Spooks – Code 9 is a spin-off that spins off too far, nowhere near deserving of the Spooks name
“Don’t make me look like a dickhead”
An absolutely baffling one this. Spooks – Code 9 was commissioned by the Beeb as a spin-off of the Spooks franchise that was aimed at the 16-24 demographic. Conventional wisdom dictates that a spin-off has at least some connection to its parent but for some reason, the decision was made to completely sever this new show, with no crossover with Spooks whatsoever.
Not only that, it is also set in an entirely different universe as this series is set in a UK that is reeling from a nuclear attack during the opening ceremony of the 2012 Olympics Games. With London irradiated and most of its staff killed, MI5 has had to evacuate Thames House and set up regional field offices. Because the only way to justify setting a show in Leeds is to make London radioactive…(and even then they can’t keep away for the finale). Continue reading “TV Review: Spooks – Code 9”
Arriving on the big screen four years later, Spooks: The Greater Good does little to make the case for its existence
“You can do good, or do well”
Arriving some four years after the end of the TV series, Spooks: The Greater Good was an ill-advised coda to the Spooks experiment, leaving writers Jonathan Brackley and Sam Vincent at the helm despite the decidedly mixed results of their ascension to head writers on the show (poor Lucas).
Cinemas are hardly calling out for new spy franchises yet there’s an added sense of ‘what’s the point’ as along with the four year wait, there’s a story with no real connection to the 10 series that preceded it, and a cast sprinkled with the characters who survived but which prioritises brand new ones. Continue reading “Film Review: Spooks: The Greater Good (2015)”
Spooks comes to an end with a shortened series 10 which, while not perfect, is effective in many ways
“Wait Harry, this can’t be the end”
And so after a decade, it comes to an end. Series 10 of Spooks, a shortened order of six episodes, sees the writers flip from the Lucas North show to the Harry Pearce show. This naturally makes more sense, with Harry being the head of Section D after all, but I’m not 100% sure that it completely works as it goes against the ensemble ethos of the show at its best.
The argument here is that Harry is the heart of the show and given the jib of his recent decision-making at this point, you have to wonder if this is all that wise. Given all that transpires, the final scene of the show hardly inspires confidence. That said, the memorial is a beautiful touch and Lara Pulver’s new chief Erin Watts proved a strong addition to Thames House.
A tough one this, Walker rises brilliantly to the challenge of essentially co-leading the series as a result of the Harry focus. But her treatment in the final moments of the series can’t help but feel a little unnecessary, essentially cheapened by her reduction to nothing but an adjunct to Harry. She only gets killed because of the personal connection rather than a heroic act of Queen and country she deserved (if she had to die at all). Continue reading “Lockdown TV Review: Spooks Series 10”
Oof, the start of the downfall…Series 9 of Spooks turns into the Lucas North show with terrible ramifications
“Do you know how I knew it was true? Because for the first time you made sense”
It couldn’t last, two strong series of Spooks back-to-back were undone by the horrors of Series 9. And it needn’t have been this way, it opens with a great 10 minutes. Ros;s funeral! A proposal! Harry as an assassin! Ruth getting called “that dogged, brilliant bitch”! But new head writers Jonathan Brackley and Sam Vincent then have the trickier task of reconstructing a new team, and don’t quite nail it with Sophia Myles’ Beth and Max Brown’s Dimitri only ever appearing in shades of beige.
Worse though, is the shifting of the entire season’s narrative onto Richard Armitage’s Lucas who – dun dun dur – is actually someone else called John Bateman, whose torturously wrangled personal history is dragged out through the presence of Iain Glen’s Vaughan. Undoing all the good work that Armitage had done in building the fascinating ambiguities of Lucas North, the entire John Bateman storyline was a huge mis-step and ultimately indulges Spooks at its worst.
Never better than turning Harry down, she’s a vital steadying presence in a show that badly needs it. Continue reading “Lockdown TV Review: Spooks Series 9”
With major fluctuations in the force, Series 8 maintains a strong level for Spooks – you could argue it should have stopped here
“They think you’ve got Harry Pearce in the palm of you hand and you’re making moves”
Finally, after too many years of yoyo-ing between good series bad series, Spooks finally put together two strong instalments back to back. I think the shorter run (8 episodes) really does focus the writing which now goes all-in on the serial plot line running through the whole series, yet still finding time to blend in self-contained storylines here and there.
Big betrayals cut deep, harsh on a team barely recovered from Connie’s recent deception. Personnel changes rock the team equally hard, as Malcolm is (metaphorically) sacrificed to bring back Ruth, Jo is (literally) sacrificed for big business and Ros (understandably) goes in hard for Tobias Menzies. And Richard Armitage’s Lucas North gets his arse out – quality TV all round. Should Spooks have gone out all guns blazing here?
She’s back! There’s a measure of contrivance in Ruth’s return to the show, necessary to undo the finality of her previous departure and to extricate her from the cushy life in Cyprus which she’d established forself. So cheerio to handsome new partner (they weren’t married so it’s OK he got killed), sayonara to her step-child in all but name, and welcome back to sweet emotional lrepression with Harry. Continue reading “Lockdown TV Review: Spooks Series 8”
In which the rollercoaster of quality rockets sky-high again, Series 7 of Spooks ranks as one of my favourites
“I want my team to know why I acted the way I did”
The introduction of series-long plots didn’t necessarily work first time round for Spooks but in Series 7, the magic certainly happens to produce one of the best seasons across its decade-long life. Perhaps the reduced episode order from 10 to 8 helped to refine the effectiveness of the storytelling, recognising that it was Adam’s time to go definitely worked and finally made the right kind of room for Ros to rise, and giving Gemma Jones this material was an absolute masterstroke.
