There are some good performance in Matthew Harvey’s Now or Never, the latest online show from the Barn Theatre but I’m not sure the song cycle format entirely works
“We could still make it to Paris”
What would you do if there was only a week left to live? That’s the question facing the seven people in Now or Never, a new song cycle written by Matthew Harvey. Continuing the Barn Theatre’s inventive forays online, with a non-stop, one-shot, one-night-only production that is over and done with in a scant 30 minutes.
Get a dog? Connect with loved ones? Go to Paris? Reach out to those long estranged? Harvey’s writing covers the emotional gamut and fits his self-identified brief of writing about responses to global adversity without writing specifically about the pandemic. And with it being just half an hour, it has that feeling of shining bright like a star. Continue reading “Review: Now or Never, Barn Theatre online”
Composer, lyricist and performer Matthew Harvey has been announced as an associate artist at the Barn Theatre and to mark the occasion, they’ve released the debut recording of his song ‘Only A Moment’ featuring West End stars including Courtney Stapleton, Tyrone Huntley, Alexia Khadime & Emma Kingston.
“He said, I’ve bought you a selfie stick. I said, do I have to do everything myself?”
I haven’t booked much Christmas-themed theatre this year in an attempt to try and reclaim a bit of a social life but also because I do find it quite hard to write reviews about pantomimes. By and large I’ve been quite lucky in the few I’ve been to in recent years, sticking to the venues who know what they’re doing (Hackney Empire, Lyric Hammersmith, New Wimbledon) but even with this logic, my fingers were burnt a little with this year’s first festive foray.
Marking Susie McKenna’s 17th panto for the Hackney Empire, Jack and the Beanstalk is a raucous, rambling affair indeed, but one blessed with the return of Clive Rowe as the Dame, the actor famed at the only one to win an Olivier for panto. And I have to say that the audience around us were largely loving the whole thing which is kind of the whole point, even if you’re bribing the kids with handfuls of free sweets (it’s only like giving critics drinks vouchers for the interval ;-)) Continue reading “Review: Jack and the Beanstalk, Hackney Empire”
The Howard Goodall season at the Union Theatre, soon to move to new premises, has been one of its more enterprising moves in recent times. Love Story and the dreaming both had their moments but the third piece in the trilogy – Girlfriends– feels like the weakest of the lot. Bronagh Lagan’s production can’t do much to disguise the reasons that the show was a commercial flop on its 1987 debut but also adds its own complications with a truly unnecessarily awkward staging choice – how this wasn’t picked up on earlier on is baffling.
The show itself suffers from promising one thing – looking at the experience of working women in the Second World War – and delivering another – the romantic travails of two of them. The company is even split 10 to 2, women to men, and yet the focus settles firmly on this pair of love stories to the severe detriment of many of the supporting characters who remain scarcely sketched caricatures. That three men collaborated on the book – Richard Curtis and John Retellack along with Goodall – might be part of the problem. Continue reading “Review: Girlfriends, Union Theatre”
Hugo Catton (Guildford School of Acting)
Luke Reilly (East 15 Acting School)
Hayley Hampson (LIPA)
Stephanie Lyse (Royal Academy of Music)
Nicola Martinus-Smith (CPA Studios)
Callum McIntyre (Bristol Old Vic Theatre School)
Sam O’Hanlon (Mountview Academy of Theatre Arts)
Corrine Priest (London School of Musical Theatre)
Katie Shearman (ArtsEd)
Tyler Smith (Royal Conservatoire of Scotland).
Jay Worley (Royal Welsh College of Music and Drama)
Monique Young (ArtsEd)
Host: David Bedella Judges: Edward Seckerson (Chair), Jonathan Butterell, Maria Friedman, Nigel Lilley & David Lan