Eva Green! Daniel Craig in his trunks! Casino Royale has something for everyone, not least a brilliant reboot of the Bond franchise
“MI6 looks for maladjusted young men, who give little thought to sacrificing others in order to protect Queen and country”
The Bond franchise turned to director Martin Campbell to launch Pierce Brosnan’s turn in the hot seat in Goldeneye so there’s some logic in them asking him back to introduce Daniel Craig as 007 in 2006’s Casino Royale. But I don’t think anyone was expecting this successful and comprehensive (a reboot.
By taking Bond back to the beginning – we see him earning his 00 agent status -the chance to see the character being built up layer by layer is irresistibly good, a rare chance to delve beneath the impassive demeanour we usually see. Craig rises to this occasion really rather well, hinting at realms of emotion even whilst developing into a coldly brutal assassin.
And by objectifying him just as much as any of his female counterparts have previously been submitted to, there’s a real nod to the decades of cinematic misogyny in which the franchise has indulged. Stripping away Q and his gadgetry also works well at realigning the focus of a slightly too long but ultimately very good film. Continue reading “Film Review: Casino Royale (2006)”
Launching new audio drama platform Sound Stage, Mark Ravenhill’s Angela is a profoundly moving account of his mother’s experience of dementia
“I don’t like it when they change the story, I wish they would stick to the story”
I don’t know why I put myself through dementia dramas. They tap into one of my deepest fears and more often than not leave me terribly distressed but who says art should ever be easy? Mark Ravenhill’s autobiographical Angela launches the Sound Stage platform created by the Royal Lyceum theatre and Pitlochry Festival theatre, adding in virtual theatregoing elements to the audio drama experience and predictably, is gut-wrenchingly yet beautifully felt.
Drawing directly on his mother’s journey with Alzheimer’s and how that impacted the whole family, Ravenhill places her experiences at the heart of his play, a boldly disconcerting move which feels entirely right. As we slip from present to past, as an encounter here triggers a memory there, a portrait is built of the richness of a life lived, even as recollections of it are slipping away from her grasp. Continue reading “Review: Angela, Sound Stage”
The Royal Lyceum Theatre Edinburgh and Pitlochry Festival Theatre, in association with Naked Productions and BBC Radio 3 are delighted to announce the cast for Sound Stage’s first production; Angela, a brand-new autobiographical play by Mark Ravenhill airing 26 – 28 March.
Angela centres on the playwright’s mother, at the age of 84 and suffering with dementia, as she looks back across her life. Intercutting between Angela in her old age, her memories and mind failing her, and in her youth; growing up, moving away from her roots as the world of drama welcomed her. The Play depicts her struggle with depression and the challenges of her own aspirations, and becoming a mother, poignantly set against Mark’s experience of beginning to learn ballet, his lifelong passion, in his fifties. Continue reading “News: Cast announced for the premiere of Mark Ravenhill’s first autobiographical play Angela”
An hour plus of a straight white man justifying his affair or a modern classic? I go in for more Betrayal at the Theatre Royal Bath
“I thought it might be something like that. Something along those lines”
The things I do for the actresses I love. Despite the Herculean efforts of the Pinter at the Pinter festival, I still can’t say I am Harold’s biggest fan. But the announcement of Nancy Carroll in a play, alongside Ed Bennett and Joseph Millson, in these theatre-starved times was one I found hard to resist.
SIX reunite, The Theatre Channel switches on, The Shows Go On return and casting is revealed in Bath
The Reunion is the first stage+streaming concert performance by seven powerhouse vocalists who rose to fame as the original West End queens of the musical SIX: Aimie Atkinson,Alexia McIntosh,Grace Mouat,Jarneia Richard-Noel,Maiya Quansah-Breed,Millie O’Connell, and Natalie Paris. The show will be livestreamed by theatre platform Thespie but a lucky few will also be able to get tickets to see the concerts live on Saturday 10th and Sunday 11th October.
Performances will be held in Oval Space, a spacious and well-ventilated East London venue that has been entirely reimagined for safe, seated music and theatre performances. The seating plan is entirely flexible which allows seating to be customised to the audience that books. Audiences book for themselves and their household or support bubble only (to a maximum of six), and Thespie’s technology determines a seat plan that ensures safe spacing between households and optimises use of the space. Continue reading “More September theatre news”
Strallens to the fore,
umbrellas at the ready,
penguins…well we won’t mention them. Making its return to the Prince
Edward Theatre where it debuted in 2004, this
classic musical Mary Poppins
arrives at just the right time to
lift our spirits as the nights start to draw
in and politicians spout
falsehood after falsehood to further darken our nights. And there’s a
rollicking good time to be had here
as the show recalls the
good old days of easy-going entertainment.
leading role, Zizi Strallen
is a constant delight as the
stern nanny with just the right amount of
twinkle in her eye as she alights upon the Banks’ household. Vocally, she
is impressive too, whether rebuffing
Charlie Stemp’s charmingly flirtatious Bert whose
enormous perma-grin may or may not be the result of
In the roles of the domestic staff, Claire Machin
and Jack North get many a
if George Banks isn’t the
dad of your dreams, Joseph Millson pretty much is.
children play a big part
in this world and the pair
of tykes I saw this evening were
sweet and sour as their characters are much naughtier than the film. Continue reading “Review: Mary Poppins, Prince Edward Theatre”
The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland and they have just announced the nominations for the 2017 awards, the results of which will be revealed at a ceremony on Sunday 15th October.
How many of these did you see, and who do you think should win?
Best new play Half Breed by Tash Marshall, Talawa Theatre Company and Soho Theatre Narvik by Lizzie Nunnery, Box of Tricks Wish List by Katherine Soper, Royal Court and Royal Exchange Theatre