The National Theatre has released rehearsal images by Helen Maybanks for Larry Kramer’s The Normal Heart a co-production with Fictionhouse, being performed in the Olivier Theatre in September 2021. Directed by Dominic Cooke, Kramer’s largely autobiographical play about the AIDS crisis in 1980 New York has not been performed professionally in London since its European premiere in 1986.
Ben Daniels will perform the role of Ned Weeks, the co-founder of an AIDS advocacy group fighting to change the world around him, with Robert Bowman, Richard Cant, Liz Carr, Jonathan Dryden Taylor, Dino Fetscher, Daniel Krikler, Daniel Monks, Elander Moore, Luke Norris, Henry Nott, Lucas Rush, Freddie Stabb, Samuel Thomas and Danny Lee Wynter completing the company.
Set design by Vicki Mortimer, costume design by Lisa Duncan, lighting design by Paule Constable, sound design by Carolyn Downing and fight direction by Bret Yount. The Normal Heart will be in the Olivier theatre from 23rd September until 6th November 2021. Continue reading “Rehearsal images for The Normal Heart released”
The National Theatre will return to performances with full capacity audiences from later this month. Additional seating will now be available for performances of After Life from 27 July alongside the previously-announced productions Rockets and Blue Lights in the Dorfman theatre and Paradise in the Olivier theatre, with extra tickets going on sale to the public from Monday 19 July.
Tickets for The Normal Heart, East is East, Manor and Hex on sale to the public from Friday 30 July. Continue reading “News: National Theatre On Sale, July 2021 – January 2022”
The National Theatre has today announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, Michaela Coel’s Chewing Gum Dreams, the Young Vic’s A View from the Bridge directed by Ivo van Hove with Mark Strong and Nicola Walker, and Rufus Norris’ production of Everyman with Chiwetel Ejiofor will be available for all audiences worldwide to stream. Danny Boyle’s production of Frankenstein and Sonia Friedman Productions’ Hamlet with Benedict Cumberbatch will also be available for audiences outside the UK and Ireland. Continue reading “News: National Theatre adds five new productions to streaming platform National Theatre at Home”
The National Theatre announces new programming and launches a major new campaign for its future, National Theatre Together
The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn. In the week the theatre reopened for audiences again, six new productions were announced, and five productions halted by the pandemic were confirmed to return to the South Bank.
It has also announced the public launch of National Theatre Together, a new campaign with people at its heart, highlighting the importance of creativity and collaboration with theatre-makers and communities, for young people and audiences. The campaign cements the NT’s commitment to the people of this country and will raise vital funds for the theatre’s ambitious recovery post-pandemic. Continue reading “News: The National Theatre announces 2021-22 programming and launches National Theatre Together”
The National Theatre has today announced three new filmed productions have been added to its streaming service National Theatre at Home, including Angels in America Part One: Millennium Approaches and Angels in America Part Two: Perestroika, Marianne Elliott (The Curious Incident of the Dog in the Night-Time, War Horse)’s multi-award-winning production of Tony Kushner’s two-part masterpiece, with a cast including Andrew Garfield (The Social Network), Denise Gough (Paula), Nathan Lane (American Crime Story), James McArdle (Ammonite), Susan Brown (It’s A Sin) and Russell Tovey (Years and Years). Continue reading “News: Angels in America amongst productions added to National Theatre at Home”
Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
The 50th birthday year of work begins with three major commissions:
- The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
3 & 4 October, 4pm, Main House, free
A fatally muddled tone means Been So Long ends up less than the sum of its parts, despite glorious lead performances from Arinzé Kene and Michaela Coel
“People don’t want inclusivity mate, they want exclusivity. And something for the gluten-intolerant”
I really wanted to like Been So Long, and can imagine it having worked well on the stage (it played the Young Vic in 2009) but something has definitely been lost in translation with this screen adaptation here. It is mildly curious as the film is written by Ché Walker, scribe of the original play and the subsequent stage musical, but maybe this was a step too far?
One of the main problems for me is that crucial issue of tone. As a love story set in contemporary Camden, and in which Camden plays a central role, there’s a tendency towards gritty naturalism, particularly in showing the home lives of its protagonists, new ex-con Raymond (Arinzé Kene) and single mum of a disabled daughter Simone (Michaela Coel). Continue reading “Film Review: Been So Long (2018)”
Stef Smith takes Ibsen as a fertile starting point for her new version Nora: A Doll’s House at the Young Vic
“Nora, what have you done”
Ibsen wrote A Doll’s House in 1879 but from 1918 to 1968 and then to 2018, stories like Nora’s endure. That’s the thesis of Stef Smith’s Nora: A Doll’s House, a radical new version that splits its narrative voice in three (and everyone knows how good that can be for a play (qv Emilia, Anatomy of a Suicide).
And it’s a smart move in many ways, drawing as much attention to the progression for feminism in the time periods as how little some other things (men?) have changed. Enfranchisement, contraception, gay rights, they all have huge societal impact but when social and class strictures remain in place, what freedom is there really? Continue reading “Review: Nora – A Doll’s House, Young Vic”
The announcement of the new cast for Broadway’s hugely lauded Hello, Dolly! has been a most strange affair – names trickling out one by one, rather than one big splash. However, it is Bernadette Peters (from 20th January) who has the unenviable task of following in Bette Midler’s shoes and trying to maintain the hefty box office that she’s managed to garner, and maintain. Victor Garber and our very own Charlie Stemp (making his Broadway debut) have also been revealed and doubtless by the time you read this, more will be have been announced too, one by one.
Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Public on sale is: 27 October at 10am NYC time. Continue reading “Round-up of news and treats and other interesting things”
“They see what they want to see, not what they really see”
I seem to be surrounded by people who saw and loved the original production of Blue/Orange, with its extremely tasty cast of Bill Nighy, Andrew Lincoln and Chiwetel Ejiofor, and who love to tell me about it! It was however before my time (here in London at least) and so my first, and only, previous experience of the show was with Tiata Fahdozi’s all-female version at the old Arcola, with a less starry but no less interesting cast of Helen Schlesinger, Esther Hall and Ayesha Antoine.
I mention this because it is interesting to me the ways in which people’s journeys with plays are shaped by these interactions, especially when they have been lauded as modern classics. Of the eight, only two are going back to this new production at the Young Vic (it doesn’t seem to be inspiring repeat visits), and the one who has been already didn’t like it. And critics’ responses thus far stretch from Aleks Sierz reconfirming its status as a contemporary classic to Matt Trueman declaring that it hasn’t aged well. Continue reading “Review: Blue/Orange, Young Vic”