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TV Review: Doctor Who Flux (Series 13)

Opting for a miniseries for Series 13 of Doctor Who certainly changes up the pace well, as Flux comes to a breathless end with some great work by Jodie Whittaker

“Do you think running will help?”

And so the end begins for Jodie Whittaker, and for Chris Chibnall. The 13th Doctor and her showrunner had a three-series-and-out deal which they are honouring and so this final season – a miniseries called Flux and three specials – will take us up to the centenary of the BBC in late 2022 and the regeneration of the Time Lord into…well, whoever the returning Russell T Davies decides.

One might have thought opting for the ostensibly more focused notion of a miniseries, of one overarching story stripped over six episodes, would have made Flux a simpler affair than the last few series of Doctor Who but Chibnall clearly had other plans. But having reached the end, I’d say that it was a good deal more fun than anticipated, a full-on caper merely teasing traumatic revelations about the Doctor’s selves rather diving full on into the morass of series lore. Continue reading “TV Review: Doctor Who Flux (Series 13)”

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TV Review: The Crown, Series 4

Whereas I was sad that the cast of The Crown had to regenerate at the end of Series 2, I’m kinda glad that Series 4 is the last we’ll see of this second generation  

“Let’s just say, I can’t see it ending well for you”

I sampled the first few episodes of Series 4 of The Crown on release and whilst still appreciating much of the quality of this prestige drama, I couldn’t help but feel that it just isn’t quite up to par. An element of that is certainly personal, I just have zero desire to see depictions of Margaret Thatcher in anything. But there’s also something more nigglingly fundamental awry here, as we move to closer to the current day and increasingly feature people who are still alive. 

Whether royalist or republican (do republicans watch The Crown…?), there’s something fascinating about the way in which Peter Morgan’s writing has challenged conventional notions of myth-building around the British Royal Family. What might previously have been called decorum has been jettisoned with little seeming sacrosanct now, particularly as we delve into the marriage of Charles and Diana and his enduring relationship with Camilla, plus going deeper into Thatcher’s psyche than one could ever care to. Continue reading “TV Review: The Crown, Series 4”

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Film review: the Johnny English trilogy

Johnny English, Johnny English Reborn and Johnny English Strikes Again prove ideal brainless festive watching

“I’ve been dropped into the Kalahari Desert carrying nothing more than a toothbrush and a packet of sherbet lemons”

I don’t believe in any of my pleasures being guilty, if something makes you smile then who is anyone else to dictate whether that’s acceptable? The Johhny English film trilogy – Johnny English (2003), Johnny English Reborn (2011), and Johnny English Strikes Again (2018) – holds a special place in my heart (well, the first two do) as they formed the backdrop to a couple of great family holidays and several of the funnier lines have snuck into the family vernacular.

Written by Neal Purvis, Robert Wade and William Davies and directed by Peter Howitt, Johnny English is an amusing entry into the series. Rowan Atkinson’s English is a hapless MI7 employee whose bumbling sees their top agent accidentally killed and then all their other agents massacred in a bomb at his funeral. As the sole agent left, he has to thwart a plot to steal the Crown Jewels and decipher John Malkovich’s comedy villain French accent. Continue reading “Film review: the Johnny English trilogy”

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TV Review: The Crown, Series 4 Episodes 1-3

I ration myself to Episodes 1-3 of Series 4 of The Crown in the first instance but find it is losing its lustre a little

“I’m struggling to find any redeeming features in these people at all”

Kicking off in 1977, Series 4 of The Crown swiftly moves into my lifetime with its second scene taking place in 1979, although not quite into events that I remember, at least in these first three episodes. And with the arrival of both Diana Spencer and Margaret Thatcher on the scene, there’s quite the decade to explore.

But something has gone a little awry for me and The Crown. The sheer scope of Peter Morgan’s writing means that there’s a mahoosive ensemble at work here but the nature of his construction of episodes that drill down to intimate focus means that there’s huge gaps and terrible wastage, particularly of Helena Bonham Carter’s delicious Princess Margaret. Continue reading “TV Review: The Crown, Series 4 Episodes 1-3”

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Lockdown TV Review: Spooks Series 1

I had already started a rewatch of Spooks earlier this year as part of a planned Nicola Walker retrospective but as it turns out, I’ll have to use that Britbox subscription for something else!

“When will you tell her that your real name is Tom Quinn and that you are a spy”

It is interesting to look at back at much-loved shows and be reminded of how not everything is always how you remember. So much of Spooks has aged remarkably well – not least its choice of subjects that have remained terrifyingly evergreen – that it is easy to forget that this opening season of 6 episodes sees them still searching for that house style. 

It is undoubtedly a bit shonky in look and feel, the slick Thames House set isn’t yet in place and the focus on the lead team at the expense of too many nameless supporting bods gives the personal dynamics a somewhat off-balance feel as we delve into too much of the personal lives of Tom, Zoe and Danny.