Undoing the silly fakeouts of Ros and Jo’s ‘deaths’ right from the off, the introduction of Richard Armitage’s Lucas North also works well, his time in Russian captivity casting a nice shade of doubt over his presence in the team, a marked difference to the alpha males of Tom and Adam. And the ongoing Sugarhorse mystery is skillfully wound throughout the whole season, coiling ever-tighter until the hammer blows of a properly fierce finale.
She’s just a distant memory at this point – Harry really is such a fuckboy. Continue reading “Lockdown TV Review: Spooks Series 7”
AKA the one that doesn’t work and the one that you should avoid if you’re feeling angsty about the current situation – approach Spooks Series 6 with caution
“The only option will be national quarantine and burial pits”
Series 6 is one of the trickier ones to watch right now so be warned – it opens with a two-parter called ‘The Virus’ which makes for a eerily chilling watch. It’s also a curious season as whilst the introduction of a series-long storyline – Iran seeking to gain nuclear capability – for the first time seems like it should work no problem, the reality doesn’t hang together quite as well as it ought.
The major level conspiracy theory takes too long to click into gear, and never really reaches the high-stakes territory it needs to hit home hard. The ‘mole in MI-5’ thread doesn’t pay off convincingly, recruiting another journalist off the street tests the patience (sorry Ben) and where one fake-out death of a major character might be permitted, two in the space of three episodes feels lazy. A major disappointment following the highs of Series 5.
Absolute zero, it’s as if she never existed. Fucking Harry. Continue reading “Lockdown TV Review: Spooks Series 6”
Full of shocks that actually mean something, Series 5 of Spooks is one of its absolute best
“The British people will accept anything if you serve it up with a picture of Will Young in the shower”
A cracking series of Spooks that starts off with a series of bangs, robbing Colin of his life and Juliet Shaw of her ability to walk, the introduction of Ros Myers to the team is an invigorating success, particularly as she inspires Jo to become more badass too. This incarnation of the team really does click well, responding smoothly to the enforced changes in personnel, though newly single father Adam’s mental health crisis too often feels like a plot device rather than a genuine exploration of PTSD.
Subject-wise, the relevance level remains high, particularly pertinent when it comes to national crises with panic buying and over-stuffed hospitals feeling all too real. The role of fundamentalist zealots is shared equally between Christian and Islamic believers over the series and even if the finale underwhelms somewhat, the eco-terrorism theme hasn’t become any less significant.
I’m still not over it, the defenestration of Ruth Evershed. Having finally made it to a date with Harry, which went about as well as could be expected, she runs up against a murderous Oliver Mace conspiracy and ends up having to fake her own death to protect Harry and ends up fleeing the country. An ignominious end for the heart of the team. Continue reading “Lockdown TV Review: Spooks Series 5”
With the loss of its original core cast and the destabilising presence of Martine McCutcheon, Series 4 of Spooks struggles to find its feet
“You’re up against the British state…who do you think is going to win that particular battle?”
This season of Spooks struggles quite badly amidst all the upheaval of Series 3 in which in the entire original team departed Thames House. Tom’s identikit replacement Adam does well enough but somehow, something goes terribly wrong with the introduction of his wife and fellow spy Fiona (Olga Sosnovska). They sadly lack chemistry and their domestic drama just doesn’t translate well into the business of saving the country on a weekly basis.
The tone is set by the randomly chaotic energy of Martine McCutcheon’s guest spot in the opener two-parter and from then on, as we cover people smuggling, the rise of far right political movements, cultists and the ethics of releasing terrorist suspects, the series jerks along rather, Raza Jaffrey’s Danny-a-like isn’t given anywhere near enough to do and the snaffling of Miranda Raison’s Jo off the street is as bizarre an advert for recruitment as any.
It’s a pretty low-key series for Ruth – hints of her passion for Harry come through whether in romantic feeling or rebelling against him a bit. She comes into her own in the final episode with the revelation of a step-brother who killed himself but has never been mentioned before putting her in the line of fire but all in all she deserves better. Continue reading “Lockdown TV Review: Spooks Series 4”
It’s all change at Thames House as Series 3 of Spooks sees the original core team leave the security service one way or another
“We cannot have another Tom Quinn”
I’d forgotten just monumental this series of Spooks was, as first Matthew MacFadyen’s Tom took his leave after getting a conscience, then Keeley Hawes’ Zoe was shunted off to Chile to evade justice and then David Oyelowo’s Danny shuffled off this mortal coil thanks to bloody Fiona and an annoyed Iraqi terrorist. Rupert Penry-Jones was drafted in as Adam, a friendly MI6 type who fits the Tom mould perfectly, though we could have done without his wife (more of that anon).
But even besides all the personnel shifting, the writing is shit-hot in this season, especially when the focus is on the morality of security service actions. Targeted assassinations on North Sea ferries, honeytrapping members of the Turkish mafia, these are meaty issues with some real consequences for all concerned.
Now firmly established in the team, attention turns to her trying to get some, in the most Ruth-like possible way, ie stalking someone illegally and sharing a carbonara with a traitorous ex-colleague, this is prime Ruth territory. Continue reading “Lockdown TV Review: Spooks Series 3”