Danny Lee Wynter completing the company.
Set design by Vicki Mortimer, costume design by Lisa Duncan, lighting design by Paule Constable, sound design by Carolyn Downing and fight direction by Bret Yount. The Normal Heart will be in the Olivier theatre from 23rd September until 6th November 2021. Continue reading “Rehearsal images for The Normal Heart released”
The National Theatre will return to performances with full capacity audiences from later this month. Additional seating will now be available for performances of After Life from 27 July alongside the previously-announced productions Rockets and Blue Lights in the Dorfman theatre and Paradise in the Olivier theatre, with extra tickets going on sale to the public from Monday 19 July.
Tickets for The Normal Heart, East is East, Manor and Hex on sale to the public from Friday 30 July. Continue reading “News: National Theatre On Sale, July 2021 – January 2022”
The National Theatre has today announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, Michaela Coel’s Chewing Gum Dreams, the Young Vic’s A View from the Bridge directed by Ivo van Hove with Mark Strong and Nicola Walker, and Rufus Norris’ production of Everyman with Chiwetel Ejiofor will be available for all audiences worldwide to stream. Danny Boyle’s production of Frankenstein and Sonia Friedman Productions’ Hamlet with Benedict Cumberbatch will also be available for audiences outside the UK and Ireland. Continue reading “News: National Theatre adds five new productions to streaming platform National Theatre at Home”
The National Theatre announces new programming and launches a major new campaign for its future, National Theatre Together
The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn. In the week the theatre reopened for audiences again, six new productions were announced, and five productions halted by the pandemic were confirmed to return to the South Bank.
It has also announced the public launch of National Theatre Together, a new campaign with people at its heart, highlighting the importance of creativity and collaboration with theatre-makers and communities, for young people and audiences. The campaign cements the NT’s commitment to the people of this country and will raise vital funds for the theatre’s ambitious recovery post-pandemic. Continue reading “News: The National Theatre announces 2021-22 programming and launches National Theatre Together”
The National Theatre has today announced three new filmed productions have been added to its streaming service National Theatre at Home, including Angels in America Part One: Millennium Approaches and Angels in America Part Two: Perestroika, Marianne Elliott (The Curious Incident of the Dog in the Night-Time, War Horse)’s multi-award-winning production of Tony Kushner’s two-part masterpiece, with a cast including Andrew Garfield (The Social Network), Denise Gough (Paula), Nathan Lane (American Crime Story), James McArdle (Ammonite), Susan Brown (It’s A Sin) and Russell Tovey (Years and Years). Continue reading “News: Angels in America amongst productions added to National Theatre at Home”
Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
The 50th birthday year of work begins with three major commissions:
- The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
3 & 4 October, 4pm, Main House, free
A fatally muddled tone means Been So Long ends up less than the sum of its parts, despite glorious lead performances from Arinzé Kene and Michaela Coel
“People don’t want inclusivity mate, they want exclusivity. And something for the gluten-intolerant”
I really wanted to like Been So Long, and can imagine it having worked well on the stage (it played the Young Vic in 2009) but something has definitely been lost in translation with this screen adaptation here. It is mildly curious as the film is written by Ché Walker, scribe of the original play and the subsequent stage musical, but maybe this was a step too far?
One of the main problems for me is that crucial issue of tone. As a love story set in contemporary Camden, and in which Camden plays a central role, there’s a tendency towards gritty naturalism, particularly in showing the home lives of its protagonists, new ex-con Raymond (Arinzé Kene) and single mum of a disabled daughter Simone (Michaela Coel). Continue reading “Film Review: Been So Long (2018)”