But airing in May 2002 in the immediate post 9/11 climate gives its geopolitics real currency. And the threats they face – homegrown far-right movements, fears over immigration, the push for Kurdish self-government, US abortion rights, Russian spies being murdered on British soil… – are compelling throughout. And any show that has Jenny Agutter and Nicholas Farrell dry-humping in a corridor has to be a winner right?!   

Nicola Walker-ometer
To be honest, I’d forgotten Ruth wasn’t a member of the team from the start, so these six episodes pass by with an outrageous lack of Nicola Walker. Continue reading “Lockdown TV Review: Spooks Series 1”

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TV Review: Unforgotten Series 3

The third series of Chris Lang’s Unforgotten is another corker, and not just because of Nicola Walker, honest!

“We’ve all done things of which we are ashamed”

The cold cases of Unforgotten have rightly proved a success for their alternative tale on crime drama, putting a real focus on the victims rather than the crimes, a neat corrective to the sometimes exploitative gaze that can characterise this genre. And this third series maintained that strong record (quick review of episodes 1 and 2 here)

A measure of the regard in which Unforgotten is held is the sheer quality of its cast. With James Fleet, Alex Jennings, Kevin McNally and Neil Morrissey as its lead quartet, it added Sasha Behar, Emma Fielding, Indra Ové and Amanda Root as their partners, and then threw in Siobhan Redmond and Sara Stewart as exes as well.  Continue reading “TV Review: Unforgotten Series 3”

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TV Review: The Split Series 1 / The Good Fight Series 2

If female-fronted lawyer shows are your bag (and why wouldn’t they be!), the twin joys of The Split and The Good Fight have marvellous to behold

“Kill all the lawyers”

If I’m completely honest, Abi Morgan’s The Split did leave me a tad disappointed as it veered away from its legal beginnings to something considerably more soapy over its six episodes. The personal lives of the Defoe clan well and truly took over at the expense of any of the cases they were looking after and even if that family includes Nicola Walker, Annabel Scholey and Deborah Findlay, it’s still a bit of a shame that it ended up so schlocky. Continue reading “TV Review: The Split Series 1 / The Good Fight Series 2”

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TV Review: Unforgotten Series 3 Episodes 1+2

The third series of Unforgotten starts and once again, Nicola Walker fails to disappoint

“Who buries a body in the central reservation of the M1”

They’re back! Nicola Walker’s DCI Stuart and Sanjeev Bhaskar’s DS Khan sit at the heart of Chris Lang’s cold case thriller Unforgotten and for the previous two series, have been extremely impressive. Carving out a niche in the crowded police procedural TV market is enough of a job but doing it this well is noteworthy.

So it is little surprise that they have returned for a third series and though the format might be creaking ever so slightly as the same model is recycled once again, there’s enough here to point out the differences between so many of the other programmes who long to be recommissioned and respected this much. Continue reading “TV Review: Unforgotten Series 3 Episodes 1+2”

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TV Review: Fleabag

“I have a horrible feeling that I’m a greedy, perverted, selfish, apathetic, cynical, depraved, morally bankrupt woman who can’t even call herself a feminist”

I left it a little while to watch Fleabag on television, for though Phoebe Waller-Bridge’s ascension to the ranks of hugely buzzworthy writer has been pleasing to watch, I haven’t – dare I say it – always been the hugest fan of her work. For me, the effectiveness of her writing hasn’t always matched with the audacity of its frankness and so in her plays and TV shows like Crashing, I’ve admired the path she’s taking without hugely enjoying it.

Her breakthrough piece Fleabag equally didn’t hit my buttons in the way that it did for many others, thus my delay in getting round to watching it. And as is often the case with lowered expectations, it actually surprised me by being a very effective adaptation of the play. Its world has been expanded, both physically and personally, a whole cast of supporting characters now appear but crucially, there’s the thing I was missing most at the Soho – direct eye contact. Continue reading “TV Review: Fleabag”

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DVD Review: Valkyrie (2008)

“We have to show the world that not all of us are like him”

I have to admit that my hopes were not high for Valkyrie, the assumption prevailing that Hollywood couldn’t manage a nuanced film about the Nazis. But I do have to commend Bryan Singer for at least exceeding those expectations. It’s still not a film that I particularly enjoyed though, not quite tense or suspenseful enough for a thriller, not quite psychologically intense.

The film concerns the failed assassination of Adolf Hitler by German officers of the Wehrmacht in 1944. Colonel Claus von Stauffenberg returns from a grisly battle in Tunisia gravely injured and is identified as a key target by the German resistance after getting a desk job that puts him in the ideal position to destroy the Nazi high command from the inside. Spoiler alert – things, however, do not go to plan. Continue reading “DVD Review: Valkyrie (2008)”